The book, Breath of Gold, on Pt Hari Prasad Chaurasia by @Sathyaistruth does have good info on his early days in Cuttack & even on his Bhubaneswar Gurukul, but completely misses the Odia movies that Bhuban-Hari composed for, such as Gapa Hele Bi Sata, Samaya, Anuraga & Bata Abata https://t.co/3dFaqIY2VV
https://twitter.com/OdiaCulture/status/1239948250578210816?s=19
Individually, as musicians, they were both well-known but not as composers.
It is not about just a few isolated ones over a long period. As many as 4 movies in 5 years, that too as a duo, and while being based in Bombay, means it must be some effort - an intense engagement with Odia cinema. Arguably in the most happening period of Odia cine music
https://twitter.com/OdiaCulture/status/1239970230874435587?s=19
Well, I will put it this way. The success (popularity is one part of that) in any field is a result of
1. one's competence (many aspects)
2. professional qualities
3. right attitude
4. the times
5.right opportunity which could be in any form.
They all do matter in real world.
https://twitter.com/OdiaCulture/status/1239561297827684358?s=19
Each of these has many aspects. Competence, for example, has talent, hard work, ability to learn and many other things.
Opportunity is patronage, being at the right place at the right time, sudden events and so on
True patriotism is not shouting at top of your voice that I am a patriot or proclaiming that my country is the greatest but appreciating that I have a duty towards my country.
https://twitter.com/OdiaCulture/status/1239922267011698693?s=19
I've been asked many times in the past why I call my handle OdiaCulture, when I tweet on topics other than Odi(sh)a or culture even if it is a non-controversial topic like Hrithik Roshan.
Now, I am taking a wilful diversion to tweet on #Coronoavirus for a greater good. Apologies
https://twitter.com/OdiaCulture/status/1239806791950553091?s=19
I started this account with this name, not to hide my identity but to keep my focus. So, if someone points that out, it keeps me in track.
Problem is: some expect me not to have an opinion at all, esp if that goes against their ideology, even if the topic is about Odia culture.
କିଛି ଧୂର୍ତ୍ତ-ରାଷ୍ଟ୍ର-ବାଦୀ ଙ୍କ କଥା ଦିହକୁ ନିଅନ୍ତୁନି .. “ତିନି ତୁଣ୍ଡ ରେ ଛେଳି କୁକୁର” କରିବା ହେଲା ତାଙ୍କ କାମ .. ଦି ପଇସା ପାଇଁ ସେମାନେ ଟାଉଟରୀ କରିବାକୁ ଆସିଯାଉଛନ୍ତି .. ସେମାନଙ୍କ ଘର ପରିବାର କଥା ଟିକେ ଚିନ୍ତା କରି ସେମାନଙ୍କ ଉପରେ ଦୟା କରନ୍ତୁ .
ସବୁ ଏକା ଧାରା ରେ ଗାଳ୍ପିକ , କବି , ବ୍ୟଙ୍ଗକାର , ଅର୍ଥଶାସ୍ତ୍ରୀ , ପ୍ରଚଣ୍ଡ ରାଷ୍ଟ୍ରଭକ୍ତ , ପ୍ରଗାଢ ଈଶ୍ୱର ବିଶ୍ୱାସୀ ଆହୁରି କେତେ କଣ ... ଶ୍ରୀକୃଷ୍ଣଙ୍କର ଷୋଳ କଳା ଥିଲା , ହେଲେ ଏମାନଙ୍କ ପାଖରେ ଗଣିଲେ ସତର କଳା ବାହାରିବ .. 😃
ଆଉ ସାର୍ଟିଫିକେଟ ଛପେଇକି ଧରିକି ବସିଛନ୍ତି .. ଇଏ ଅମୁକ , ସିଏ ସମୁକ .. 🤦🏻♂️
ସେମାନେଙ୍କ କାମ ହେଲା ସେଇଆ .. କିଛି ହାତ ଗଣତି ଲୋକଙ୍କୁ ଛାଡିଦେଲେ କେତେ ଜଣ ଏଠି ଓଡିଶା ସଂସ୍କୃତି କୁ ଧରି ବସିଛନ୍ତି କହିଲେ .. ସମସ୍ତେ ନିଜକୁ ସୁହାଇଲା ଭଳି ମତ ଦେଉଛନ୍ତି .. କଙ୍କଡା ଦଳେ ଅଛନ୍ତି .. ନିଜେ ରହିବେ ଗୋଳିଆ ପାଣି ରେ ଆଉ ଦେଖିଲେ ଯିଏ ଟିକିଏ ଆଗକୁ ଗଲା ପୁଣି ଭିଡି ଆଣିବେ ସେଇ ପାଣି କୁ ..
https://twitter.com/twt4nihar/status/1239832292249534465?s=19
"ଛମାଣ ଆଠଗୁଣ୍ଠ"
ପ୍ରଥମ ପରିଚ୍ଛେଦ
ରାମଚନ୍ଦ୍ର ମଙ୍ଗରାଜ :
ରାମଚନ୍ଦ୍ର ମଙ୍ଗରାଜ ଜଣେ ମଫସଲର ଜମିଦାର, ମଧ୍ୟ ମହାଜନ ନଗଦ ଟଙ୍କା କାରବାର ଠାରୁ ଧାନର ମହାଜନୀ ବେଶି । ଶୁଣାଯାଏ, ଆଡ଼େ ଦୀର୍ଘେ ଚାରି କୋଶ ମଧ୍ୟରେ ଆଉ କାହାରି କାରବାର ଚଳେନାହିଁ । ବଡ଼ ଧାର୍ମିକ । https://t.co/nTjFbZSJvZ
https://twitter.com/Pravasanta/status/1239801777630769152?s=19
ଦୁଇଜଣ ଫୁସ୍ ଫୁସ୍ ହେଉନ୍ତୁ, ଲୋକଙ୍କ ମନ ଦେଖ ସେହିଠାରେ, କଥାଟା ଶୁଣିବାପାଇଁ ସମସ୍ତଙ୍କ ମନ ଗୁଡ଼େଇ ପୁଡ଼େଇ ହେଉଥାଏ ବାସ୍ତବିକ୍ ସାନ ମଞ୍ଜି ଭିତରେ ବଡ଼ ଗଛ ଲୁଚି ରହିଲା ପରି ତୁନି କଥା ମଧ୍ୟରେ କେବେ ଭାରି କାରଖାନା ହେଉଥାଏ । ତୁଠରେ ତ ଆଏ କେହି ନାହିଁ, ଦରବୁଢ଼ୀ ଦିଓଟି କି ସକାଶେ ତୁନି ତୁନି ଇଶାରାରେ ଏପରି କଥା କହିଲେ;
1974 ମସିହା ପୂଜା ଗ୍ରାମୋଫୋନର ବିଜ୍ଞାପନ, ପ୍ରଜାତନ୍ତ୍ର ପୃଷ୍ଠାରେ। ସେତେବେଳେ ପୂଜା ଆସିଲେ ନୂଆ ପତ୍ରିକା ଆସେ, ପୂଜା ଆସିଲେ ନୂଆ ଗୀତ ଆସେ, ପୂଜା ଆସିଲେ ନୂଆ ଲୁଗା ଆସେ, ପୂଜା ଆସିଲେ ନୂଆ ସିନେମା ଆସେ, ଦଶ ଦିନ ଛୁଟି ନୂଆ ନୂଆରେ ବିତେ। ସେତେବେଳେ, ମୋର ଚପଳ ଶୈଶବ ବେଳେ। https://t.co/oxk7oPQkao
https://twitter.com/SuryadeoSurya/status/1239614264580567041?s=19
Wonderful, sharing unknown.facts are the beauty of @SuryadeoSurya bhai. Would like to know how the song ended up with Talat Mehd officially when there were two versions recorded😊
https://twitter.com/TaraniTrotter/status/1239728889913462784?s=19
I like @SuryadeoSurya bhai's poetic flow in his books 😀 along with loads of trivias
https://twitter.com/TaraniTrotter/status/1234276059870355459?s=19
ଆଛା, କାହା କାହା ପାଖରେ ଏ ଦୁର୍ମୂଲ୍ୟ ପୁସ୍ତକ ଟି ଅଛି ! ଓଡ଼ିଆ ଚଳଚ୍ଚିତ୍ର ଓ ସଙ୍ଗୀତ ଉପରେ ଯଦି କିଛି ବହି ଅଛି, ତାହେଲେ ଏହି ସୂତା(thread) ରେ share କରନ୍ତୁ (if you have any book on Odia films n songs, plz post in thread here with short info) #OdiaFilmsTrivia @odiamelody @OdiaCulture @SuryadeoSurya https://t.co/bQY2m1jxys
Title is imp for ticket sales n controversial & raunchy ones are safe bet due to absense of censorship. I remember once there were public against the title 'Mun Kendrapara Jhia Kahuchi' in 1998 based on the headlines
https://twitter.com/TaraniTrotter/status/1237637181423812608?s=19
Apart from Surya Babu's journalistic abilities and activism championing the cause of Odia Cinema & Culture, his prose style needs to be studied separately and appreciated independently. Sensed some affinity while reading this thread
https://t.co/nztmfAOAGw https://t.co/D3GELr3DUO
https://twitter.com/NathTusar/status/1239982021700538368?s=19
This handy compilation is three to four decades old but remains neglected. Let's hope both the scientific community and those dealing with Humanities look at it for some bold pointers at this time of crisis. @NathTusar
#SriAurobindo #WorldUnion #FiveDreams
https://t.co/qteHCTeMGk
https://twitter.com/SavitriEraParty/status/1239949601836158977?s=19
Sri Krushna Rasa Leela(1979) is the only Odia movie whose double LP was released in gatefold jacket.... with as many as 28 songs in these two records...sung by galaxy of singers of the era....composed by Rakhal Mohanty & Balakrushna Das... https://t.co/2T8867PL14
https://twitter.com/odiamelody/status/1236868038512627712?s=19
Akshaya Mohanty was equally at ease in the delicate duet with Nirmala Mishra as with ... the fun filled...Gele Gele Gele Gori... with Shipra Bose... in Adina Megha (1970) written by Narayan Prasad Singh... composed by Balakrishna Das from the 78 RPM Shellac... https://t.co/hDgBmajKil
https://twitter.com/odiamelody/status/1239585454892040193?s=19
The Rahasa tradition wove into a single storyline the thousands of songs written about Radha-Krishna in Odisha since centuries : this particular selection has songs by Jayadeba, Pindika Srichandana, Banamali, Raghunatha Parichha, Bhanja, and even some by the compilers themselves.
https://twitter.com/pattaprateek/status/1236879167947333632?s=19
Good news for classic Odia movie lovers. Another OTT platform AAO TV is launched. Movies restored by Film Journalist Forum are available here. Just download the @aao_tv app & Bindass Dekho. https://t.co/E1mZETTGbz
https://twitter.com/justlalit/status/1238660131933392897?s=19
ବାରିପଦା ମାଟିର ବରପୁତ୍ର ସଫଳ ସଙ୍ଗୀତ ନିର୍ଦ୍ଦେଶକ ଶ୍ରୀ ବାଚୁ ମୁଖାର୍ଜୀ ଆମ ଗହଣରେ ଆଉ ନାହାନ୍ତି । ଗୋପରେ ବଢୁଛି କଳା କହ୍ନେଇ , ମତେ ତ ଲଭ ହେଲାରେ ଭଳି ଅନେକ ସିନେମାରେ ସେ ସଙ୍ଗୀତ ନିର୍ଦ୍ଦେଶନା ଦେଇଥିଲେ । ଓଡ଼ିଆ ସିନେମା ପାଇଁ ଆଉ ଏକ ଅପୂରଣୀୟ କ୍ଷତି 😔🙏🏻 https://t.co/xKJT4MqG4q
https://twitter.com/odiafilmcritics/status/1239202090943049729?s=19
Sumati Devi, the protege of Kavichandra and mother of noted director Raju Mishra sang a number of songs in the 40s-50s, most composed and written by Kavichandra.
She sang in Lalita, the 2nd Odia movie, top
https://twitter.com/OdiaCulture/status/1238798799860117507?s=19
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