Samuduni song written by Sulochana Mohanty

The debut song of Suchitra and Sangeeta Mohapatra , known as Samuduni song... (1978) was an instant hit... a satire on the dowry system ,it gave a strong social message...written by Sulochana Mohanty... it was a must play at social occasions and puja pandals of the era... https://t.co/IuItrTtveE

https://twitter.com/odiamelody/status/1309336566897274880?s=19

All the commercial publishing of Banikantha was on HMV from 30's till early 70's. Digitization was done in 1997 with release of two Albums. This was followed by addition of some more songs on CDs. Still then these consist of a fraction of his copious recordings... https://t.co/hKmG6qb13o

https://twitter.com/odiamelody/status/1309522965206310913?s=19

They are doing that now.....some unavailable records are now officially available on YT and other platforms. Like He Banagiri He Latagiri, many of his Ramalila renditions, etc. A great deal of his remaining Odissi Chaupadi & Champu renditions are yet to be recovered.

https://twitter.com/pattaprateek/status/1309538398403661826?s=19

A documentary on 'Utkala Byasakabi' Phakir Mohan Senapati. https://t.co/xfr6i49jHy

https://twitter.com/pattaprateek/status/1309512770887405569?s=19

Available online for free now. Many government institutions have started uploading on https://t.co/B0bW61goIE also apart from their own sites. Was watching just now, it is very well made.

This is the DVD released by Doordarshan Archives... Anvesan.. documentary on Vyasakavi... https://t.co/s5RKLRi8FF

https://twitter.com/odiamelody/status/1309533947341176836?s=19

Yes... it was released almost a decade back ... still a lot remains... hope they do so.. on such platforms...

Superb show!

ଆମାର୍ କଣ ବେ ସେଇଟା ପରା ଆମର । ଆମାର୍ କୁଆଡୁ ଆଇଲା? ସେଇଟା ଆମ ରସଗୋଲା, ମୋ ଜଗନ୍ନାଥ ଖାଉଛି । ଜଗନ୍ନାଥଠାରୁ କଲିକତା ଆଗେ?  

https://t.co/MkwvzSuStc

https://twitter.com/OdiaCulture/status/1309530410469093382?s=19

ପୃଥିବୀରେ ଯୋଉ ଜାଗାକୁ ଗଲେ ଆମ ପଖାଳ ମିଳୁ ଥାଆନ୍ତା। କିମିତି ଲାଗନ୍ତା ସାର୍ କହିଲେ? ଆପଣ ଯାଇଥିବେ ଗୋଟେ ଆମେରିକା ୟୁଏସରେ ଗଲା ବେଳକୁ ଗୋଟେ ରେଷ୍​ଟୁରାଣ୍ଟରେ ବସିଥିବେ ସିଏ ଆସିକି କହିବ - ହ୍ୱାଟ୍ ଡୁ ୟୁ ନିଡ୍? ୟୁ ନିଡ୍ ପଖାଲ୍? କିମିତି ଲାଗିବ ସାର୍ ଚିନ୍ତା କଲେ ସାର୍?   

https://t.co/IHEgMHBgmT

Khanu Mian of Cuttack was a great Odissi musician of his time. All of his gramophone records are Odissi chaupadis, set to traditional Ragas Purabi, Kanada Kedara, Khambaja. He was one of Kabichandra Kali Charan Patnaik's gurus. Here's what Kali Babu writes in his autobiography : https://t.co/o3Y25ZCGh9

https://twitter.com/pattaprateek/status/1176817792189775872?s=19

Khan Mohammed (Khanu Mian) is believed to be the first recorded voice in Odia, recorded in 1907 by Gramophone Company.

But according to Australian researcher Michael Kinnear, Hemendra Mohan Bose of Kolkata had recorded Odia artistes on cylinder well before that

https://twitter.com/OdiaCulture/status/1176813016899182592?s=19

He even says French label Pathe which reissued some of Bose's recording on discs could have reissued some of these Odia recordings, though he is not sure. 

The name(s) of artiste(s) is/are not known.

Though some of cylinders were transferred to Pathe label... none of them were in Odia... the list of labels and number of records released till 1911... from Michael Kinnear’s second volume of early Indian recordings mentions ... 22 Odia records were released by Gramophone Co. .. https://t.co/r79GL3rWpQ

https://twitter.com/odiamelody/status/1309506733660749824?s=19

We lost yet other gem to corona #SPB or #SPBalasubrahmanyam is no more with us.🙏. His only Odia film is Sata Kebe Luchi Rahena https://t.co/6zUgHDlIob

https://twitter.com/TaraniTrotter/status/1309427264380051456?s=19

Hazaaron dilon ne tere geet gaaye

Tera geet rote huyon ko hansaaye

Jahaan yaad rakhega tera fasaanaa......

Rest in peace, #SPBalasubrahmanyam sir.

https://t.co/uXTvxV71gJ

https://twitter.com/anishmohanty/status/1309512315658698753?s=19

ମନଟା ମୁଗ୍ଧ ନଥିଲେ ସାହିତ୍ୟ ଜନ୍ମେନା

ବହୁତ କଥା କହିବାକୁ ଅଛି, ଅନେକ ଗୀତି ଗପ ଲେଖିବାକୁ ଅଛି! କିଛି ମଠକଥା, କିଛି ମିଠାକଥା, କିଛି ମଜାକଥା, କିଛି ମିଛକଥା...କିନ୍ତୁ କାହିଁ ଇଚ୍ଛା ହେଉନି। କରୋନା କି ପରିବର୍ତ୍ତୀତ ପରିବେଶ-ଆସର...ଜଣାନାହିଁ, କିନ୍ତୁ ଅଜଣା ଭୟ ଓ ନିରୁତା ପଛଘୁଞ୍ଚା ଏବେ କିଛି କହିବାକୁ ଆକଟ କରୁଛି ଟୁଇଟରରେ। ପରିବର୍ତ୍ତନ ସହ ଖାପ ଖୁଆଇବା ଅସହଜ। #ସାମ୍ପ୍ରତିକୀ

ହଁ ଆଜ୍ଞା। 

ବାରିଷ୍ଟର ବାବୁଙ୍କ କଥା ଥିଲା ନା- ଆଲୋ ସଖି...। ତେଣୁ ଚାପିଯିବା ସମୟର ଡାକ ବୋଧେ।

ହଁ, ସିଏ ବି ଠିକ୍। କିନ୍ତୁ ମନଟା ମୁଗ୍ଧ ନଥିଲେ, ସାହିତ୍ୟ ଜନ୍ମେନା।

ମୋର ଫୋରସେପ୍ସ ଟା ପ୍ରିୟ, ଯଦିଓ ମୋର୍ ଟ୍ରମାଟିକ🤣। ଭେଣ୍ଟୁସଟା ଫେମିନିନ୍ ଅସ୍ତ୍ରଶସ୍ତ୍ର ପରି ଲାଗେ।

ସେଇ ଟିକକ ଭଲପାଇବା ପାଇଁ ବେଣ୍ଟଟି ବନ୍ଧା ପଡିଛି ଏଠି। ନହେଲେ ଆନ୍ତରିକ ଆଗ୍ରହ ଉତ୍ସାହ କମିଗଲାଣି। ଓଡ଼ିଆମୀର ପ୍ରଚାର ପାଇଁ ଗୁଣ୍ଡୁଚିହେବା ତ ଦୂରର କଥା, ଏବେ ପିମ୍ପୁଡି ହେବାକୁବି ସାହସ ନାହିଁ🤣

ହଁ। ଏଇଠୁ ବହୁତ ଖୁସି ସାଉଁଟିଥିଲେ ଆମେ। ତେଣୁ ଏବେ କଷ୍ଟ ଲାଗୁଛି।

ସୋସିଆଲ ସିକ୍ୟୁରିଟିର ଅଭାବ ଲାଗୁଛି ସତରେ।

ହଁ। ମୁଁ ଫିଲ୍ କରୁଛି ଆପଣଙ୍କ କଥା

ହେଟ୍ ଇସ୍ ଦ ନିଉ ନର୍ମାଲ

ହଁ। ଗୋଡେ ଗୋଡେ ବିପଦ ଓ ଭୟ। କଣ କରିବା!

ମୁଁ ଏଠୁ ବହୁତ କିଛି ଶିଖିବାର ଆଗ୍ରହ ସାଉଁଟିଛି, ତେଣୁ ଆଡିକ୍ସନ ଥିଲା ଦିନେ।

https://twitter.com/drgynaec/status/1307741113118109696?s=19

ଗାଲ ଫଟେଇଦେବି ରୁହ😘। ବଡ଼ପିଲାଙ୍କ ପରି ଲୁଚୋଉଚ ବହୁତ କଥା😍। ଏବେ ଶୁଣିଲି। ଦୁ଼ଃଖ ଲାଗିଲା। ଶ୍ରୀଜଗନ୍ନାଥଙ୍କ ଅପାର କରୁଣାରୁ ଅପା/ମାଡାମ୍ ଜଲଦି ଠିକ୍ ହୋଇଯାନ୍ତୁ💐🙏

https://twitter.com/drgynaec/status/1307719318004592640?s=19

ମୃତ୍ୟୁ ଅବଶ୍ୟମ୍ଭାବୀ ଆର୍ ଅକସ୍ମାତ୍ ଆଏ । କାଲି ସନ୍ଧ୍ୟା ରେ ଅଭୟ ପାଢ଼ୀ ଆଜ୍ଞା ଙ୍କର ଲେଖା ବିଷୟ ରେ ଚର୍ଚ୍ଚା କରୁଥିଲୁ ଆଉ ଆଜି ସକାଳୁ ଖବର ମିଳିଲା ସେ ସଂସାର ଛାଡ଼ି କରି ଚାଲି ଗଲେ । ପ୍ରସାର ଭାରତୀ ର ଝନେ ଉଚ୍ଚ ପଦସ୍ଥ ଅଧିକାରୀ ସାଙ୍ଗେ ସାଙ୍ଗେ ସେ ଝନେ ସଂସ୍କୃତି ପ୍ରେମୀ ଆର୍ ପ୍ରଖର ବକ୍ତା ବି ଥିଲେ। ଓଁ ଶାନ୍ତି

#ଅଭୟପାଢ଼ୀ https://t.co/0fUZykLGyi

https://twitter.com/SOMPANDAODIA/status/1307963551953297409?s=19

ବିଂଶ ଶତାବ୍ଦୀର ଆରମ୍ଭରେ ସେବର ଗଞ୍ଜାମ ଜିଲ୍ଲାରେ ଗରୀବ ବ୍ରାହ୍ମଣ ଘରେ ବାହା ହୋଇଥିବା ମହିଳାମାନଙ୍କ ବିଷୟରେ ଏକ ଆଲେଖ୍ୟ, 'ହୀରାନାନୀ ଉପାଖ୍ୟାନ' ।

https://t.co/x7qxixfL9i

https://twitter.com/RoutraySailen/status/1307674147753844739?s=19

Born in Parlakhemundi, Apanna Panigrahi was a prodigious singer.Hailed as Surdas of Utkala... held the listeners spellbound..luckily his voice is preserved for posterity through his few recordings on Hindustan Records...’Mohana Madhuri..’ from his 78 RPM .. 1932 recording.. https://t.co/QETLIA80RG

One or two of Apanna’s records remain to be archived... kudos to you for tracking all those ancient lyrics... of not only of Apanna,but also the early 1906-09 Odia recordings..all the thanks to you would be less for the effort..🙏

https://twitter.com/odiamelody/status/1307651191472451584?s=19

Gāyaka-Siromani Apanna Panigrahi (1893-1936), one of the great Odissi musicians of the last century. His voice mingled with the vīnā indistinguishably. He often moved people to tears by singing chhāndas. Utkalamani Gopabandhu was very fond of Apanna. #OdissiMusic

https://twitter.com/pattaprateek/status/1306837087715426304?s=19

Undoubtedly. Knowing technicalities is one thing and transcending them is another. ୟାଙ୍କର ଯିଏ ଶୁଣିଛି ତାକୁ ଆଉ କିଛି ଭଲ ଲାଗିବନି । 🙏

Also see the taanas - how they are structured to the swing of the Tala & Chhanda - this is the typical Odissi style of taana.

Priceless : Parasamani Debadasi sings a beautiful janana. Maharis or Debadasis, sebayatas of the Puri Temple would sing & dance for Jagannatha — to whom they were ritually married. This tradition was initiated by the great Jayadeba himself. [subtitled, original footage NCAA] https://t.co/dyw5oQbHgP

https://twitter.com/pattaprateek/status/1141033300716224512?s=19

Unfortunately this tradition is no longer extant. There are no Maharis left, and with them is forever gone a huge amount of knowledge— that of Odissi classical music and dance.

Sarada Prasanna Nayak Giti Kabita Puraskar

Ramesh Chandra Mahananda conducted and composed two Sambalpuri Geetinatya LPs...released in 1985...''Bhoot Leela''... and ''Bhai Joontia''.... https://t.co/XPWgpYRLfL

https://twitter.com/odiamelody/status/1307351803726495745?s=19

Ramesh Chandra Mahananda had a fruitful association with Gathani...releasing a number of records from 1980-85...

ତାଙ୍କୁ ପରଦା ରେ ଦେଖିଲେ ଲାଗେ ଯେମିତି ନିଜର କେହି ଜଣେ । ତାଙ୍କ କହିଲା ପ୍ରତ୍ୟେକ କଥା ରେ ଥାଏ ଓଡ଼ିଆ ହୃଦୟ କୁ ଜିଣିବା ର ଗୋଟେ କଳା । ତାଙ୍କର ପ୍ରତ୍ୟେକ ସଂଳାପ ଓଡ଼ିଆ ମଧ୍ୟବିତ୍ତ ପରିବାର ର ସ୍ୱର। ତାଙ୍କର ଜୀବନ୍ତ ଅଭିନୟ ପାଇଁ ହେମନ୍ତ ଦାସ କଳାପ୍ରେମୀ ଙ୍କ ପାଖରେ ଚିର ସ୍ମରଣୀୟ ।

#ହେମନ୍ତ_ଦାସ #odisha #odiacinestar https://t.co/gyRjkrY2eC

https://twitter.com/SOMPANDAODIA/status/1306881179988234241?s=19

ପ୍ରାକୃତିକ ସୌନ୍ଦର୍ଯ୍ୟ ର ଭଣ୍ଡାର ହେଲା ରାୟଗଡ଼ା । କୁଲୁ, ମନାଲି ଯାଇନି ବୋଲି ଯାଉ ମାନଙ୍କ ଦୁଃଖ ଅଛି, ଥରେ ଯାଇ ଦକ୍ଷିଣ ଓଡ଼ିଶା ବୁଲି ଆସନ୍ତୁ, ସବୁ ଭୁଲି ଯିବେ ।

https://twitter.com/SOMPANDAODIA/status/1306961005100982272?s=19

ଅଦ୍ଭୁତ ଚିନ୍ତାଧାରା ଲୋକ ଙ୍କ ।

ବିଶ୍ଵାସ କରନ୍ତୁ ଥରେ ଯିଏ ଦେଓମାଳି ଉପର କୁ ଉଠି ଯାଇଛି, ତାକୁ ଆଉ କଉ hill station ଭଲ ଲାଗିବ ନାହିଁ । ତା ଭଳିଆ ଆହୁରି ଅନେକ ଲୁକ୍କାୟିତ ଜାଗା ରହି ଯାଇଛି। ମୁଁ ତ ଦକ୍ଷିଣ ଓଡ଼ିଶା ର ସୌନ୍ଦର୍ଯ୍ୟ ଉପରେ ଗୋଟେ ଛୋଟ ବହି ଲେଖି ପାରିବି 😀

କୈଳାଶ ବେହେରା ଙ୍କ ଅଭିନୟ ଆଖି ରୁ ଲୁହ ବାହାର କରିଦେବାକୁ ସକ୍ଷମ ଥିଲା । ହେଲେ ତା ସହ ସେଥିରେ ଜଣେ ହାସ୍ୟ ଅଭିନେତା ଥିଲେ, ଖୁବ୍ ବରିଷ୍ଠ ଓ ବଳିଷ୍ଠ ଅଭିନେତା ।

https://twitter.com/SOMPANDAODIA/status/1306266805917290496?s=19

"There was the Yamuna shimmering

like a flimsy nightmare,

with staid shrubs 

holding up the sky above the park,

with the crowds milling around shops with wobbly lights."

- From, 'Thus Spake Akrura' by Guruprasad Mohanty

https://t.co/sbLGZIbXS8

https://twitter.com/RoutraySailen/status/1306595133278662669?s=19

Bhartṛhari is a great Sanskrit scholar of 5th century .

His original text has been translated in various Indian languages.

Here one of the old publication of Odia version Neetishataka Subhashita by Suryanarayana Bisoyi of Parala .(1896) 

ଭର୍ତ୍ତୃହରି ସୁଭାଷିତ ନୀତିଶତକ

#GajapatiPress https://t.co/lGnscmFyYT

https://twitter.com/VAdkri/status/1307305781935575048?s=19

#Odisha Govt institutes award named after noted music director, lyricist, producer late Sarada Prasanna Nayak; the award named 'Sarada Prasanna Nayak Giti Kabita Puraskar' will be conferred by Odisha Sangeet Natak Akademi annually to the best lyricists: CM @Naveen_Odisha https://t.co/IwMQJeM8q3

https://twitter.com/theargus_in/status/1307287731232415744?s=19