With the miracle of technology, connectivity, and social media, lets retrieve, restore and archiv the Missed Treasure of Odia film & Odia music.
I am very happy and excited to be with twitter.
https://twitter.com/SuryadeoSurya/status/1234005340074590208?s=19
ପ୍ରଣବଙ୍କ ପୂର୍ବକଥା
ଓଡ଼ିଆ ଚଳଚ୍ଚିତ୍ର ସଙ୍ଗୀତଜଗତର ମହାନ୍ କଣ୍ଠଶିଳ୍ପୀ ପ୍ରଣବ ପଟ୍ଟନାୟକଙ୍କ ପୈତୃକ ନିବାସ ,ଜନ୍ମ ଗଞ୍ଜାମ ତଥା ବ୍ରହ୍ମପୁର। ଏହାଙ୍କ ପିତାଙ୍କ ନାମ ଶ୍ରୀ ଲାଲମୋହନ ପଟ୍ଟନାୟକ,ଯିଏକି 1946 ମସିହାରୁ 1951ମସିହା ଯାଏଁ ଓଡ଼ିଶାର ର ବାଚସ୍ପତି ଥିଲେ। ଲାଲମୋହନ ପଟ୍ଟନାୟକଙ୍କ ଜନ୍ମ ତଥା ପୈତୃକ ଗ୍ରାମ ଗଞ୍ଜାମ ବୁଢାରସିଙ୍ଗୀ https://t.co/wqN85PpVXg
https://twitter.com/VAdkri/status/1233605339284566016?s=19
ଲାଲମୋହନ ଇଚ୍ଛାପୁର ରେ ପ୍ରାଥମିକ ଶିକ୍ଷା ପରେ ବ୍ରହ୍ମପୁର ରେ ମାଧ୍ୟମିକ କଲେଜ ଶିକ୍ଷା ପରେ ଓକିଲାତି କଲେ।ସେତେବେଳ ସେ ବ୍ରହ୍ମପୁର ପୁରୁଣା ବସଷ୍ଟାଣ୍ଡ ନିକଟସ୍ଥ ଦଳୁଆ ସାହି ରେ ସପରିବାର ରହୁଥିଲେ, ଏଠାକା ରହଣୀ ସମୟରେ 20 ଜା1938 ରେ ପ୍ରଣବ ଜନ୍ମଗ୍ରହଣ କରିଥିଲେ,ଏହାର କିଛି ବର୍ଷ ପୂର୍ବେ ତାଙ୍କ ପିତା ଖୀରସ୍ତାନ ଧର୍ମଗ୍ରହଣ କରିଥିଲେ
ପ୍ରଣବଙ୍କ ପିତା ନିଜେ ଗୀତିକାର ସଙ୍ଗୀତଜ୍ଞ ଥିଲେ, ତାଙ୍କ ପ୍ରଭାବ ରେ ପ୍ରଣବ ମହାନ୍ ସଙ୍ଗୀତଜ୍ଞ ହୋଇଛନ୍ତି।1944 ବେଳକୁ ଏହି ପରିବାର ବ୍ରହ୍ମପୁର ରୁ କଟକ ଚାଲିଗଲେ। ପ୍ରଣବଙ୍କ ମାତାଙ୍କ ନାମ ହେମମାଳି,ସେ ନାରୀକବି କୁନ୍ତଳା ସାବତ ଙ୍କ ବାନ୍ଧବୀ ଥିଲେ,ପ୍ରଣବଙ୍କ ପରିବାର ଗଂଜାମ ର ଜମିଦାର,ପ୍ରଣବ ଙ୍କ ପିତା ଅନେକ ପୁସ୍ତକର ରଚୟିତା ମଧ୍ୟ। https://t.co/J9xM8el0bD
His sister Sukriti Pattnaik has also quite a number of recording with HMV...
https://twitter.com/odiamelody/status/1233635388301938688?s=19
Nail Nali Ayi Krushnachuda....(1973).... by Raghunath Panigrahi....penned by Bepin Bihari Mohanty... and composed by Bhubaneswar Mishra... https://t.co/2hW8uoafrF
https://twitter.com/odiamelody/status/1233596315357138944?s=19
Raghunath Panigrahi recorded his first song in 1949 with HMV...his first EP was released in 1970 after the 78 RPM era...closely followed by another EP in 1973....all the eight songs remain a classic....ranging from classical...to folk...to modern..... https://t.co/Tl94syZISl
https://twitter.com/odiamelody/status/1233592827747041283?s=19
Bepine bihari Mohanty retired as a doctor. Belongs to rohia. Wrote it in his youth. One of his 100 odd poems.
https://twitter.com/samanwaya_et/status/1233684310068203521?s=19
Hazoor Mora by Gita Patnaik. One of the lesser known songs of #KhokaBhai Just shows his versatility https://t.co/rsWACvIRqt
https://twitter.com/OdiaCulture/status/796381550225031168?s=19
Plz share if anyone remembers the dubbed Odia movie names (alongwith the original) which were made for greater reach regionally. 1. Bhagya (Taqdeer 1967 in Hindi) @NathTusar @OdiaCulture @OdiaCulture @odiafilmcritics @OdiaMovieDB https://t.co/37hQ57AdkO
https://twitter.com/TaraniTrotter/status/1232506655998447616?s=19
2. Shola aur Shabnam (1961) *ing Dharmendra n Tarla Mehta, music Khayyam was dubbed into Odia as Saathi. It had Odia version songs like Phula ku jhure, Jane ki khojuchi, Chhadi re Chhadi.. https://t.co/exKpRl9gfQ
https://twitter.com/TaraniTrotter/status/1232935253615886337?s=19
The Odia record cover courtesy Simadri bhai. I particularly liked one song very much.. Phula ku khoje. All songs lyrics by Ganesh Mohapatra, music legendary Khayyam Sahab n sung by AK Dev,Lela Ghosh n Meena Patki https://t.co/nqZauacZA6
Parikshit Jena also had good collection of Odia film magazines whose cover pic were digitised n displayed in the recent exhibition. Some good nos were also arranged from journalist Srikant Mohanty's (Puri) collection
https://twitter.com/TaraniTrotter/status/1232543662300639232?s=19
This was a dubbed movie... most often the booklets and catalogues are incomplete... must have missed it... songs were re created for these movies...with all the eminent singers of the era... Raghunath Panigrahi even singing and composing one for Naga Pooja....
https://twitter.com/odiamelody/status/1232531871172612096?s=19
Would it be possible for you to upload such videos of longer duration, or it's against your editorial policy? Such thematic creations - like one on Janha or Sapana - can effectively obviate the need for playlists. It will also salvage many neglected songs. https://t.co/NLTaZOIz64
https://twitter.com/SavitriEraParty/status/1231957155915423744?s=19
This is arguably the most prominent connoisseur's favorite from Odia films of all times.
Which other songs, according to you, should be on a list of such film songs? Please restrict to film songs only.
https://twitter.com/OdiaCulture/status/1231275297380519938?s=19
Since we are talking of good songs, here is a list of must-listen pre-70s songs that I had posted a couple of years back. I think all are available in YouTube, specifically
@odiamelody @NathTusar Please add/edit the list. Then, we will go to the 80s and so on https://t.co/DHYllyDCax
ବୋଉଲୋ କି କହିବି is popular and musically great but is not exactly a poet's song. A connoisseur's song, in my opinion, should be great individually in lyrics, music and as a combination too. My humble opinion
I meant songs that appeal both to intellect and emotion
Well, we may not restrict to films only. I find this really hilarious https://t.co/knV9YLfCDX
Hrudayara Ei Sunyata... sung by Sekhar Ghosh in ‘ Samar- Selim-Simon ‘ ( 1979)... composed by Mushir... penned by Nizam.... https://t.co/0b6VwdwJCo
https://twitter.com/odiamelody/status/1231256449726255104?s=19
The background reminds"zindegi kaisi yeh paheli" and "ajeeb dastaan hair yeh".And you can find the mouth organ also. Gold indeed.
https://twitter.com/DandapaniSatap1/status/1231588739119505409?s=19
I think we should create a 'best comic songs' in Odia thread.
@odiamelody @NathTusar @TaraniTrotter
https://twitter.com/OdiaCulture/status/1231432441467813888?s=19
Autobiography of Kavichandra..''Kumbhara Chaka' mentions about one Mastan Babu of K.B.Mukherjee & Co at Balu Bazar... who were the authorized dealers of HMV Record...Mastan Babu arranged for recording of the three records with HMV..a catalogue of K.B.Mukherjee & Co.. https://t.co/pBlplRml1f
https://twitter.com/odiamelody/status/1230174763655413760?s=19
Kavichandra Kalicharan Pattnaik recorded the first Comic Song in Odia..as mentioned in his autobiography 'Kumbhara Chaka'...these are the three records..one a duet with Mohan Sunder Deb Goswami..recorded around 1928...these records costed three rupees eight annas apiece... https://t.co/rDK4qaygTT
https://twitter.com/odiamelody/status/1230168119705948160?s=19
Manika... Alo Alo Manika... by Chittaranjan Jena and Md. Habib... in ‘Sesa Srabana’ (1976)... written and composed by Prafulla Kar... https://t.co/ZQmS0efHpa
Prasanta Nanda made his debut as Director with 'Sesa Srabana' (1976)… the songs composed by Prafulla Kar went on to become massive hits... the movie a resounding success...Rajashri later remade the movie in Hindi...''Naiyya''(1979)..the Odia Super 7 Record..and the Hindi One.. https://t.co/392W4t9TLE
Learnt so much about #PrachiValley today....learnt about Sidhavata Jayadev Sadhanapitha at Kenduvilva...one of the definitive renditions of Jayadev's Gita Govinda was by Raghunath Panigrahi...released in 1975...with sleeve notes by Gopi Nath Mohanty... https://t.co/vYmE9PfWkO
Today’s enlightening discussion on #PrachiValley ... and about Kenduvilva... spurred me to listen to this fine rendition by Raghunath Panigrahi of Jayadeva ‘ s...Gita Govinda ... Jaya Jagadisha Hare... (1975) https://t.co/65COsnxPcL
Shyama Apabada Mote... sung by Shyamamani Devi... from Lyrics of Gopalakrushna(1976)... the sheer beauty in crafting of words... https://t.co/Xb48mMUiBX
So many institutions do exist... Sangeeta Mahavidyalaya... Literature Deptt in so many Universities... University of Culture...Odia Bhasa Pratisthan... Odissi Research Centre... Sangeet Natak Akademi... and many more... they should take up these projects....
https://twitter.com/odiamelody/status/1228203225762816002?s=19
Back to back was also released ''Lyrics of Kavisurya'' in 1976....composed by Balakrushna Das.... the jacket was again designed by Dinanath Pathy… and sleeve notes by Nandini Satpathy…. https://t.co/9pQ68b5HoA
Bhanja Sangeeta... was released by INRECO... almost around the same time...
That was a satire on Round Table Conference... but quite interestingly HMV allowed it... though owned by British... usually they never allowed such recordings... many such are recorded under Swadeshi label of Megaphone ... under the guise of Comic Song...
https://twitter.com/odiamelody/status/1231552291951587329?s=19
There was also another on Guru Nanak translated by Gananath Das..on cassette ... composed by Santanu Mohapatra..G N Das had a couple of books on Kabir...
Good that a fresh re print of collected works of Kanta Kabi in two volumes has been available by Odisha Book Emporium...
Who is the singer of Sagu Khia Pati... haven’t heard it before... really nice one...We all look forward to publishing of all your collection... trivia...
https://twitter.com/odiamelody/status/1231540688489254912?s=19
There is a vast recording of Non movie songs... we don’t have any document on the labels and records pressed in the Shellac era... to add to it... prolific recording was done by Govt itself as part of publicity ... featuring all eminent artists of the era...
https://twitter.com/odiamelody/status/1231772464851693568?s=19
Once this phase of collection of labels of Shellac era is over.. in fact there is little document available to have an idea of how many records were pressed...this discography will surely be a collaborative effort with people like you...
That’s the reason ..... the company soon died... and T-Series..Venus..Tips... reigned the scene... and the company itself changed many ownerships... survived because of vast repertoire of movie songs of golden era....
No it’s not about Banikantha..he was a legend... but about the recording company ..they do have a role in promotion... hadn’t it been for little known INRECO in those days ....Jitendriya Haripal’s song couldn’t have seen light of the day.....
All these documentation... would really help in Odia Discography... hope such one really sees light of the day...
Don’t know why... but they don’t have the records... years of recordings by eminent artistes are also not there...
There is a vast recording of Non movie songs... we don’t have any document on the labels and records pressed in the Shellac era... to add to it... prolific recording was done by Govt itself as part of publicity ... featuring all eminent artists of the era...
Of the recording of earlier era... HMV only brought out two CDs...of Banikantha..only 40 songs...and that too recorded from discs...they don’t have the master discs..and the companies as Megaphone, Senola, Hindustan, Shahensha Records, Kohinoor, Taj Records etc..are also there...
Banikantha was the most recorded artiste of HMV from Odisha... seems these are from their recordings taken from disc in late 90s...
Surya Deo is there... who had found identity of some of these early singers...think Virtual Academy ... Archives...with people like you should collaborate ... and all other who have gathered information... into this Discography..
https://twitter.com/odiamelody/status/1231590967167397889?s=19
Yes... that’s the reason... he was the most recorded... but others also sold... being the pioneers ... they could have promoted others as well....
That’s the reason ..... the company soon died... and T-Series..Venus..Tips... reigned the scene... and the company itself changed many ownerships... survived because of vast repertoire of movie songs of golden era....
Also true... but HMV shouldn’t have limited its catalog... should have encouraged other artistes... that’s the reason so many recordings are there on other labels... all the traditional .... folk and modern...HMV had this elitist approach...
Yes... true... Akshaya Mohanty was denied by HMV... and all his early recordings are on Senola... with growing popularity... HMV ..... recorded him around 1967....l
Of the recording of earlier era... HMV only brought out two CDs...of Banikantha..only 40 songs...and that too recorded from discs...they don’t have the master discs..and the companies as Megaphone, Senola, Hindustan, Shahensha Records, Kohinoor, Taj Records etc..are also there...
Yes, agree on that. HMV's approach seems elitist, I don't think Banikantha had any say in it. In fact I think he was crucial in elevating less privileged instrumentalists of his time— who else would have recorded Ghuduki in a gramophone record in that time
Primitive? Enormously difficult and complex, while also being more ancient. (Odisha has a tendency of preserving ancient things longer) Often limited exposure to his repertoire might mislead into thinking it is something simplistic.
https://twitter.com/pattaprateek/status/1231612209714757634?s=19
Of course. Tastes of audience evolve over time, and recording only reflects that. Pretty sure many commoners of today's generation won't hesitate to call 1909 records harsh and unpleasant. Ear needs to be calibrated to enjoy each kind of music :)
For everyone's awareness, a few more songs of Banikantha's gramophone records seem to have been restored and put online. Around 6-7. They seem to be working to digitise them. Here https://t.co/Bv62W3Jwfv
Yes, I know we are talking of the company, not him. Just mentioning the move from strictly Odissi classical to folkish tunes to modern (Banikantha did some transitional ones, somewhat b/w modern and Odissi). HMV seems to have been very slow and hesitant expanding though
https://twitter.com/pattaprateek/status/1231616028804694016?s=19
Yes. I hope a book is created someday. I also really think Akashvani Odia should create a dedicated program to educate Odia people about these early artists and play the records over radio. That would be really impactful.
This dasa-rāga-mālikā was composed by the poet Gaurahari Parichha of Paralakhemundi. In his exceptionally long life (1794-1893), he translated Gitagobinda into Odia, as several Odissi chaupadis. Some researchers ascribe the Prahallada Nataka to Gaurahari. #OdissiMusic
Yes. An anthology was published by Gajapati Press long ago in 1926 (which has fortunately been digitised) https://t.co/NcfJHC9EqZ
One of the best Odissi albums till date, I would say. 'Manasija Manamohana' in Raghu Babu's pristine voice still echoes in my mind. #OdissiMusic https://t.co/wKZfEC96jF
https://twitter.com/pattaprateek/status/1228013970872655877?s=19
Yes we do have exhaustive anthologies in Odia, but a significant chunk of his writing is yet to be published. I do not think much of his work has been translated; I have come across a handful of poems here and there, but not more than that.
All of them are traditional swaras, with the lone exception of 'E Ghana Dina Eka'— which as far as I know is Balakrushna Das's composition.
Traditional music of Odissi Sankirtana. With roots in the 15th century, primarily due to the Panchasakha. Later the Vaishnava movement would lead to these tunes being spread to almost every corner of the state, pioneered by poets such as Gopalakrusna & Gauracharana. #OdissiMusic
New video | The Odissi Project | Veteran Pala virtuoso 'Gayaka Rasasagara' Bairagi Behera sings an elaborate classic Anandabhairabi : ଆଜ କେଳିକ ଉତୁକୀ ଶ୍ରୀଛାମୁ୍ରେ, traditionally ascribed to Bhanja. His fervour is infectious. Watch here : https://t.co/92gHX2oD0T #OdissiMusic https://t.co/DXBrTxWdy0
Had put my request to create a non Odia songs discography in this forum earlier. Waiting for all your contributions via mail. @NathTusar https://t.co/jFcxmKv9kO
https://twitter.com/TaraniTrotter/status/1231767320026124289?s=19
Ya, it must be in editable format with one admin with access to edit it periodically supported by others by sharing/updating info via mail
I'm biased towards melody like this remix. https://t.co/uEoNB0qcAw
https://twitter.com/SavitriEraParty/status/1231615060642009088?s=19
Befitting for Trump visit.
[Between 1930 and 1932, British government called a series of conferences to consider future government of India. The first session was opened by King George V in the Royal Gallery in the House of Lords, and chaired by Prime Minister Ramsay MacDonald.]
https://twitter.com/NathTusar/status/1231553637282959360?s=19
Like Taichung rice, does America feature in any of our old songs? PL-480 was very much a common topic then. SPAN colour pages were good as book wrapper and used to be a bit better than the glossy Soviet Land. Pic: SPAN June 1966 (before lunar landing). #TrumpInIndia #OldOdiaSongs https://t.co/hUYJSJ7VCm
Another good song from radio:
Chanda deshe kiese jiba asare asa asa
Rocket chadhi jibare udi dekhiba nua desha
(Sunday Shishu sansara)
https://t.co/lIvbWUZ1Cm https://t.co/OxkBM9kOes
Re kindled old memories... used to subscribe SPAN in School days... with its glossy pages... think we have songs mentioning England... Na Jana England O Dear... by Prafulla SinghDeo in ‘ Rolls-2-8”....
https://twitter.com/odiamelody/status/1231804780592455681?s=19
The book does give all the lyrics... the challenge was the movie of earlier period... with discs not released for many movies... and in that era... as was prevalent ... 78 RPM songs of only popular numbers were released... to add to the problem... prints are non existent..
https://twitter.com/odiamelody/status/1232579681418928130?s=19
''Batighara'' (1976) was the second movie to be released... composed by Prafulla Kar....the movie was unsuccessful...but the Pranab Patnaik number...''Seema Hina Daria...'' is still remembered.... https://t.co/iSHm5aLHhM
https://twitter.com/odiamelody/status/1234515990945263616?s=19
Seema Hina Daria... sung by Pranab Patnaik in ‘Batighara’(1976)... written by Sibabrata Das... composed by Prafulla Kar... one of his finest works...from the record... https://t.co/XcC18nUNo7
https://twitter.com/odiamelody/status/1234528655398842370?s=19
True... though the movie didn’t run beyond a couple of days... this second assignment by Prafulla Kar is classic... reference is there in the new book... by Prasanta Nanda...Chalachitra Purana...
Samar-Saelim-Simon (1979) was debut movie of Mushir...the movie was unsuccessful....but the songs are still popular... Sekhar Ghosh achieved fame with ..''Hrudayara Ei Sunyataku…..'' https://t.co/sYkK8Ywu8k
Both 78 RPM schellacs and microgroove 45 RPM continued to be published simultaneously till 1970...''Adina Megha'' (1970) had some memorable compositions...both the record formats of this successful movie... https://t.co/KbTzcC8Eh3
https://twitter.com/odiamelody/status/1236134752899354624?s=19
Ei Bhara Janha Raati... from Adina Megha(1970)... by Akshaya Mohanty and Nirmala Mishra... written by Kalicharan Patnaik ... composed by Balakrishna Das... this was the first song of Akshaya Mohanty in which he gave voice to any lead character of the movie...timeless music... https://t.co/uWzOa4PJyG
https://twitter.com/odiamelody/status/1236138740617064449?s=19
[‘ଢେଉ ଢେଉକା ପାହାଡ’ ଗୀତ ‘ସଂସାର’ରେ ରହିଲା । ଆଉ ହିରୋଙ୍କ ପାଇଁ ସେଥିରେ ଅକ୍ଷୟ ମହାନ୍ତି ପ୍ରଥମ କରି ଭଏସ୍ ଦେଲେ । ଆଗରୁ ତାଙ୍କୁ କମେଡି କି ନିୟତି ଗୀତ ଦିଆଯାଉଥିଲା । ତୃପ୍ତି ଦାସ ଆଉ ଗୀତା ପଟ୍ଟନାୟକ ଗାଇଥିଲେ । କିନ୍ତୁ ଅକ୍ଷୟଙ୍କ ମନ ମାନିଲା ନାହଁ । ନିର୍ମଳା ମିଶ୍ରଙ୍କୁ ନେଇ ସେ ଗୀତ ଡବ୍ ହେଲା |]
https://t.co/uKbeqCzswm
https://twitter.com/NathTusar/status/1236245920817106945?s=19
ଏମତି ବି ହୁଏ, ଗୀତ ପାଇଁ ଲାଇନ୍ ବା ଭାବଟିଏ କାହିଁ କେତେ ଆଗରୁ ସାଇତା ହୋଇ ରହିଥାଏ...
#SuryaDeo #OdiaCinema https://t.co/Tp7edLtZqW
https://twitter.com/Odisha_Sambad/status/1195901102509588480?s=19
ଗୁଡ଼ିଗୀତ ବଜାରକୁ ଆସିବା ପରେ କେବଳ ‘ଲଚକମାଣି ଗୁଡ଼ି’ ବିକ୍ରି ହେଉଥିଲା
#OllyWood #OdiaCinema #SuryaDeo #Bhubaneswar #Odisha https://t.co/7l58RSS4RB
https://twitter.com/Odisha_Sambad/status/1188665889748439040?s=19
ସୂର୍ଯ୍ୟ ଦେଓଙ୍କ ସାପ୍ତାହିକ ସ୍ତମ୍ଭ ‘ଗୀତ ପଛର ଗପ’: ସୂର୍ଯ୍ୟମୁଖୀ
#Suryamukhee #OdiaCinema #SuryaDeo https://t.co/653f9zAfXN
https://twitter.com/Odisha_Sambad/status/1185578684180119554?s=19
ଗୋଟିଏ ପୁରୁଣା ଓଡ଼ିଆ ଗୀତ ଥିଲା ଶ୍ୱଶୁର-ଶାଶୁ-ଦେଢ଼ଶୁର ଇତ୍ୟାଦି ନାଁ ପଡିବ ବୋଲି ସେ ଅମୁକ କୁହନ୍ତି ନାହିଁ। ହୁଏତ @odiamelody ଠିକରେ କହି ପାରିବେ ଓ ଶୁଣେଇ ପାରିବେ 😊
https://twitter.com/de_moaned/status/1234707422415069184?s=19
https://youtu.be/OiW8HQ5GCYM
Dedhasura na balia
https://twitter.com/nidhi_budha/status/1234708027145478144?s=19
https://twitter.com/de_moaned/status/1234726544297193472?s=19
Thanks God. Got it 😊
https://t.co/nbSF96Jka7
Mr. R. Subbarao, noted archaeologist, gives the following reasons to show that the Western Gangas and Eastern Gangas didn't belong to one and same dynasty.
1. The early Gangas of Mysore were Jainas and belong to Ikshvaku dynasty and solar line and their gotra was Kanvayana.
https://twitter.com/ashishsarangi/status/1236675441408094211?s=19
But the Gangas of Kalinga were Saivas and belonged to Lunar line, gotra- Atreya.
2. In the numerous copper plates of Gangas of Kalinga there is no mention that they migrated from Mysore.
3. The symbols &seals on copper plate grants of Mysore Gangas & Kalinga Gangas are different.
Gangas of Kalinga patronize Odia literature.
https://t.co/sSdTbJBIRQ
History of Odisha by Dr. K.C.Panigrahi.
Page no 116.
They (Ganga Dynasty) imbibed odia customs and adopted odia language. They also became the patrons of the Odishan literature.
https://twitter.com/ashishsarangi/status/1236668118836989953?s=19
The origin of the Eastern Gangas is not clearly established. Differences are there. But that does not mean they were not odias. Ok, if they were not odias along with Kesharis (as you mentioned), then from where they were. Also the location of Mahisa state is still not clear.
Also see the language of "ascharjya charcha chaya" and "bajragiti". We all know the timings of these literary works.
* Ascharjya charjyachaya
Rudrasinidhi is considered to be the first work of prose in odia language. It was written by Abhadutta Narayana Swami. This was written in 13th century and it refers to the education system of then Odisha.
Refer book : Medival Orissa by Shishir Kumar Panda
Markanda Das composed the first koili in Odia just before the beginning of the age of Sarala Das. His composition Kesava Koili describes the pain of separation of Yasoda from Krishna. He is also known to compose the epic Daasagriba badha, Jnaanodaya Koili.
For above tweet refer book : A History of Indian Literature, 500-1399: From Courtly to the Popular by Sisir Kumar Das.
In his book Palm Leaf Etchings of Orissa, Mr. Durga Prasad Patnaik wrote that the earliest books in Odia language are the Sisu Veda and Saptanga. These two books provide links between the early Odia and the Odia of Sarala Das and Markanda Das.
ଆସନ୍ତୁ ଜାଣିବା କାଳକ୍ରମେ ଅବିଭକ୍ତ କୋରାପୁଟ ର ନାମ :
ବୈଦିକ ଯୁଗ: ଆରଣ୍ୟକ
ତ୍ରେତୟା : ଦଣ୍ଡକାରଣ୍ୟ
ଦ୍ଵାପର : ନିଷାଦ
ଜୈନ/ବୌଦ୍ଧ : ଆଟବିକ
ମୌର୍ଯ୍ୟ ଯୁଗ: କଳିଙ୍ଗବନ
ଗୁପ୍ତ ଯୁଗ: ମହାକାନ୍ତାର
ନଳବଂଶ ଯୁଗ: ଖଣ୍ଡିର ଶୃଙ୍ଗ
ସୋମବଂଶ: ତ୍ରିକଳିଙ୍ଗୀବନ
ଛିଣ୍ଡକନାଗ: ଚିତ୍ରକୋଟ
ମତ୍ସ୍ୟ ବଂଶ: ଉଡ୍ରଦେଶ
ସୂର୍ଯ୍ୟ ବଂଶ ଯୁଗ: ଜୟପୁର ରାଜ୍ୟ https://t.co/IHtEZof3oP
https://twitter.com/VAdkri/status/1235871081564524544?s=19
I am very happy and excited to be with twitter.
https://twitter.com/SuryadeoSurya/status/1234005340074590208?s=19
ପ୍ରଣବଙ୍କ ପୂର୍ବକଥା
ଓଡ଼ିଆ ଚଳଚ୍ଚିତ୍ର ସଙ୍ଗୀତଜଗତର ମହାନ୍ କଣ୍ଠଶିଳ୍ପୀ ପ୍ରଣବ ପଟ୍ଟନାୟକଙ୍କ ପୈତୃକ ନିବାସ ,ଜନ୍ମ ଗଞ୍ଜାମ ତଥା ବ୍ରହ୍ମପୁର। ଏହାଙ୍କ ପିତାଙ୍କ ନାମ ଶ୍ରୀ ଲାଲମୋହନ ପଟ୍ଟନାୟକ,ଯିଏକି 1946 ମସିହାରୁ 1951ମସିହା ଯାଏଁ ଓଡ଼ିଶାର ର ବାଚସ୍ପତି ଥିଲେ। ଲାଲମୋହନ ପଟ୍ଟନାୟକଙ୍କ ଜନ୍ମ ତଥା ପୈତୃକ ଗ୍ରାମ ଗଞ୍ଜାମ ବୁଢାରସିଙ୍ଗୀ https://t.co/wqN85PpVXg
https://twitter.com/VAdkri/status/1233605339284566016?s=19
ଲାଲମୋହନ ଇଚ୍ଛାପୁର ରେ ପ୍ରାଥମିକ ଶିକ୍ଷା ପରେ ବ୍ରହ୍ମପୁର ରେ ମାଧ୍ୟମିକ କଲେଜ ଶିକ୍ଷା ପରେ ଓକିଲାତି କଲେ।ସେତେବେଳ ସେ ବ୍ରହ୍ମପୁର ପୁରୁଣା ବସଷ୍ଟାଣ୍ଡ ନିକଟସ୍ଥ ଦଳୁଆ ସାହି ରେ ସପରିବାର ରହୁଥିଲେ, ଏଠାକା ରହଣୀ ସମୟରେ 20 ଜା1938 ରେ ପ୍ରଣବ ଜନ୍ମଗ୍ରହଣ କରିଥିଲେ,ଏହାର କିଛି ବର୍ଷ ପୂର୍ବେ ତାଙ୍କ ପିତା ଖୀରସ୍ତାନ ଧର୍ମଗ୍ରହଣ କରିଥିଲେ
ପ୍ରଣବଙ୍କ ପିତା ନିଜେ ଗୀତିକାର ସଙ୍ଗୀତଜ୍ଞ ଥିଲେ, ତାଙ୍କ ପ୍ରଭାବ ରେ ପ୍ରଣବ ମହାନ୍ ସଙ୍ଗୀତଜ୍ଞ ହୋଇଛନ୍ତି।1944 ବେଳକୁ ଏହି ପରିବାର ବ୍ରହ୍ମପୁର ରୁ କଟକ ଚାଲିଗଲେ। ପ୍ରଣବଙ୍କ ମାତାଙ୍କ ନାମ ହେମମାଳି,ସେ ନାରୀକବି କୁନ୍ତଳା ସାବତ ଙ୍କ ବାନ୍ଧବୀ ଥିଲେ,ପ୍ରଣବଙ୍କ ପରିବାର ଗଂଜାମ ର ଜମିଦାର,ପ୍ରଣବ ଙ୍କ ପିତା ଅନେକ ପୁସ୍ତକର ରଚୟିତା ମଧ୍ୟ। https://t.co/J9xM8el0bD
His sister Sukriti Pattnaik has also quite a number of recording with HMV...
https://twitter.com/odiamelody/status/1233635388301938688?s=19
Nail Nali Ayi Krushnachuda....(1973).... by Raghunath Panigrahi....penned by Bepin Bihari Mohanty... and composed by Bhubaneswar Mishra... https://t.co/2hW8uoafrF
https://twitter.com/odiamelody/status/1233596315357138944?s=19
Raghunath Panigrahi recorded his first song in 1949 with HMV...his first EP was released in 1970 after the 78 RPM era...closely followed by another EP in 1973....all the eight songs remain a classic....ranging from classical...to folk...to modern..... https://t.co/Tl94syZISl
https://twitter.com/odiamelody/status/1233592827747041283?s=19
Bepine bihari Mohanty retired as a doctor. Belongs to rohia. Wrote it in his youth. One of his 100 odd poems.
https://twitter.com/samanwaya_et/status/1233684310068203521?s=19
Hazoor Mora by Gita Patnaik. One of the lesser known songs of #KhokaBhai Just shows his versatility https://t.co/rsWACvIRqt
https://twitter.com/OdiaCulture/status/796381550225031168?s=19
Plz share if anyone remembers the dubbed Odia movie names (alongwith the original) which were made for greater reach regionally. 1. Bhagya (Taqdeer 1967 in Hindi) @NathTusar @OdiaCulture @OdiaCulture @odiafilmcritics @OdiaMovieDB https://t.co/37hQ57AdkO
https://twitter.com/TaraniTrotter/status/1232506655998447616?s=19
2. Shola aur Shabnam (1961) *ing Dharmendra n Tarla Mehta, music Khayyam was dubbed into Odia as Saathi. It had Odia version songs like Phula ku jhure, Jane ki khojuchi, Chhadi re Chhadi.. https://t.co/exKpRl9gfQ
https://twitter.com/TaraniTrotter/status/1232935253615886337?s=19
The Odia record cover courtesy Simadri bhai. I particularly liked one song very much.. Phula ku khoje. All songs lyrics by Ganesh Mohapatra, music legendary Khayyam Sahab n sung by AK Dev,Lela Ghosh n Meena Patki https://t.co/nqZauacZA6
Parikshit Jena also had good collection of Odia film magazines whose cover pic were digitised n displayed in the recent exhibition. Some good nos were also arranged from journalist Srikant Mohanty's (Puri) collection
https://twitter.com/TaraniTrotter/status/1232543662300639232?s=19
This was a dubbed movie... most often the booklets and catalogues are incomplete... must have missed it... songs were re created for these movies...with all the eminent singers of the era... Raghunath Panigrahi even singing and composing one for Naga Pooja....
https://twitter.com/odiamelody/status/1232531871172612096?s=19
Would it be possible for you to upload such videos of longer duration, or it's against your editorial policy? Such thematic creations - like one on Janha or Sapana - can effectively obviate the need for playlists. It will also salvage many neglected songs. https://t.co/NLTaZOIz64
https://twitter.com/SavitriEraParty/status/1231957155915423744?s=19
This is arguably the most prominent connoisseur's favorite from Odia films of all times.
Which other songs, according to you, should be on a list of such film songs? Please restrict to film songs only.
https://twitter.com/OdiaCulture/status/1231275297380519938?s=19
Since we are talking of good songs, here is a list of must-listen pre-70s songs that I had posted a couple of years back. I think all are available in YouTube, specifically
@odiamelody @NathTusar Please add/edit the list. Then, we will go to the 80s and so on https://t.co/DHYllyDCax
ବୋଉଲୋ କି କହିବି is popular and musically great but is not exactly a poet's song. A connoisseur's song, in my opinion, should be great individually in lyrics, music and as a combination too. My humble opinion
I meant songs that appeal both to intellect and emotion
Well, we may not restrict to films only. I find this really hilarious https://t.co/knV9YLfCDX
Hrudayara Ei Sunyata... sung by Sekhar Ghosh in ‘ Samar- Selim-Simon ‘ ( 1979)... composed by Mushir... penned by Nizam.... https://t.co/0b6VwdwJCo
https://twitter.com/odiamelody/status/1231256449726255104?s=19
The background reminds"zindegi kaisi yeh paheli" and "ajeeb dastaan hair yeh".And you can find the mouth organ also. Gold indeed.
https://twitter.com/DandapaniSatap1/status/1231588739119505409?s=19
I think we should create a 'best comic songs' in Odia thread.
@odiamelody @NathTusar @TaraniTrotter
https://twitter.com/OdiaCulture/status/1231432441467813888?s=19
Autobiography of Kavichandra..''Kumbhara Chaka' mentions about one Mastan Babu of K.B.Mukherjee & Co at Balu Bazar... who were the authorized dealers of HMV Record...Mastan Babu arranged for recording of the three records with HMV..a catalogue of K.B.Mukherjee & Co.. https://t.co/pBlplRml1f
https://twitter.com/odiamelody/status/1230174763655413760?s=19
Kavichandra Kalicharan Pattnaik recorded the first Comic Song in Odia..as mentioned in his autobiography 'Kumbhara Chaka'...these are the three records..one a duet with Mohan Sunder Deb Goswami..recorded around 1928...these records costed three rupees eight annas apiece... https://t.co/rDK4qaygTT
https://twitter.com/odiamelody/status/1230168119705948160?s=19
Manika... Alo Alo Manika... by Chittaranjan Jena and Md. Habib... in ‘Sesa Srabana’ (1976)... written and composed by Prafulla Kar... https://t.co/ZQmS0efHpa
Prasanta Nanda made his debut as Director with 'Sesa Srabana' (1976)… the songs composed by Prafulla Kar went on to become massive hits... the movie a resounding success...Rajashri later remade the movie in Hindi...''Naiyya''(1979)..the Odia Super 7 Record..and the Hindi One.. https://t.co/392W4t9TLE
Learnt so much about #PrachiValley today....learnt about Sidhavata Jayadev Sadhanapitha at Kenduvilva...one of the definitive renditions of Jayadev's Gita Govinda was by Raghunath Panigrahi...released in 1975...with sleeve notes by Gopi Nath Mohanty... https://t.co/vYmE9PfWkO
Today’s enlightening discussion on #PrachiValley ... and about Kenduvilva... spurred me to listen to this fine rendition by Raghunath Panigrahi of Jayadeva ‘ s...Gita Govinda ... Jaya Jagadisha Hare... (1975) https://t.co/65COsnxPcL
Shyama Apabada Mote... sung by Shyamamani Devi... from Lyrics of Gopalakrushna(1976)... the sheer beauty in crafting of words... https://t.co/Xb48mMUiBX
So many institutions do exist... Sangeeta Mahavidyalaya... Literature Deptt in so many Universities... University of Culture...Odia Bhasa Pratisthan... Odissi Research Centre... Sangeet Natak Akademi... and many more... they should take up these projects....
https://twitter.com/odiamelody/status/1228203225762816002?s=19
Back to back was also released ''Lyrics of Kavisurya'' in 1976....composed by Balakrushna Das.... the jacket was again designed by Dinanath Pathy… and sleeve notes by Nandini Satpathy…. https://t.co/9pQ68b5HoA
Bhanja Sangeeta... was released by INRECO... almost around the same time...
That was a satire on Round Table Conference... but quite interestingly HMV allowed it... though owned by British... usually they never allowed such recordings... many such are recorded under Swadeshi label of Megaphone ... under the guise of Comic Song...
https://twitter.com/odiamelody/status/1231552291951587329?s=19
There was also another on Guru Nanak translated by Gananath Das..on cassette ... composed by Santanu Mohapatra..G N Das had a couple of books on Kabir...
Good that a fresh re print of collected works of Kanta Kabi in two volumes has been available by Odisha Book Emporium...
Who is the singer of Sagu Khia Pati... haven’t heard it before... really nice one...We all look forward to publishing of all your collection... trivia...
https://twitter.com/odiamelody/status/1231540688489254912?s=19
There is a vast recording of Non movie songs... we don’t have any document on the labels and records pressed in the Shellac era... to add to it... prolific recording was done by Govt itself as part of publicity ... featuring all eminent artists of the era...
https://twitter.com/odiamelody/status/1231772464851693568?s=19
Once this phase of collection of labels of Shellac era is over.. in fact there is little document available to have an idea of how many records were pressed...this discography will surely be a collaborative effort with people like you...
That’s the reason ..... the company soon died... and T-Series..Venus..Tips... reigned the scene... and the company itself changed many ownerships... survived because of vast repertoire of movie songs of golden era....
No it’s not about Banikantha..he was a legend... but about the recording company ..they do have a role in promotion... hadn’t it been for little known INRECO in those days ....Jitendriya Haripal’s song couldn’t have seen light of the day.....
All these documentation... would really help in Odia Discography... hope such one really sees light of the day...
Don’t know why... but they don’t have the records... years of recordings by eminent artistes are also not there...
There is a vast recording of Non movie songs... we don’t have any document on the labels and records pressed in the Shellac era... to add to it... prolific recording was done by Govt itself as part of publicity ... featuring all eminent artists of the era...
Of the recording of earlier era... HMV only brought out two CDs...of Banikantha..only 40 songs...and that too recorded from discs...they don’t have the master discs..and the companies as Megaphone, Senola, Hindustan, Shahensha Records, Kohinoor, Taj Records etc..are also there...
Banikantha was the most recorded artiste of HMV from Odisha... seems these are from their recordings taken from disc in late 90s...
Surya Deo is there... who had found identity of some of these early singers...think Virtual Academy ... Archives...with people like you should collaborate ... and all other who have gathered information... into this Discography..
https://twitter.com/odiamelody/status/1231590967167397889?s=19
Yes... that’s the reason... he was the most recorded... but others also sold... being the pioneers ... they could have promoted others as well....
That’s the reason ..... the company soon died... and T-Series..Venus..Tips... reigned the scene... and the company itself changed many ownerships... survived because of vast repertoire of movie songs of golden era....
Also true... but HMV shouldn’t have limited its catalog... should have encouraged other artistes... that’s the reason so many recordings are there on other labels... all the traditional .... folk and modern...HMV had this elitist approach...
Yes... true... Akshaya Mohanty was denied by HMV... and all his early recordings are on Senola... with growing popularity... HMV ..... recorded him around 1967....l
Of the recording of earlier era... HMV only brought out two CDs...of Banikantha..only 40 songs...and that too recorded from discs...they don’t have the master discs..and the companies as Megaphone, Senola, Hindustan, Shahensha Records, Kohinoor, Taj Records etc..are also there...
Yes, agree on that. HMV's approach seems elitist, I don't think Banikantha had any say in it. In fact I think he was crucial in elevating less privileged instrumentalists of his time— who else would have recorded Ghuduki in a gramophone record in that time
Primitive? Enormously difficult and complex, while also being more ancient. (Odisha has a tendency of preserving ancient things longer) Often limited exposure to his repertoire might mislead into thinking it is something simplistic.
https://twitter.com/pattaprateek/status/1231612209714757634?s=19
Of course. Tastes of audience evolve over time, and recording only reflects that. Pretty sure many commoners of today's generation won't hesitate to call 1909 records harsh and unpleasant. Ear needs to be calibrated to enjoy each kind of music :)
For everyone's awareness, a few more songs of Banikantha's gramophone records seem to have been restored and put online. Around 6-7. They seem to be working to digitise them. Here https://t.co/Bv62W3Jwfv
Yes, I know we are talking of the company, not him. Just mentioning the move from strictly Odissi classical to folkish tunes to modern (Banikantha did some transitional ones, somewhat b/w modern and Odissi). HMV seems to have been very slow and hesitant expanding though
https://twitter.com/pattaprateek/status/1231616028804694016?s=19
Yes. I hope a book is created someday. I also really think Akashvani Odia should create a dedicated program to educate Odia people about these early artists and play the records over radio. That would be really impactful.
This dasa-rāga-mālikā was composed by the poet Gaurahari Parichha of Paralakhemundi. In his exceptionally long life (1794-1893), he translated Gitagobinda into Odia, as several Odissi chaupadis. Some researchers ascribe the Prahallada Nataka to Gaurahari. #OdissiMusic
Yes. An anthology was published by Gajapati Press long ago in 1926 (which has fortunately been digitised) https://t.co/NcfJHC9EqZ
One of the best Odissi albums till date, I would say. 'Manasija Manamohana' in Raghu Babu's pristine voice still echoes in my mind. #OdissiMusic https://t.co/wKZfEC96jF
https://twitter.com/pattaprateek/status/1228013970872655877?s=19
Yes we do have exhaustive anthologies in Odia, but a significant chunk of his writing is yet to be published. I do not think much of his work has been translated; I have come across a handful of poems here and there, but not more than that.
All of them are traditional swaras, with the lone exception of 'E Ghana Dina Eka'— which as far as I know is Balakrushna Das's composition.
Traditional music of Odissi Sankirtana. With roots in the 15th century, primarily due to the Panchasakha. Later the Vaishnava movement would lead to these tunes being spread to almost every corner of the state, pioneered by poets such as Gopalakrusna & Gauracharana. #OdissiMusic
New video | The Odissi Project | Veteran Pala virtuoso 'Gayaka Rasasagara' Bairagi Behera sings an elaborate classic Anandabhairabi : ଆଜ କେଳିକ ଉତୁକୀ ଶ୍ରୀଛାମୁ୍ରେ, traditionally ascribed to Bhanja. His fervour is infectious. Watch here : https://t.co/92gHX2oD0T #OdissiMusic https://t.co/DXBrTxWdy0
Had put my request to create a non Odia songs discography in this forum earlier. Waiting for all your contributions via mail. @NathTusar https://t.co/jFcxmKv9kO
https://twitter.com/TaraniTrotter/status/1231767320026124289?s=19
Ya, it must be in editable format with one admin with access to edit it periodically supported by others by sharing/updating info via mail
I'm biased towards melody like this remix. https://t.co/uEoNB0qcAw
https://twitter.com/SavitriEraParty/status/1231615060642009088?s=19
Befitting for Trump visit.
[Between 1930 and 1932, British government called a series of conferences to consider future government of India. The first session was opened by King George V in the Royal Gallery in the House of Lords, and chaired by Prime Minister Ramsay MacDonald.]
https://twitter.com/NathTusar/status/1231553637282959360?s=19
Like Taichung rice, does America feature in any of our old songs? PL-480 was very much a common topic then. SPAN colour pages were good as book wrapper and used to be a bit better than the glossy Soviet Land. Pic: SPAN June 1966 (before lunar landing). #TrumpInIndia #OldOdiaSongs https://t.co/hUYJSJ7VCm
Another good song from radio:
Chanda deshe kiese jiba asare asa asa
Rocket chadhi jibare udi dekhiba nua desha
(Sunday Shishu sansara)
https://t.co/lIvbWUZ1Cm https://t.co/OxkBM9kOes
Re kindled old memories... used to subscribe SPAN in School days... with its glossy pages... think we have songs mentioning England... Na Jana England O Dear... by Prafulla SinghDeo in ‘ Rolls-2-8”....
https://twitter.com/odiamelody/status/1231804780592455681?s=19
The book does give all the lyrics... the challenge was the movie of earlier period... with discs not released for many movies... and in that era... as was prevalent ... 78 RPM songs of only popular numbers were released... to add to the problem... prints are non existent..
https://twitter.com/odiamelody/status/1232579681418928130?s=19
''Batighara'' (1976) was the second movie to be released... composed by Prafulla Kar....the movie was unsuccessful...but the Pranab Patnaik number...''Seema Hina Daria...'' is still remembered.... https://t.co/iSHm5aLHhM
https://twitter.com/odiamelody/status/1234515990945263616?s=19
Seema Hina Daria... sung by Pranab Patnaik in ‘Batighara’(1976)... written by Sibabrata Das... composed by Prafulla Kar... one of his finest works...from the record... https://t.co/XcC18nUNo7
https://twitter.com/odiamelody/status/1234528655398842370?s=19
True... though the movie didn’t run beyond a couple of days... this second assignment by Prafulla Kar is classic... reference is there in the new book... by Prasanta Nanda...Chalachitra Purana...
Samar-Saelim-Simon (1979) was debut movie of Mushir...the movie was unsuccessful....but the songs are still popular... Sekhar Ghosh achieved fame with ..''Hrudayara Ei Sunyataku…..'' https://t.co/sYkK8Ywu8k
Both 78 RPM schellacs and microgroove 45 RPM continued to be published simultaneously till 1970...''Adina Megha'' (1970) had some memorable compositions...both the record formats of this successful movie... https://t.co/KbTzcC8Eh3
https://twitter.com/odiamelody/status/1236134752899354624?s=19
Ei Bhara Janha Raati... from Adina Megha(1970)... by Akshaya Mohanty and Nirmala Mishra... written by Kalicharan Patnaik ... composed by Balakrishna Das... this was the first song of Akshaya Mohanty in which he gave voice to any lead character of the movie...timeless music... https://t.co/uWzOa4PJyG
https://twitter.com/odiamelody/status/1236138740617064449?s=19
[‘ଢେଉ ଢେଉକା ପାହାଡ’ ଗୀତ ‘ସଂସାର’ରେ ରହିଲା । ଆଉ ହିରୋଙ୍କ ପାଇଁ ସେଥିରେ ଅକ୍ଷୟ ମହାନ୍ତି ପ୍ରଥମ କରି ଭଏସ୍ ଦେଲେ । ଆଗରୁ ତାଙ୍କୁ କମେଡି କି ନିୟତି ଗୀତ ଦିଆଯାଉଥିଲା । ତୃପ୍ତି ଦାସ ଆଉ ଗୀତା ପଟ୍ଟନାୟକ ଗାଇଥିଲେ । କିନ୍ତୁ ଅକ୍ଷୟଙ୍କ ମନ ମାନିଲା ନାହଁ । ନିର୍ମଳା ମିଶ୍ରଙ୍କୁ ନେଇ ସେ ଗୀତ ଡବ୍ ହେଲା |]
https://t.co/uKbeqCzswm
https://twitter.com/NathTusar/status/1236245920817106945?s=19
ଏମତି ବି ହୁଏ, ଗୀତ ପାଇଁ ଲାଇନ୍ ବା ଭାବଟିଏ କାହିଁ କେତେ ଆଗରୁ ସାଇତା ହୋଇ ରହିଥାଏ...
#SuryaDeo #OdiaCinema https://t.co/Tp7edLtZqW
https://twitter.com/Odisha_Sambad/status/1195901102509588480?s=19
ଗୁଡ଼ିଗୀତ ବଜାରକୁ ଆସିବା ପରେ କେବଳ ‘ଲଚକମାଣି ଗୁଡ଼ି’ ବିକ୍ରି ହେଉଥିଲା
#OllyWood #OdiaCinema #SuryaDeo #Bhubaneswar #Odisha https://t.co/7l58RSS4RB
https://twitter.com/Odisha_Sambad/status/1188665889748439040?s=19
ସୂର୍ଯ୍ୟ ଦେଓଙ୍କ ସାପ୍ତାହିକ ସ୍ତମ୍ଭ ‘ଗୀତ ପଛର ଗପ’: ସୂର୍ଯ୍ୟମୁଖୀ
#Suryamukhee #OdiaCinema #SuryaDeo https://t.co/653f9zAfXN
https://twitter.com/Odisha_Sambad/status/1185578684180119554?s=19
ଗୋଟିଏ ପୁରୁଣା ଓଡ଼ିଆ ଗୀତ ଥିଲା ଶ୍ୱଶୁର-ଶାଶୁ-ଦେଢ଼ଶୁର ଇତ୍ୟାଦି ନାଁ ପଡିବ ବୋଲି ସେ ଅମୁକ କୁହନ୍ତି ନାହିଁ। ହୁଏତ @odiamelody ଠିକରେ କହି ପାରିବେ ଓ ଶୁଣେଇ ପାରିବେ 😊
https://twitter.com/de_moaned/status/1234707422415069184?s=19
https://youtu.be/OiW8HQ5GCYM
Dedhasura na balia
https://twitter.com/nidhi_budha/status/1234708027145478144?s=19
| Sanibara Boli Kahibini Sina Swasuranka ( Year : 1983 ) | |
| Singer(s): Swapna Dey |
Thanks God. Got it 😊
https://t.co/nbSF96Jka7
Mr. R. Subbarao, noted archaeologist, gives the following reasons to show that the Western Gangas and Eastern Gangas didn't belong to one and same dynasty.
1. The early Gangas of Mysore were Jainas and belong to Ikshvaku dynasty and solar line and their gotra was Kanvayana.
https://twitter.com/ashishsarangi/status/1236675441408094211?s=19
But the Gangas of Kalinga were Saivas and belonged to Lunar line, gotra- Atreya.
2. In the numerous copper plates of Gangas of Kalinga there is no mention that they migrated from Mysore.
3. The symbols &seals on copper plate grants of Mysore Gangas & Kalinga Gangas are different.
Gangas of Kalinga patronize Odia literature.
https://t.co/sSdTbJBIRQ
History of Odisha by Dr. K.C.Panigrahi.
Page no 116.
They (Ganga Dynasty) imbibed odia customs and adopted odia language. They also became the patrons of the Odishan literature.
https://twitter.com/ashishsarangi/status/1236668118836989953?s=19
The origin of the Eastern Gangas is not clearly established. Differences are there. But that does not mean they were not odias. Ok, if they were not odias along with Kesharis (as you mentioned), then from where they were. Also the location of Mahisa state is still not clear.
Also see the language of "ascharjya charcha chaya" and "bajragiti". We all know the timings of these literary works.
* Ascharjya charjyachaya
Rudrasinidhi is considered to be the first work of prose in odia language. It was written by Abhadutta Narayana Swami. This was written in 13th century and it refers to the education system of then Odisha.
Refer book : Medival Orissa by Shishir Kumar Panda
Markanda Das composed the first koili in Odia just before the beginning of the age of Sarala Das. His composition Kesava Koili describes the pain of separation of Yasoda from Krishna. He is also known to compose the epic Daasagriba badha, Jnaanodaya Koili.
For above tweet refer book : A History of Indian Literature, 500-1399: From Courtly to the Popular by Sisir Kumar Das.
In his book Palm Leaf Etchings of Orissa, Mr. Durga Prasad Patnaik wrote that the earliest books in Odia language are the Sisu Veda and Saptanga. These two books provide links between the early Odia and the Odia of Sarala Das and Markanda Das.
ଆସନ୍ତୁ ଜାଣିବା କାଳକ୍ରମେ ଅବିଭକ୍ତ କୋରାପୁଟ ର ନାମ :
ବୈଦିକ ଯୁଗ: ଆରଣ୍ୟକ
ତ୍ରେତୟା : ଦଣ୍ଡକାରଣ୍ୟ
ଦ୍ଵାପର : ନିଷାଦ
ଜୈନ/ବୌଦ୍ଧ : ଆଟବିକ
ମୌର୍ଯ୍ୟ ଯୁଗ: କଳିଙ୍ଗବନ
ଗୁପ୍ତ ଯୁଗ: ମହାକାନ୍ତାର
ନଳବଂଶ ଯୁଗ: ଖଣ୍ଡିର ଶୃଙ୍ଗ
ସୋମବଂଶ: ତ୍ରିକଳିଙ୍ଗୀବନ
ଛିଣ୍ଡକନାଗ: ଚିତ୍ରକୋଟ
ମତ୍ସ୍ୟ ବଂଶ: ଉଡ୍ରଦେଶ
ସୂର୍ଯ୍ୟ ବଂଶ ଯୁଗ: ଜୟପୁର ରାଜ୍ୟ https://t.co/IHtEZof3oP
https://twitter.com/VAdkri/status/1235871081564524544?s=19
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