Assorted tweets:
Malli Mala Syamaku Debi (ମଲ୍ଲୀମାଳ ଶ୍ୟାମକୁ ଦେବି) | The Odissi Project | The immortal Odissi lyric by the great Upendra Bhanja, sung by Balaram Gouda of the Sakhi Nata tradition. This is Odisha's traditional music, called Odissi. [Turn on subtitles]
https://t.co/7FbGEP0MCs
https://twitter.com/pattaprateek/status/1101356315199254528?s=19
From today's morning session : Malli Mala Syamaku Debi (ମଲ୍ଲୀମାଳ ଶ୍ୟାମକୁ ଦେବି), Bhanja's iconic Odissi lyric in a lesser-known tune in Todi (ତୋଡ଼ି). Learned this from Guru Rankanidhi Gouda of Bharata Lila. Listen here :
https://t.co/eK34w6nmrb
https://twitter.com/pattaprateek/status/1104246881775804416?s=19
Both Bhairabi (ଭୈରବୀ) and Todi (ତୋଡ଼ି) names are now used interchangeably in Odissi and it seems like the ancient versions have converged into one rāga. Both have the same scale but some typical movements in this song cause me to lean towards calling it Todi.
Even in the past, they had probably the same scale but different nyāsa swaras. They usually employ both variants of rishabha and very rarely the tivra madhyama. My movements, as far as I can trace, derive significantly from old gramophone recordings and traditional artforms.
In the Odissi tradition, the oldest mention of Bhairabi is in the Gita Gobinda (~1147) where Jayadeba indicates it for an ashtapadi. The oldest mention of Todi is in the Abhinada Gita Gobinda (1466-1497) of Kabichandra Raya Dibakara Misra, written for Gajapati Purusottama Deba.
ହଁ, ଆର ସ୍ୱରଟା ଶୃଙ୍ଗାର ପ୍ରଧାନ । ଇଏ ବୈରାଗ୍ୟ-ସମର୍ପଣ ଆଡ଼କୁ ଗତି କରୁଛି । ବାଇଦୁଏ ତୋଡ଼ି-ଭୈରବୀ ଏବେ ପାଖାପାଖି ଏକା : https://t.co/31Ie86vEQB
https://m.youtube.com/watch?v=53hZ0Evo2Wo
Aanchaal
Kanchan
Odisha Handloom By Kanchan
Malli Mala Syamaku Debi (ମଲ୍ଲୀମାଳ ଶ୍ୟାମକୁ ଦେବି) | The Odissi Project | The immortal Odissi lyric by the great Upendra Bhanja, sung by Balaram Gouda of the Sakhi Nata tradition. This is Odisha's traditional music, called Odissi. [Turn on subtitles]
https://t.co/7FbGEP0MCs
https://twitter.com/pattaprateek/status/1101356315199254528?s=19
From today's morning session : Malli Mala Syamaku Debi (ମଲ୍ଲୀମାଳ ଶ୍ୟାମକୁ ଦେବି), Bhanja's iconic Odissi lyric in a lesser-known tune in Todi (ତୋଡ଼ି). Learned this from Guru Rankanidhi Gouda of Bharata Lila. Listen here :
https://t.co/eK34w6nmrb
https://twitter.com/pattaprateek/status/1104246881775804416?s=19
Both Bhairabi (ଭୈରବୀ) and Todi (ତୋଡ଼ି) names are now used interchangeably in Odissi and it seems like the ancient versions have converged into one rāga. Both have the same scale but some typical movements in this song cause me to lean towards calling it Todi.
Even in the past, they had probably the same scale but different nyāsa swaras. They usually employ both variants of rishabha and very rarely the tivra madhyama. My movements, as far as I can trace, derive significantly from old gramophone recordings and traditional artforms.
In the Odissi tradition, the oldest mention of Bhairabi is in the Gita Gobinda (~1147) where Jayadeba indicates it for an ashtapadi. The oldest mention of Todi is in the Abhinada Gita Gobinda (1466-1497) of Kabichandra Raya Dibakara Misra, written for Gajapati Purusottama Deba.
ହଁ, ଆର ସ୍ୱରଟା ଶୃଙ୍ଗାର ପ୍ରଧାନ । ଇଏ ବୈରାଗ୍ୟ-ସମର୍ପଣ ଆଡ଼କୁ ଗତି କରୁଛି । ବାଇଦୁଏ ତୋଡ଼ି-ଭୈରବୀ ଏବେ ପାଖାପାଖି ଏକା : https://t.co/31Ie86vEQB
https://m.youtube.com/watch?v=53hZ0Evo2Wo
aanchaal
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Its all about Our Culture, Our Heritage, Our Belief and Our Land...
Hi everyone myself Kanchan Mahanto :)
My journey on You Tube started with just a simple search & I was shocked to find that very few people know about our recipes...
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