Then she remembered something that goes ରାଧାକାନ୍ତ... This evening I realised that this was Basudeb Mahapatra's ରାଧାକାନ୍ତ ରାଧାମୋହନ ହେ ଗୋବିନ୍ଦ ଲବେ ଦୟା ନାହିଁକି, one of the earliest Odia songs recorded on Gramophone. This was recorded in 1909 but released only in 1916.
https://twitter.com/pattaprateek/status/990292255771676673?s=19
Yes..she is the first female artiste.. singing Odia Song....but her nativity is not known..the song was recorded in 1909..the masters were released as discs in Jan 1916 ..media reports of those era refers Mala Debi as the first female singer of Odia origin..in 1935... https://t.co/O7elg9tGWg
https://twitter.com/odiamelody/status/1236577860522921986?s=19
Shraddhanjali to Odisha''s 1st Odia Jnanpith award winner - Sachidananda Routray (13.5.1916- 21.8.2004)
https://t.co/33R6VrlMyN
https://twitter.com/TaraniTrotter/status/1032112310142218241?s=19
Gopal Chhotray is an Oriyan playwright. He was born in 1916 in Orissa state. He is the pioneer who is credited for using Geetinatya or ‘plays in verses' genre in Orissan drama. His drama’s has ushered a new interest to the Orissan performing arts during the late forties. https://t.co/AeoclFYKbU
https://twitter.com/dd_odia/status/1295052023486791681?s=19
If you can collect the positive history of your locality & biography of your local hero,you would bring a great amount of energy 2 your surroundings & nexgen.
Here is my hero.Late Babaji Ch Devata,brought electricity,irregation,green Revolution,Coldstores,Cooperative & Education. https://t.co/6rDUz0IoXP
https://twitter.com/Asim42A/status/1226569144486658048?s=19
Born in 1916 in a conservative family he refused Jobs under British Rule.Chose farming & Rural Development.Lifetime nationalist twice CuttackSadarBlock chairman uncontested.Sarpanch for 20 years,Cooperative+Farmer leader & first state President of #BharatiyaKisanSangh_Odisha
https://twitter.com/Asim42A/status/1226571764181811200?s=19
These books are really need republish...here the picture of Odia Panini Gopinath nanda Sharma's sabdatatwabodha Abidhana. on 1903 it was published in Gajapati press . On 1916 it again publish in Cuttack and Berhampur https://t.co/ajSYTWMTV1
https://twitter.com/VAdkri/status/1068918778048602112?s=19
Biju Patnaik was born on 5 March 1916 to Lakshminarayan and Ashalata Patnaik. His parents belong to G.Nuagan, Bellaguntha, Ganjam district, around 80 km from Bramhapur. He was educated at Ravenshaw College in Odisha but due to his interest in aviation. https://t.co/28NUax3lPt
https://twitter.com/Animesh71273702/status/1235435637823557634?s=19
I am surprised when did @Naveen_Odisha rewrite the history of Odisha. The party @bjd_odisha which is trying to confine the history of Odisha from 1916-2016 would address Buxi Jagabandhu as Buxi Gopabandhu. Shame for the Odias. @dpradhanbjp @narendramodi @AmitShah @BJP4India https://t.co/FbSW30sA9L
https://twitter.com/AcharyaPitamba1/status/1077506481744838664?s=19
Few noteworthy events really happened in Odisha before 1916, Dakota adventure not an exception & history differs from political narratives.
https://twitter.com/satyapanda61/status/887484714143043584?s=19
#Bamra / #Bamanda the first #princely state 2 introduce #postal #telegraph & #electricity in #India . #Telephone line of 78 miles connecting Bamanda - #Barkote in 1900 was the longest in India then.
#Debagarh #NaturePhotography #Asia #India #budgettravel #OdishaTrails https://t.co/msgXLtbTw5
#Koradkot / #Kukudkot #hydel unit (start:1912 Operational:1916) built by the then king was first #hydroelectricity unit in #Odisha & 2nd in #India after #Darjeeling. It generated 15KV #electricity using water 4m #Koradkot waterfall
#Deogarh #Asia #India #travel #OdishaTrails https://t.co/eXYeyFwhHL
https://twitter.com/OdishaTrails/status/1290590343226724355?s=19
Rulers of the #princely state belong 2 #Ganga #dynasty, 1 of the extended families of #Gajapatis of #Puri. Post-merger with Odisha, spelling of the place name #Deogarh that #British used continued. It became district in 1994
#OdishaTrails #India #travel #Debagarh https://t.co/yEijSeK4MA
The magnificent palace is just 15Km away from Deogarh .It was made betwen the year 1916-1919 by king Raja Dibya Shankar Deb. In 2004 the Odisha State Government had identified this Palace as one f d eco Tourism site.@odisha_tourism @discoverbbsr @BBSRBuzz @VAdkri @OdiaHistory https://t.co/gYYn1vcm2h
https://twitter.com/Shibashish_M/status/1167640650235310081?s=19
Formation of Separate Province of Odisha: A Dynamic Leadership of Rajendra Narayan Bhanjadeo of Kanika
MK Sahoo - ODISHA REVIEW - magazines.odisha.gov.in
… 10 The people of Odisha were not satisfied with the tag of Odisha in Bihar in 1912, their dissatisfaction took a concrete shape in December 1916 when the twelfth annual session of the Utkal Union Conference at Balasore formed a committee of seven members 'with a view to …
BIJU PATTNAIK THE PIONEER OF MODERN ODISHA: A STUDY
A SAHOO, T PATTANAIK - THE INTERNATIONAL RESEARCH JOURNAL …, 2012 - Citeseer
… 3 Early Life Biju Patnaik, or Bijaynanda Patnaik, the uncrowned hero of Kalinga, chief architects of Modern Odisha, and formidable personality of Odia politics, was born in Cuttack, Odisha on March 5, 1916. His father was “Laxminarayan Patnaik and mother Ashalata Devi …
Biju Patnaik: Architect and Builder of Modern Odisha
D Bhuyan - Editor's Note, 2011 - magazines.odisha.gov.in
… capacities. The uncrowned hero of Kalinga, maker of new Odisha and formidable personality of Odisha politics, Biju Patnaik, was born on March 5, 1916 at Cuttack, Odisha. Indeed he was luckily to be born in a patriotic family …
The Creation of a Separate Province of Odisha
RK Behuria - Odisha Review, 2015 - magazines.odisha.gov.in
… Odisha Review … In the 12th Annual meeting of the Utkal Union Conference held in December 1916 at Balasore a Committee consisting of Madhusudan Das, Rajendra Narayan Bhanjdeo, the Raja of Kanika, Harihar Panda of Aska, Brajasundar Das, Gopabandhu Das, the Raja …
British Relations with the Princely States of Odisha (1905-1947)
S Panigrahy - ODISHA REVIEW - magazines.odisha.gov.in
… In 1906, a Political Agent was appointed under the Commissioner of Odisha who was named as Superintendent of Odisha Feudatory States. Initially, he became the in charge of 24 Feudatory States, but in 1916 when Saraikala and Kharswan were transferred to his control he …
Religious Beliefs and Practices among Chuktia Bhunjia Tribe of Odisha: Looking through Anthropological Lens
B Sabar - The Oriental Anthropologist, 2017 - journals.sagepub.com
… Page 3. Religious Beliefs and Practices among Chuktia Bhunjia Tribe of Odisha: 305 Looking Through Anthropological Lens 1916). They speak Bhunjia dialect (mixture of Oriya and Chhatisgari) among them and local Oriya for inter-group communication …
books.google.co.in › books
Odia O Navsamvad ( Oriya weekly from Balasore ) , January 6 , and 20 , 1904 . ... 88 Parlakimedi session , 1914 , Sambalpur session , 1915 and Balasore session , 1916 . 88 Sambalpur , 1915 , Odia O Navasamvad , January 19 , 1916 .
Niśītha Rañjana Rāyẏa, Institute of Historical Studies (Kolkata, India) · 1984 · Snippet view
books.google.co.in › books
R. J. Grundy 7 A Comprehensive English-Oriya Dictionary (1916) by J. G. Pike and ... in 1811 was an Odia-to-English dictionary, probably meant for Odia speakers to learn English.
M. Sridhar, Sunita Mishra · 2016 · Preview · More editions
books.google.co.in › books
He wrote about twenty short stories between 1898 and 1916. Critics have accepted this phase as the first phase of Odia story writing.
Various Authors, Dr. Manoranjan Mishra · 2020 · Preview
books.google.co.in › books
23 - AUTHOR ( S ) : Mishra , Pt . Nilmani TITLE : Prachina Odia Lipi ... TITLE : Shabdatattvabodha Abhidhana EDITION : Cuttuck 1916 18 ...
B. P. Mahapatra · 1989 · Preview
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Nanda Sharma 1916 = Gopinath Nanda Sharma : Sabdatattva bodha abhidhāna . Cuttack 1916 ( XX , 1072 + 48 pp . ) . Padhi 1947 = Binayaka Padhi : Jyotirmaya Ingraji Odia Ingraji Abhidhana . Parlakimedi 1947 ( 525 pp . ) . Padhi 1951 ...
1989 · Snippet view · More editions
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"Odia bhasara itihasa" (1927) was the first history of the "Oriya language in Oriya" . ... Among some fifty Oriya dictionaries produced, the following deserve note; " Sabdatattwa Bodh" by Pandit Gopinath Nanda (1916), Odiya Bhasha Kosha in ...
Heinz Kloss, Grant D. McConnell, Université Laval. Centre international de recherches sur le bilinguisme · 1978 · Snippet view · More editions
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Presents The Life Of Story Of Raja Sri Rajendra Narayanas Deo Of Orissa And His Speeches During 1916-20 In The Indian Legislative Council Which Focus An The Interests Of The Landsholders, Oriya Nationalism And Indian Nationalism.
2003 · Snippet view
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Following is the reply the young man wrote to his brother: [Copy of letter sent by registered mail to "Bhaina" (elder brother) on 29/1/1916] To ...
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This view was repeated in 1916 in another note in Asha . ( Ibid . , 27th March 1916 ) Thus cultural centres and festival occasions in Odisha in the 19th and 20th century reflected the Odia concern for asserting identity by way of reforming them ...
2012 · Snippet view · More editions
The Naming of 'Odissi': Changing Conceptions of Music in Odisha
D Dennen - Ravenshaw Journal of Literary and Cultural Studies, 2013 - academia.edu
David Dennen
Ravenshaw Journal of Literary and Cultural Studies 3, 58-82, 2013
A name such as “Odissi”(Oriúî) 2—a term used to describe certain cultural practices (especially music and dance) from the Indian state of Odisha (formerly Orissa)—appears to require only the briefest of explanations. In a literal sense it means merely “produced in or relating to Odisha.” And yet this name, like many, has a complex history of usage and interpretation. It was selected from among alternatives and perpetuated (and continues to be perpetuated) by particular people for particular purposes; which is to say it represents the site of an ongoing political process.
Cultural traditions need not be named. When they are, this fact alone is worthy of scrutiny, for everything that bears a name was once named. 3 To name is to position a thing, to place it within a wider world of discourse, to attempt to fix some idea of it. Names are relational; when we need to differentiate one object from another we name it differently. Different parameters of a culture—different culture-specific realms of human thought and activity—may be privileged as lenses through which to view relationality. The relative weight given to various parameters may change over time and new parameters may arise; when this occurs, our conception of an object changes, and this may in some cases necessitate a renaming of the object. The name “Odissi,” as applied to particular kinds of music, is not transhistorical but only makes sense within a particular historically-constructed system of conceiving the performing arts in Odisha and India. The name both draws and confers authority from its suitability for and its situatability within this system.
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