Dhananjay Satpathy - ଧନଞ୍ଜୟ

Dhananjay Satpathy ‎– ଧନଞ୍ଜୟ (Oriya Modern Songs)

Label:

Gathani ‎– GRE 1117

Format:

Vinyl, 7", 45 RPM, EP, Stereo 

Country:

India

Released:

1981

Genre:

Rock, Pop, Folk, World, & Country

Style:

Folk

TracklistHide Credits

A1	Mohilia Bhabi Lyrics By – Nanda Kishore Singh
A2	Akashakujie Lyrics By – Rajani Kanto Nayak
B1	Kathathie Aji Lyrics By – Khirod Chandra PathakVocals – Sharmistha Panigrahi
B2	Ede Dogare Lyrics By – Mitra Bhanu Gounjia

Credits

• Music By – Dhananjay Satpathy

Notes

Title on cover - ଧନଞ୍ଜୟ
Title on label - Oriya Modern Songs

Dhananjay Satpathy - ଧନଞ୍ଜୟ (Oriya Modern Songs) (1981, Vinyl) | Discogs https://www.discogs.com/Dhananjay-Satpathy-%E0%AC%A7%E0%AC%A8%E0%AC%9E%E0%AC%9C%E0%AD%9F-Oriya-Modern-Songs/release/14403718

ସାରିଆ ଲୋ. କ୍ଷୀର ତ ଅଇଁଠା,ଇଟିଲି ମିଟିଲି,ପ୍ରେମ ତୁ ଘୁରୁଥାରେ,ଭାଷା ଆସିଚି ରେ, ପାନ ମୋର ବୃନ୍ଦାବନ, ମନ ଦରଜକୁ ମାଲିସ ନାହିଁ, ମହୁଆ ଭାବି ମୋତେ, ଆକାଶକୁ ଯିଏ ମାରଇ ଟେକା, ଏଡେ ଡଗରେ ଓ ଅଙ୍ଗ ଦେଶର ଚୁଡି। ଏହା ଛଡ଼ା ତାଙ୍କ ସଙ୍ଗୀତର ଆଉ ଏକ ଗୀତ କଥାଟିଏ ଆଜି ପଚାରୁଛି ତୋତେ ଶର୍ମିଷ୍ଠା ପାଣିଗ୍ରାହୀଙ୍କ କଣ୍ଠରେ ରେକର୍ଡ ହୋଇଥିଲା।

https://twitter.com/SuryadeoSurya/status/1244654004316991488?s=19

ଅମୃତ ଫଳ, ଗ୍ରାମ୍ୟ ଶୁକରୀ, ଓ ଆୱାରା ଲଭ୍

Radhamani Biswakarma was amongst the few early Odia female singers...a disciple of Singhari Shyam Sunder Kar..she had a number of recordings....this is her first recording released in March 1949...with Odissi and Champu..the picture of young Radhamani from the Columbia catalogue. https://t.co/eeBC7IHXrt

https://twitter.com/odiamelody/status/1243210014057058309?s=19

Her recordings were published till late 70s... also recorded a number of publicity record for government...

Collection of her recordings from Radio. I am a huge fan of her voice, paired with the Puri idiom. https://t.co/O9xu3Xw2vP

https://twitter.com/pattaprateek/status/1243231228746010629?s=19

A few more on Wynk https://t.co/WqL9WMYu0K

ସେ କାଳ ର tattoo ଗୀତ 😁

https://twitter.com/VAdkri/status/1243251174100238336?s=19

ଗଡ଼ଦେଉଳ

Gadadeula (Ujjaleshwara Deula)

ନିର୍ମାତା: ଲକ୍ଷ୍ମୀନାରାୟଣ ଦେବ

ବିଜୟନଗ୍ର ଗଡ଼। 

Situated in Khamari village near Ghodahada bridge 

#ଗଞ୍ଜାମ 

Courtesy:anantaramkar https://t.co/Bjgc9BmB5q

ହଁ । ବିଜୟନଗ୍ର ଗଡ଼ ହେଉଛି ବଡ଼ଖେମୁଣ୍ଡି ରାଜା ଙ୍କର। ପ୍ରତାପଗିରି ହେଉଛି ସାନଖେମୁଣ୍ଡି

ଗୋପାଳକୃଷ୍ଣ ପ୍ରତାପ ରୁଦ୍ର ଙ୍କ ବେଳେ ହିଁ ଥିଲେ। ସେ ବୃନ୍ଦାବନ ଛଡା ଅନ୍ୟତ୍ର ନ ଯିବାର ପ୍ରମାଣ ମିଳେ। ଆଉ ହଁ ଏ ଲକ୍ଷ୍ମୀନାରାୟଣ ଦେବ କୃପାମୟ ଗଜପତି ଙ୍କ ପୂର୍ବଜ।

https://twitter.com/VAdkri/status/1243151569446563840?s=19

PALLI KABI NANDA KISHORE BAL

Nanda Kishore Bal was an Indian poet of the era of initial modernity in Odia poetry. He is popularly known as "Palli Kabi" (the poet of rural life) for his lyrics, celebrating the beauty of rural Odisha in his poems.

#Day2Art

#21Days21Personalities https://t.co/M2HarvnqCS

https://twitter.com/pureodiasaswata/status/1243132209214763008?s=19

#21Days21Personalities

Day2

Palli Kabi Nanda Kishore Bal was born on December 22, 1875, in Kusupur village of Cuttack, to parents Bhajanananda Jena, Hiranmayee Devi. 

(Pic Courtesy - @pureodiasaswata) https://t.co/9rxZMnOZjv

https://twitter.com/zubun98/status/1243130210565816321?s=19

Ehi Para Jaga Baliya... sung by the venerable Tarini Ch Patra... on 78 RPM Shellac...on Senola label... released in mid 50s... the vintage record of around six decades old.. though is not in great shape... https://t.co/wKGe79yDPS

https://twitter.com/odiamelody/status/1243044561120710656?s=19

Yes. Nabaghana Parida learned Odissi from Tarini Patra for a few years after which he went on to become a professional Bharata Lila & Danda Nacha artist, receiving national fame for his art. When I made him listen to Tarini Patra's voice (odiamelody's video) he almost cried.

https://twitter.com/pattaprateek/status/1243081340318179329?s=19

Day#2 

The east facing temple has the triad kept on a high makara torana lotus pedestal. Rath Jatra is celebrated with great pomp in full rituals like Puri. #Tigiria Palace is quite near to the temple.

#21Days21Temples #TemplesOfOdisha

#OdishaFightsCorona #lockdown https://t.co/jqVRKTZSf2

https://twitter.com/TaraniTrotter/status/1243197988652167169?s=19

Day#2 

The Kalingan style temple has rekha bimana & pidha jagamohan, is saptaratha on plan, has Bimala temple, singhadwar n garuda stambha. After the demise of King Brajraj Kshatriya Birabara Chamapati Singh Mahapatra in 2015, Rajmata is managing the State

#21Days21Temples https://t.co/AuGQ5DCEBi

Important temples are dedicated to her in Odisha:

 Mohini temple, Chitrakarini temple, Boitala (Vaital) temple(Bhubaneswar), Charchika temple(Banki), Kichakesvari temple(Mayurbhanja).

As per postures

1) trailokyavijaya chamunda

2) vrishchikodari chamunda

3) chandrabhaga chamunda https://t.co/aL9mc2AKIp

https://twitter.com/ashishsarangi/status/1243192991646232576?s=19

Image of chamunda once kept inside SDM's residence in Jajpur..

PC : @mishra9_supriya https://t.co/C8liacqH9s

#thread

GURU DATTATREYA is regarded as universal Guru & considered as an aspect of of devine trinity of Brahma Vishnu & Mahesh.

The name Dttatreya derived from two Sanskrit words, Datta(means given)& Atreya(refers to the sage Atri,the biological father of Guru Datta

@LostTemple7 https://t.co/q0C1cTUljM

https://twitter.com/ibishwal/status/1243194156899393537?s=19

Dattatreya stated that everything in the universe is a Guru because one can learn something or the other from it.From bad thing one can learn what defect to reject & from good thing what to acquire

He accumulate knowledge from 24 natural thing and considered them his teacher. https://t.co/wV8JnnifYy

You have some recordings of his brother ananta charana patra. No , I don't have any recordings of bhaktabatsala patra's veena program. I think if we search in @airnewsalerts cuttack and Vijayawada..We can get some results.

https://twitter.com/VAdkri/status/1243019997078675456?s=19

Karnataka Ganga and Chalukya kings had a royal title of Permadi. Seemingly, Orissa Ganga Kings borrowed the same in a Sanskritised name Pramadi. There were two Pramadis. Pramadi I was the younger brother of Anantavarman and Pramadi II was the father of Arikeshvara.

https://twitter.com/VedveerArya3/status/1242988992322080773?s=19

କିଛିଦିନ ହେବ ମାଳିକାର ବିଭିନ୍ନ ପଦ ସୋସିଆଲ ମିଡିଆରେ ଭାଇରାଲ ହେଉଛି।

କିନ୍ତୁ,ପ୍ରକୃତରେ ଏହି ମାଳିକାର ରଚୟିତା କିଏ?

କେଉଁ ଅଧ୍ୟାୟରୁ ଏ ପଦ ଉଦୃତ?

ଏ ପଛର ସତ୍ୟାସତ୍ୟ କେତେ?

ଏସବୁର ଉତ୍ତର କାହା ପାଖେ ନାହିଁ

ମାଳିକା ବଚନ ନ ହୋଇବ ଆନ-ଏହା ସଭିଙ୍କୁ ଜଣା

କିନ୍ତୁ ମିଛରେ ନିଜ ମନରୁ ମାଳିକା ଲେଖି ଲୋକଙ୍କୁ ଭୟଭୀତ କରିବା ବନ୍ଦ କରନ୍ତୁ🙏

https://twitter.com/Rajshreepuja/status/1242854972225499137?s=19

ଗଭୀର ଅଧ୍ୟୟନ ଏଥିପାଇଁ ଜରୁରୀ।ବ୍ୟାଖ୍ୟା ମଧ୍ୟ ଅନେକ ରହିଛି।ବୁଦ୍ଧ 'ବୌଦ୍ଧ' ଧର୍ମର ପ୍ରତିଷ୍ଠାତା।ବୁଦ୍ଧ ହିନ୍ଦୁ ଅବବୋଧର ପ୍ରତିବାଦୀ ଥିଲେ।ଡ଼ଃ ଆମ୍ବେଦକର ହିନ୍ଦୁଧର୍ମ ପରିତ୍ୟାଗ କରି ବୌଦ୍ଧଧର୍ମ ଗ୍ରହଣ କରିଥିଲେ।ଅଥଚ,ହିନ୍ଦୁଧର୍ମର ଦଶ ଅବତାର ଭିତରୁ ବୁଦ୍ଧ ଅନ୍ୟତମ।କେମିତି?'ରହସ୍ୟବାଦ' ବା mysticism ର ଭେଦ ଖୋଲିବା ଏତେସହଜ ନୁହେଁ।

https://twitter.com/debaprasad2402/status/1243066245240385538?s=19

ଶ୍ରୀ ଜଗନ୍ନାଥ ମନ୍ଦିର ବିଷୟରେ ସମ୍ପୂର୍ଣ ତଥ୍ୟ । 

ଧର୍ଯ୍ୟ ଧରି ପଢିବାକୁ ପଢିବ । ମୋତେ ପଢିବାକୁ ଦେଢ଼ ଘଣ୍ଟା ଉପରେ ଲାଗିଗଲା । ଆଶା କରେ ବହୁତ କିଛି ପୁରାତନ ତଥ୍ୟ ଜାଣିପାରିବେ । ଜୟ ଜଗନ୍ନାଥ🙏🏻🌷.. @PramodpandaVk @strytellrofpast @madonamady @sakshyamprahlad @bikashranjansw1 @Aishwar84063272 @ssgapu22 https://t.co/CxfG69E34a

https://twitter.com/Santoshkusaho20/status/1205215692745777152?s=19

ରାଜସ୍ଥାନ ର ରାଜା ମହାରାଜା ରାମ ସିଂ ଆଜିର ଏହି ଆଲବର୍ଟ ହଲ କୁ ଏକ ଟାଉନ ହଲ ଭାବରେ ନିର୍ମାଣ କରିଥିଲେ । କିନ୍ତୁ ପରେ ପରେ ତାଙ୍କ ଉତ୍ତରାଧିକାରୀ ମହାରାଜା ଦ୍ବିତୀୟ ମାଧୋ ସିଂ ୧୮୮୦ ମସିହାରେ ଏହି ଟାଉନ ହଲକୁ ସଂଗ୍ରହାଳୟ ଭାବରେ ରୁପାନ୍ତରିତ କରିଥିଲେ । @BBSRBuzz @VAdkri @OdiaCulture @OdiaHistory @odiajagat @Odia_Pila https://t.co/IjU4s8V55Q

https://twitter.com/shibashish_shre/status/1243038246453391360?s=19

ଜାଗା ଟିଏ ମୋତେ ଦେ ତୋ ମନେ ରହିବା ପାଇଁ.. ଡର ଲାଗୁଛି ଏତିକି ତୋତେ ଖୋଲି କହିବା ପାଇଁ..ଦେଖନ୍ତୁ ଗାୟକ ଅଭିନାଶ ଙ୍କ କଣ୍ଠରୁ ଏହି ମନଛୁଆଁ ଗୀତ " ଆୱାରା ଲଭ୍" ର ଷ୍ଟୁଡିଓ ର୍ଭର୍ସନ..

#odiasong #odiamusic #odiaone

https://t.co/8PCmfO6hr2

https://twitter.com/OdiaoneOfficial/status/1243099590129139713?s=19

Few director's movies are very intriguing. It will hold you like glue from the very first scene. You can't escape until you finish it at one go. Guy Ritchie is such a director. #TheGentlemen

https://twitter.com/justlalit/status/1243193562960814080?s=19

ଦେହେ ମନ୍ଦାକିନୀ ରଜ ଲଗାଇ ଗ୍ରାମ୍ୟ ଶୁକରୀ କି ହୋଇବ ଗାଈ! 

A chronic abuser remains an abuser even after makeover!

https://twitter.com/justlalit/status/1243087752914014209?s=19

Amruta Phala (ଅମୃତ ଫଳ) by Manoj Das is available on Scribd (upon subscription).

All copies of Odia magazine Diganta, which Manoj Das edited, are available on https://t.co/dhhoOcfnmY

https://twitter.com/justlalit/status/1243019946621194240?s=19

Vedic traditionalists or Vedics in short, are a community of people who are fast fading into the pages of history. They are the torchbearers of Vedic traditions and have been carrying it forward for generations.

Vedic Traditionalists https://t.co/vhT8GdNd7w

https://twitter.com/prekshaajournal/status/1243177450554572801?s=19

Point understood. Rudra is Vedic a God.

But Rudra is not Vedic Agni. They are very different deities. Vedic Agni is deified as many different gods. Must be very careful in reading the verses while trying to understand psychological sense behind it.

The problem comes when we mentally try to understand verses of Shruti. May I suggest Sri Aurobindo's Secret of Vedas.  @redLotus1_ or @kalisbrood might be able to explain Agni or Rudra better as explained by Sri Aurobindo

https://twitter.com/kkdr611/status/1237098986202214400?s=19

Agni is aspiration, the will that leads, the priest who officiates and conducts the inner Yagna. Rudra is the fierce power in cosmos that makes feasible the upward ascent. Each of these deities grow and erupt into subsidiary powers in the evolving being of man.

https://twitter.com/kalisbrood/status/1237247828885295106?s=19

Beyond Time, Forms and Circumstance, the Lord of Creation Transcends, yet Inhabits, All that Exists https://t.co/8aGXMJKOvO

https://twitter.com/santoshk1/status/1243178969924620288?s=19

Orwell and the left. Would this foremost cant-detector find a whiff of it on the contemporary left? He would cast a baleful eye on identity politics and be dubious about diversity https://t.co/KXEAjI40Gs

https://twitter.com/aldaily/status/1243279056612872193?s=19

The Left-the real Left ideologues-saw the peaceniks as useful idiots and had only extreme contempt for them. All of them saw social agony as opportunities. However, it is true that in the Leftist camp, there were a number of people who were genuinely compassionate and pacific.

https://twitter.com/maidros78/status/1242891658162655232?s=19

ବାଳକୃଷ୍ଣ ଦାଶ, ଅନୁଭବ ମହାନ୍ତି, ଓ ଅନୁରାଧା ପୌଡ଼ୱାଲ

A belief that let you seek the fine internal  truth inaccessible to the intellect can be framed as definition of mysticism,says Manoj Das. Mysticism is to apprehend the broad pictures in smaller things he added. You always see what you want to see.

#KalingaLitFest #MysticKalinga https://t.co/7CQwNGO0zt

https://twitter.com/kalingalitfest/status/1242799873545519105?s=19

ମନେହୁଏ ବାଳକୃଷ୍ଣ ଦାଶଙ୍କ ସ୍ୱର ଢେଉଢେଉକା ପାହାଡ ଫାଙ୍କରେ  ସରି ଆସୁଥିବା ଜହ୍ନ ଉକିଆ ପରି/ ସେ ହାଲ୍କା ଛାଇ ଆଲୁଅ ସ୍ୱର ମାୟାରେ, ଲହରର ଟିକେ ହରକତରେ ଓଡ଼ିଆ ମାନେ ପଡ଼ିବାକୁ ନିହାତି ବାଧ୍ୟ.ତାଙ୍କ ଏ ଶ୍ରମ ଗୀତ କ୍ଲାନ୍ତି ଭୁଲାଇ ଦେବ.ସାବଧାନରେ ଶୁଣିବେ, ହୁଏତ ଶୁଣୁଶୁଣୁ  ଆଖି ଲାଗିଯିବ ଯଦିଚ ଏହା ନାନାଵାୟା ନୁହେଁ  ବରଂ ହଳିଆ ଗୀତ https://t.co/csaZv7FNxx

https://twitter.com/SuryadeoSurya/status/1242791723698274306?s=19

ବର୍ଷ ୨୦୦୪

ବିଶେଷତ୍ୱ: ସୁପରଷ୍ଟାର ଅନୁଭବ ମହାନ୍ତି 'ଆଇ ଲଭ ୟୁ'ରୁ ଓଡ଼ିଆ ସିନେମାରେ ଡେବ୍ୟୁ କଲେ. ତାଙ୍କର ଆଉ ଦୁଇଟି ସିନେମା 'ସାଥିରେ' ଏବଂ 'ବର୍ଷା ମାଇଁ ଡାର୍ଲିଂ' ମଧ୍ୟ ଏଇ ଵର୍ଷ ମୁକ୍ତିଲାଭ କରିଥିଲା. ନାୟକ ସୁନୀଲ କୁମାର, ଅଭିନେତ୍ରୀ ଗୁନଗୁନ ଏବଂ ନିର୍ଦେଶକ ଶକ୍ତି ବରାଳ ମଧ୍ୟ ୨୦୦୪ରେ ଡେବ୍ୟୁ କଲେ. 

https://t.co/bqIFh8inDH https://t.co/JkjTzKuEzH

https://twitter.com/OdiaMovieDB/status/1242749850225004545?s=19

ଦେଖନ୍ତୁ ଗାୟକ Swayam Pravash Padhi ଙ୍କ କଣ୍ଠରେ ଏହି ମନଛୁଆଁ ଗୀତ "ଦିଲ ଜାନିୟା"

#odiasong #odiamusic #odiaone

https://t.co/kA6YMerlNz

https://twitter.com/OdiaoneOfficial/status/1242738949547626496?s=19

"ଆମେ ତ ଭାଗ୍ୟବାନ ପିଲା ରେ,

ଆଉ କିଏ ଆମ ପରି ଥିଲା ରେ।

ଆମେ ତ ଉଡୁ ଆଜି ଆକାଶେ,

ରବିର କର ଯହିଁ ଝଲକେ।।"

ଆମେ ତୃତୀୟ ଶ୍ରେଣୀରେ ପଢିଥିବା ପ୍ରଥମ କବିତା। ଆଜି ପର୍ଯ୍ୟନ୍ତ ମନରେ ପ୍ରତିଧ୍ବନିତ ହେଉଛି।

୧୯୮୦/୮୨ ପର୍ଯ୍ୟନ୍ତ ଚାଲିଥିଲା ବୋଧହୁଏ।

#21daylockdown 

#StayAtHome

https://twitter.com/PramodpandaVk/status/1242649629763633152?s=19

ଓଡିଆ ଶିକ୍ଷାର ସ୍ତରର ମାନାଙ୍କ ଇଂରାଜୀ ମିଡିୟମ ସ୍କୁଲ ଗୁଡିକର ପ୍ରସାର ପରେ ତାର ପ୍ରତିଯୋଗିତାରେ ଖୋଲିଥିବା ଶିଶୁମନ୍ଦିରସ୍କୁଲ ମାନେ ବଢେଇ ଥିଲେ। ଶ୍ଳୋକ, ଭଜନ, ସଂସ୍କୃତି ଶିକ୍ଷା ଆଦିରେ ୮୩ ପରେ ଓଡିଆ ପିଲାଙ୍କ ମସ୍ତିଷ୍କ ଇଂରାଜୀ ମିଡିୟମ ତୁଳନାରେ ଅଧିକ ହେଇଛି ବୋଲି ମୁଁ ଭାବୁଛି, ବିଶେଷକରି ସାହିତ୍ୟ ଓ ଗଣିତରେ।

Though Upendra Kumar got his first assignment as ''Mana Akasha'....''Dharitri'' (1973) was his first movie to be released...Chittaranjan Jena made his debut as a playback singer... song of Banamali was used on Sipra Bose..the six songs stand out for their melody and sweetness.. https://t.co/Tl9sfokPjr

https://twitter.com/odiamelody/status/1242492337193803777?s=19

Sapanara Pathe Pathe... sung by Md. Sikander Alam in ‘Dharitri’ (1973)... written by Sibabrata Das... composed by Upendra Kumar... https://t.co/tla8tEEYPN

https://twitter.com/odiamelody/status/1242519751387000832?s=19

କଳାବଉଦ ଆଡେଇ ଯିବ...ମୋ ମନ ଆଜି କହୁଛି ମତେ ଜହ୍ନ ପୁଣି ହସିବ...

ଅନୁରାଧା ପୌଡ଼ୱାଲଙ୍କର କଣ୍ଠରେ ତୁଣ୍ଡବାଇଦ ଚଳଚ୍ଚିତ୍ରର ସମୟୋପଯୋଗୀ ଗୀତଟିଏ

https://t.co/F7j2xgNcv5

https://twitter.com/OdiaCulture/status/1242663834197745665?s=19

First and the most comprehensive is, of course, Odia Bibhaba by Srujanika. You can get the most comprehensive range of books and many early Odia magazines here, as well as the Shabdakoshas. 

https://t.co/tPjgkiwBPD

Another interesting, though comparatively new site is the government-owned Odia Virtual Academy, https://t.co/GIAJ94IJqN

The speciality of this site is besides having some good collection, it has searchable text. That makes it a great resource site. @manojmishratwit

Another site, created by the community, is Wikimedia Commons. It has limited collection but has some popular titles. You can volunteer to add Odia books here. 

https://t.co/zNid8owykq

@ssgapu22

Another site, started earlier by NIT Rourkela and Srujanika is https://t.co/5Pq9OMYl35. It has some good collection, sorted by author names and book titles. Not being updated these days, but the books are available

This site, https://t.co/j80sYfNvMY, has a limited number of books, but some of them are really good. Worth a visit.

The popular Internet Archive, https://t.co/LspePo7aQ8, too has some classic Odia books and reports, and a lot of English text on Odisha. But you have to search for them.

More for researchers than common readers. I'd  recommend https://t.co/3gCwYMHU0S for  some old Odia text.

https://twitter.com/OdiaCulture/status/1242858413194797056?s=19

This site, https://t.co/j80sYfNvMY, has a limited number of books, but some of them are really good. Worth a visit.

'Tu ranga hele mun phaguna' by Diptirekha.. #OdiaHoliSong https://t.co/YSXNDLBJJ3 https://t.co/P9eorSIJhs

https://twitter.com/TaraniTrotter/status/1242671647447896064?s=19

Accidentally met Odia bhajan singer Nabakishore Mishra at his residence at Nayagarh n had a long fruitful discussion. He started singing for AIR-Ctc since 1972, but his name to fame was with 'Mun asichi dekhi', lyrics Tapan Pattnaik, music Balakrushna Dash

https://t.co/YtJVhYx9xz https://t.co/6qxXfE895Z

https://twitter.com/TaraniTrotter/status/1242685325752729600?s=19

The 21days lockdown has virtually restricted all movt, but that can't restrict the enthu level. We tweeples can fruitfully use the time with some creative posts/threads on Odisha. I'm  sharing 21 temple loc of Odisha, 1 on daily basis.. 

#21Days21Temples  #OdishaFightsCorona

Day#1 - Sri Jagannath Temple, Gadamadhupur, Jajpur

Located in the picturesque foothills,this heritage temple was built by Raja Birabara Narayan Chandra Dhir Narendra of #Gadamadhupur kingdom in 19th century. 

#21Days21Temples #TemplesOfOdisha

#OdishaFightsCorona #lockdown https://t.co/v6A7AOxpbk

https://twitter.com/TaraniTrotter/status/1242834372677341185?s=19

#OnceUponATimeInJajpur

Incredibly Jajpur was the wonderland of Odisha some 1500yrs ago..while Bhubaneswar, Puri & Konark were yet to hold their ground of popularity..

Ancient photo thread on the diamond triangle of Odisha...just to see n be mesmerized..

1. Hatikhal, Lalitagiri https://t.co/pEFCXkbE4Q

https://twitter.com/mishra9_supriya/status/1190955493470044161?s=19

All the above images are taken from a book compiled by the Mahabodhi society of Odisha, Cuttack, published by the Home (Public relations)Dept, Govt of Odisha in 1957 on the diamond triangle..will add images from Ratnagiri later..this last one is frm the then CM of Odisha.

Hope! https://t.co/7zFb59AtgJ

There's more... Ratnagiri as well as Langudi (Pushpagiri)

https://t.co/mNkqDNKP7N

https://t.co/4UwX6TBmYg

ଭକ୍ତ ଓ ଭଗବାନଙ୍କ ସଂପର୍କ ସବୁବେଳେ ଦୁଃଖ ସହିତ ଥାଏ । ଭଗବାନ ସବୁବେଳେ ଭକ୍ତକୁ ପରୀକ୍ଷା କରନ୍ତି।ଏହାକୁ ଦେଖି ଉତ୍କଳମଣି ସୁଆଣ୍ଡୋ ପୁରୀ ଜିଲ୍ଲାର ପୁଅ ଗୋପବନ୍ଧୁ ଦାସ ଲେଖିଲେ-

"ବିପଦ ପ୍ରଭୁଙ୍କ କଷଟି ପାଷାଣ

ପରଖନ୍ତି ତହିଁ ନର ଭୁତ ଟାଣ ।"

@OdiaCulture @odiajagat @OdiaHistory @VAdkri @BBSRBuzz @Odia_Pila @odiakhati https://t.co/fFW0C5WVM6

ଦୁଇ ଭାଇଙ୍କ ସାହାଯ୍ୟରେ ସେ ଦେବୀଙ୍କ ଦର୍ଶନ କରୁଥିଲେ ଏବଂ ଏକଦା ବୁଦ୍ଧି କରି ଭାଇଙ୍କୁ ନରବଳୀ ଦେଲେ।ତାଙ୍କ ନାମାନୁସାରେ ଏହା କୁଲହାଡ଼ ବା କୁଲାଡ଼ ଭାବରେ ନାମିତ।ପରବର୍ତ୍ତୀ କାଳରେ ଏ ବଂଶର ରାଜା ଶ୍ରୀ ଉପେନ୍ଦ୍ର ଭଞ୍ଜ କବି ସମ୍ରାଟ ଭାବରେ ପରିଚିତ ହେଲେ। @VAdkri @BBSRBuzz @OdiaCulture @odiajagat @OdiaHistory @Odia_Pila

କବି ସମ୍ରାଟ ଉପେନ୍ଦ୍ର ଭଞ୍ଜଙ୍କ ଅଳଙ୍କାର,ଉପମା,ଛନ୍ଦ ତଥା ଅନେକ କାବ୍ୟ କବିତାରେ ଦେଖିବାକୁ ମିଳେ, ଯାହାର ବିଶ୍ଲେଷଣ କରିବା ଅତ୍ୟନ୍ତ କଷ୍ଟକର। କବି ଲେଖିଛନ୍ତି

ନାନା ଶବଦରେ ଯେ ବିଚକ୍ଷଣ,

ଯେହୁ ଜାଣେ ଅଳଙ୍କାର ଲକ୍ଷଣ 

ସେହୁ କରୁ ଏହି ଛାନ୍ଦ ବିବେଚନା । 

@BBSRBuzz

@OdiaCulture @odiajagat @OdiaHistory @VAdkri @Odia_Pila https://t.co/3bhwrpMQ4S

https://twitter.com/shibashish_shre/status/1242454031160594433?s=19

#21Days21Personalities

Day1

Kabi Samrat Upendra Bhanja was born in 1670(opinions differ between 1670 and 1688) at a small village Kulada near Ghumusara town of Odisha. Born in a royal family, Upendra Bhanja had never eyed for throne. 

(Pic Courtesy - @pureodiasaswata) https://t.co/XegQz7juNk

https://twitter.com/zubun98/status/1242735469869187072?s=19

His grandfather King Dhananjaya Bhanja wrote "Raghunath Bilash" and "Ratna Manjari". His father King Nilakantha Bhanja ruled the princely state but unlike them, he preferred his entire life to poetry rather than to ruling over a kingdom.

Upendra Bhanja wrote in the last decade of seventeenth and the early decades of eighteenth century and championed a style of poetry called ‘ Reeti’ in Sanskrit

poetics. Though many poets in the seventeenth and eighteenth centuries wrote in reeti style.

He contributed more than 35,000 words in various poets and kavyas for the Odia language and literature. He used separate distinguishable style of writing in his poets and kavyas.

For more information about Kabi Samrat Upendra Bhanja go through the below link

https://t.co/MyXqY4Zluz

ଜୟପୁର ରାଜ୍ୟ ଓ ଏହାର ଇତିହାସ

Jeypore Samasthan and it's History https://t.co/nSt065r0FU

https://twitter.com/VAdkri/status/1242890831872151554?s=19

Related

ଓଡିଶା ରେ ଗଣ୍ଡଭେରଣ୍ଡ

ଓଡ଼ିଆ ଭାଷା ସାହିତ୍ୟ ର ଅନ୍ୟତମ ବିନ୍ଧାଣି : ଶ୍ୟାମ ସୁନ୍ଦର ରାଜଗୁରୁ With 3 comments

ଭାଷା ହିଂସା ରେ ପାରଳା ରଥ ର ବଳିଦାନ With 4 comments

Starting a thread related to the Famous personalities of Odisha. I will tweet my artworks each day.

#Lockdown21 #KhantiOdiaArtSeries

#21Days21Personalities @Culturedeptt @OdiaCulture

https://twitter.com/pureodiasaswata/status/1242878447581646851?s=19

https://twitter.com/pureodiasaswata/status/1242879013808484357?s=19

Starting a new series #21Days21Deities from today onwards. To do something new, to share something new and to gain something new....

Day 1 : Mahisimardini

Mahishasura was a buffalo demon. He someone who pursued his evil ways by shape shifting into different forms. https://t.co/FIEejHucUM

https://twitter.com/ashishsarangi/status/1242844648856379395?s=19

He was ultimately killed by Goddess Durga getting named Mahishasuramardini or Mahisimardini. It is an important symbolic legend Shaktism. The legendary battle of Mahishasura as evil & Durga as good is narrated in many parts of South Asian and SE Asian Hindu temples, monuments. https://t.co/rHinMlOtO8

Devi Mahatmya has the beautiful narration about the story.The story is also told in the Sikh text Chandi di Var, also called Var Durga di, which many in Sikh tradition believe was included in the Dasam Granth by Guru Gobind Singh. Lot of Murals based on this iconography in Odisha https://t.co/l0HLh39St3

As suggested by @OdiaCulture bhai yesterday, sharing a small video on Satrughanesvara temple. As I am not an expert, I tried something new and I hope you all will like it. Suggestions for improvement are always welcome. Thanks....

https://t.co/aLPsXXIySL

https://twitter.com/ashishsarangi/status/1242825540790300672?s=19

At this hour also ur Hindi love is at it's peak!!

I could not understand what all in Panipuri/Golgapa language u hv written being a GOI handle & sure cores like me vl also wont understand either.

Write vch evrybody can understand & get benefit out of it🙏https://t.co/FWOFGjlZmo

https://twitter.com/IamanODIA/status/1242458810905739268?s=19

The greatest behavioral change experiment ever, is onway. 

Behavioral science can be effectively leveraged to make people follow social distancing guidelines and have good hygiene.

What would work on such people? 

Would social shaming work, or intervention by authority?

https://twitter.com/pratyasharath/status/1242455445752565760?s=19

People at present are not considering the threat big enough or proportionate enough to the sanction. So there is a need to make the risk available to them. No one is able to see the severity of the consequence that far away.

I am overpainting these days ,, never had this luxury of spending so much time in my studio ,, painting left and right 😃, by the time  the  world sails past #COVID19 (hopefully) I will have enough painting to have multiple solo #shows #StayHomeIndia #stayhomechallenge

https://twitter.com/BijayBiswaal/status/1242438537674293248?s=19

ବୀଣା ବାଦକ ଭକ୍ତବତ୍ସଳ ପାତ୍ର 1913

Bhaktabatsala Patra was a renowned veena artist from Odisha(Paralakhemundi). He had  transparency in both Odissi and Carnatic classical music.His first Veena program was broadcast on 1948 nov18 from @airnewsalerts Cuttack.

#Gajapati 

Classical Music https://t.co/J8lLDLiqim

https://twitter.com/VAdkri/status/1242911521211990016?s=19

" ପେଟେଣ୍ଟ୍ ମେଡିସିନ୍ "

ସାଆନ୍ତାଣୀଙ୍କର ଟାଣୁଆ ହୁକୁମ ଜାରି, ରାତି ତ ରାତି, ଦିନବେଳେ ବି ବାବୁ ଘରୁ ଗୋଡ଼ କାଢ଼ି କାହିଁ ଯାଇପାରିବେ ନାହିଁ । “କ୍ୟାଁ ଯିବ? କ’ଣ ଲୋଡ଼ା  ? ଯାହା କରିବାକୁ ହେବ, ଘରେ ବସି କର । ଲେଖ, ପଢ଼, ଖବରଦାର ବାହାରକୁ ବାହାରିବ ନାହିଁ ।” ବାବୁଙ୍କ ନିହାତି କୁହାବୋଲା ଆକୁଳ ବିକଳରେ ହୁକୁମ ହୋଇଛି – https://t.co/RQbT2XL3GX

https://twitter.com/Pravasanta/status/1241338536877424640?s=19

Gokul Srichandan was the guru of Nimai Harichandan and Balakrushna Dash

'' ଓଡ଼ିଆ ସାହିତ୍ୟ ''

ଚର୍ଯା ଯୁଗ :- 

ଲୁଇପା, କାହ୍ନୁପା

ସାରଳା ଯୁଗ:-

ସାରଳା ଦାସ, ସାରଳା ମହାଭାରତ

ପଞ୍ଚସଖା ଯୁଗ :-

ଜୟଦେବ, ଅନନ୍ତ ଦାସ, ଅଚ୍ୟୁତାନନ୍ଦ ଦାସ, ବଳରାମ ଦାସ, ଯଶୋବନ୍ତ ଦାସ, ଜଗନ୍ନାଥ ଦାସ, ଅରକ୍ଷିତ ଦାସ, ଅର୍ଜ୍ଜୁନ ଦାସ, ଦେବଦୁର୍ଲ୍ଲଭ ଦାସ https://t.co/NGawRbtsPy

https://twitter.com/Pravasanta/status/1241410281068085249?s=19

ରୀତି ଯୁଗ :-

ଅଭିମନ୍ୟୁ ସାମନ୍ତସିଂହାର, ଉପେନ୍ଦ୍ର ଭଞ୍ଜ, ଗୋପାଳକୃଷ୍ଣ ପଟ୍ଟନାୟକ, ଗୌରହରି ପରିଚ୍ଛା, ଦୀନକୃଷ୍ଣ ଦାସ, ବଳଦେବ ରଥ, ଯଦୁମଣି ମହାପାତ୍ର, ବିଶ୍ଵନାଥ ଖୁଣ୍ଟିଆ, ବନମାଳୀ ଦାସ, ବୃନ୍ଦାବତୀ ଦାସୀ, ବ୍ରଜନାଥ ବଡ଼ଜେନା, ମାଧବୀ ଦାସୀ, ଭକ୍ତ ଚରଣ ଦାସ, ଭୀମ ଭୋଇ, ରଘୁନାଥ ପରିଚ୍ଛା

ରାଧାନାଥ ଯୁଗ :-

ଫକୀର ମୋହନ ସେନାପତି, ରାଧାନାଥ ରାୟ, ଗଙ୍ଗାଧର ମେହେର, ମଧୁସୂଦନ ରାଓ, ଚିନ୍ତାମଣି ମହାନ୍ତି, ନନ୍ଦ କିଶୋର ବଳ

ସତ୍ୟବାଦୀ ଯୁଗ :-

ଗୋପବନ୍ଧୁ ଦାସ ,ନୀଳକଣ୍ଠ ଦାସ, ଗୋଦାବରୀଶ ମହାପାତ୍ର, ଆଚାର୍ଯ୍ୟ ହରିହର, କୃପାସିନ୍ଧୁ ମିଶ୍ର, ଚିନ୍ତାମଣି ଦାସ, କୁନ୍ତଳା କୁମାରୀ ସାବତ

ପ୍ରଗତି ଯୁଗ:-

ଭଗବତୀ ଚରଣ ପାଣିଗ୍ରାହୀ, ସଚ୍ଚିଦାନନ୍ଦ ରାଉତରାୟ

ସବୁଜ ଯୁଗ:-

ମାୟାଧର ମାନସିଂହ, ବୈକୁଣ୍ଠନାଥ ପଟ୍ଟନାୟକ, କାଳିନ୍ଦୀ ଚରଣ ପାଣିଗ୍ରାହୀ, ଅନ୍ନଦା ଶଙ୍କର ରାୟ

ସ୍ୱାଧୀନତା ପର :-

"କବିତା"

ସଚ୍ଚିଦାନନ୍ଦ ରାଉତରାୟ, ରମାକାନ୍ତ ରଥ, ସୀତାକାନ୍ତ ମହାପାତ୍ର, ପ୍ରତିଭା ଶତପଥୀ, ସୌଭାଗ୍ୟ କୁମାର ମିଶ୍ର, ରାଜେନ୍ଦ୍ର କିଶୋର ପଣ୍ଡା, ମମତା ଦାଶ

(ଗପ ଓ ଉପନ୍ୟାସ )

~୭୦ ଦଶକ ଆଗ ~

ଗୋପୀନାଥ ମହାନ୍ତି, କାହ୍ନୁ ଚରଣ ମହାନ୍ତି, ସୁରେନ୍ଦ୍ର ମହାନ୍ତି, ମନୋଜ ଦାସ, ଚନ୍ଦ୍ରଶେଖର ରଥ, ଶାନ୍ତନୁ କୁମାର ଆଚାର୍ଯ୍ୟ, ମହାପାତ୍ର ନୀଳମଣି ସାହୁ, ରବି ପଟ୍ଟନାୟକ, ଜଗନ୍ନାଥ ପ୍ରସାଦ ଦାସ

~୭୦ ଦଶକ ପର~

ଅନ୍ନଦା ପ୍ରସାଦ ରାୟ, ଗୁରୁ ପ୍ରସାଦ ମହାନ୍ତି, କୈଳାଶ ଲେଙ୍କା, ଅକ୍ଷୟ ମହାନ୍ତି, ବିଭୂତି ପଟ୍ଟନାୟକ, ପ୍ରତିଭା ରାୟ, ଜଗଦୀଶ ମହାନ୍ତି, କହ୍ନେଇଲାଲ ଦାସ, ସତ୍ୟ ମିଶ୍ର, ରାମଚନ୍ଦ୍ର ବେହେରା, ପଦ୍ମଜ ପାଳ, ସରୋଜିନୀ ସାହୁ, ଯଶୋଧାରା ମିଶ୍ର, ମନୋରମା ବିଶ୍ଵାଳ ମହାପାତ୍ର

~ନାଟକ~

କାଳୀଚରଣ ପଟ୍ଟନାୟକ, ବୈଷ୍ଣବ ପାଣି, ଗୋପାଳ ଛୋଟରାୟ, ମନୋରଞ୍ଜନ ଦାସ, ବିଶ୍ଵଜିତ ଦାସ, ବିଜୟ ମିଶ୍ର, କାର୍ତ୍ତିକଚନ୍ଦ୍ର ରଥ

~ଶିଶୁ ସାହିତ୍ୟ~

ରାମକୃଷ୍ଣ ନନ୍ଦ, ସରଳା ପତ୍ରୀ

ନାଟକରେ ଆଉ ଜଣେ ରହିଗଲେ। ନାଟ୍ୟଶ୍ରୀ ରଘୁନାଥ ମିଶ୍ର। ଅନେକ ନାଟକ ଲେଖିଛନ୍ତି ଓ ମଞ୍ଚସ୍ଥ କରିଛନ୍ତି।

https://twitter.com/PramodpandaVk/status/1241419562349785088?s=19

#JanataCurfew ସମୟରେ ସମୟ ବିତେଇବା ଲାଗି ଯୁବ ସମାଜ ଲାଗି କିଛି ପରାମର୍ଶ

1.  ବହି ଅଥବା ପାଖରେ ଥିବା କିଛି ଉପନ୍ୟାସ ଅବା ଗଳ୍ପ ପଢନ୍ତୁ।

2. ବଗିଚା ଅବା ପାଖରେ ଲଗେଇ ଥିବା ଗଛରେ ପାଣି ଦିଅନ୍ତୁ। 

3. ଉପବାସ କିମ୍ବା ବିନା ଉପବାସରେ ଭଗବାନଙ୍କ ନାମ ଜପ କରନ୍ତୁ।

4. ପରିବାରକୁ କିଛି ସୁସ୍ୱାଦୁ ଖାଦ୍ୟ ବନେଇ ଖୁଆନ୍ତୁ।

https://twitter.com/Askbiku/status/1241358217893965825?s=19

5. Your quote, ଟୁଇଟର କିମ୍ବା କିଛି ଅନ୍ୟ ଉପଯୋଗୀ ସ୍ଥାନରେ ସାହିତ୍ୟ ଚର୍ଚ୍ଚା କରନ୍ତୁ ଅଥବା କିଛି ଲେଖା ଲେଖି କରନ୍ତୁ।

6. ଜେଜେ ଓ ଜେଜେମା ଓ ଅନ୍ୟ ଗୁରୁଜନଙ୍କୁ ମହାଭାରତ,ରାମାୟଣ ତଥା ଛୋଟବେଳେ ଶୁଣିଥିବା ଗପ ସବୁ ଆଉ ଥରେ  କହିବା ଲାଗି କୁହନ୍ତୁ। ଏ ସମୟର ମଜା ଉଠେଇବା ସହ ନିଜ ବାଲ୍ୟ କାଳର ସ୍ମୃତିକୁ ଆଉଥରେ ମନେ ପକାନ୍ତୁ।

7. ଘର ଦ୍ୱାର ତଥା ଆଖ ପାଖ ସଫା କରନ୍ତୁ ଏବଂ ନିଜ ବିଷୟରେ ଚିନ୍ତା କରିବା ପାଇଁ ସମୟ ଦିଅନ୍ତୁ।

8. ପୁରୁଣା ବନ୍ଧୁ ମାନଙ୍କୁ ଫୋନ କରି ସ୍କୁଲ ସମୟକୁ ଆଉ ଥରେ ମନେ ପକାନ୍ତୁ ଆଉ ବିଶେଷ କରି ଅଯଥା ଚର୍ଚ୍ଚାରୁ ଦୁରେଇ ରୁହନ୍ତୁ।

9. ଲଘୁଜନ ମାନଙ୍କୁ ପଢେଇବା ସହ ବାପା ମା'ଙ୍କ ସେବା କରନ୍ତୁ। ତାଙ୍କ ସହ ହାତ ମିଳେଇ କିଛି କାମ କରନ୍ତୁ।

10. ଧ୍ୟାନ କରନ୍ତୁ, ଯୋଗ କରନ୍ତୁ ଏବଂ ଭଗବାନ ଚିନ୍ତନରେ ଲିପ୍ତ ରୁହନ୍ତୁ ଏବଂ ପ୍ରାର୍ଥନା କରନ୍ତୁ।

11. ନବେ ଦଶକର ସିନେମା, ମାଗଜିନ ଅଥବା ଗୀତ ଶୁଣି ମନକୁ ଶାନ୍ତ କରନ୍ତୁ। 

12. ହଜିଯାଇଥିବା ଘର ଖେଳ ଯେମିତିକି ଇଟିକିଲି ମିଟି କିଲି, ଲୁଡୁ, ତାସ, ପାରା ଉଡ଼ ବଣି ଉଡ଼ ଆଦି ଖେଳନ୍ତୁ।

@Dr_Twiinkle @Dr_Paramomycin @Drakshays

Odia Twitter community have both professional and serious amateur composers, singers, lyricists, researchers, film makers, photographers, visual artists, literary writers, culinary artistes and many more along with techies. We must channelize ourselves better o make a difference

https://twitter.com/OdiaCulture/status/1100602505451397120?s=19

Khan Mohammed (Khanu Mian) is believed to be the first recorded voice in Odia, recorded in 1907 by Gramophone Company.

But according to Australian researcher Michael Kinnear, Hemendra Mohan Bose of Kolkata had recorded Odia artistes on cylinder well before that

https://twitter.com/OdiaCulture/status/1176813016899182592?s=19

He even says French label Pathe which reissued some of Bose's recording on discs could have reissued some of these Odia recordings, though he is not sure. 

The name(s) of artiste(s) is/are not known.

Gokul Srichandan, uncle and guru of Nimai Harichandan and guru of Balakrushna Dash was the first recorded Odia artiste 1/2

https://twitter.com/OdiaCulture/status/758690651068399616?s=19

Veteran Odia singer Pranab Pattnaik turns 80 today. Wish him a long and healthy life. He, Akshaya Mohanty & Md Sikander Alam started the modern era of Odia music. In Odia films, while all leading female artistes were non-Odia, these 3 dominated male playback singing Pic @subhapa https://t.co/GwjAejTTc2

https://twitter.com/OdiaCulture/status/954575669257691137?s=19

ବିଜୟ ମଲ୍ଲ ପ୍ରଣବ ପଟ୍ଟନାୟକଙ୍କ ଇଣ୍ଟରଭିଉ ଖଣ୍ଡେ କରୁଥିଲେ ଡିଡିରେ । ତାଙ୍କର ଯେଉଁ 'ରାଗ ଅନୁରାଗ' ଦିଏ ସେଥିରେ । ପଚାରିଲେ "ଅକ୍ଷୟ ନାହାନ୍ତି, ସିକନ୍ଦର ନାହାନ୍ତି; ପ୍ରଣବଙ୍କୁ କେମିତି ଲାଗୁଛି" । ଇଏ ଲୁହଟୋପାଟେ ସହିତ ଉତ୍ତର ଦେଲେ "ପ୍ରଣବଙ୍କୁ ଭାରି ଏକା ଏକା ଲାଗୁଛି" । କାନ୍ଦି ପଡ଼ିଥିଲେ ପ୍ରାୟ ।

https://twitter.com/pattaprateek/status/954617995615027200?s=19

Prahallada Nataka is a critically endangered form. With a troupe in the state capital, wouldn't it have been better to get a performance done just for the sake of the art? The artist is at fault, but what has the art done to deserve this?

https://twitter.com/pattaprateek/status/991324447360471041?s=19

At the end, this is a man who dared to dedicate his life for an art form that forms an integral part of Odisha's culture. Respect not the man; but please do not turn your faces away for his craft that he has polished painfully over the years.

Please digitise this one. My humble request to both of you. 🙏

It is ସହି ଅଣ୍ଟିଲା ନାହିଁକି, one of my favourite Odissi songs (by Gopalakrusna, 18th century). Moreover classic Odissi Kaphi - that too by Mohan Gosain. Couldn't ask for better.

https://twitter.com/pattaprateek/status/1237393035765243904?s=19

Mohan Sunder Deb Goswami was the most recorded Odia artiste of 20s... and is credited with first Odia Movie... ‘’Sita Vivaha” in 1936...

https://twitter.com/odiamelody/status/1237384288544256006?s=19

Got a chance to listen an Odia Natak today. It was about Konark, Bisu Maharana and Debadasi Anuradha. Engrossing story. https://t.co/GybZVHNher

https://twitter.com/saswat28/status/904586744829419520?s=19

ODIA NATAK "ANDHA AKASARA SURYA" BY UTKAL SANGEET MAHAVIDYALAYA (JAYADEV... https://t.co/Z6hWKoBpYh via @YouTube

https://twitter.com/BhabaniChBiswal/status/988652786509205505?s=19

CHHAU DANCE  "ABHIMANYU BADHA"  BY UTKAL SANGEET MAHAVIDYALAYA (JAYDEV S... https://t.co/ObuAOxgcvw via @YouTube

#IWD2020

#OurWomenOurPride

Smt Sanjukta Panigrahi was the foremost exponent of Indian classical dance Odissi

She was first Odia girl to embrace this ancient classical dance at an early age & ensured its grand revival

She was recipient of Padma Shri & Sangeet Natak Akademi Award https://t.co/CMMT4sIDvl

https://twitter.com/PIBBhubaneswar/status/1234378386421813248?s=19

My maternal uncle, great dramatist, renowned writer, sahitya and sangeet natak academy awardee, a fine human being and a true inspiration is no more, an unbearable loss to family and vaccum in odia literature, we will miss you forever

https://twitter.com/AninditaPujari/status/1113076153588355074?s=19

ବରିଷ୍ଠ ନାଟ୍ୟକାର ତଥା ନିର୍ଦ୍ଦେଶକ କାର୍ତ୍ତିକ ଚନ୍ଦ୍ର ରଥଙ୍କ ଦେହାନ୍ତ ବିଷୟରେ ଜାଣି ମୁଁ ଦୁଃଖିତ। କଳା ଜଗତ ପ୍ରତି ତାଙ୍କ ଅବଦାନ ସର୍ବଦା ସ୍ମରଣୀୟ ରହିବ। ତାଙ୍କ ଅମର ଆତ୍ମାର ସଦଗତି କାମନା କରିବା ସହିତ ଶୋକସନ୍ତପ୍ତ ପରିବାରବର୍ଗଙ୍କୁ ମୋର ସମବେଦନା ଜଣାଉଛି।

https://twitter.com/Naveen_Odisha/status/1112711745724768256?s=19

Veteran odia film seniour actor Debu Bose is passes away aged 75.  He had started his career in 1980. 2014 Best actor awarded in film Rasta. He is famous in his father's  role in defferent odia films. More then 120 films and as many as manch Natak. https://t.co/oaljATxaVp

https://twitter.com/PrabhataPanigr2/status/1032527483956936704?s=19

#WATCH: Odia Cine artistes pay last respects to one of the most popular actors of the industry, Anita Das who passed away this morning at her residence in #Cuttack #Odisha https://t.co/qci08nvZ6f

https://twitter.com/otvnews/status/994917762769141760?s=19

Nilamani Bidyaratna, Chintamani Mohanty, and Chakradhar Mohapatra

Nua Nua Dinaa Kete.... sung by Akshaya Mohanty... written by Parthasarathi Mohapatra... from 78 RPM Shellac on Senola label... released in mid 60s... https://t.co/xfGZdF25Kf

https://twitter.com/odiamelody/status/1241415759303036934?s=19

The first phrase "ନୂଆ ନୂଆ ଦିନାକେତେ" has been taken from a very famous chhānda of Dinakrusna (16 c). Panchama Baradi - Rupaka. https://t.co/cdb0sIOJL6

https://twitter.com/pattaprateek/status/1241420315659386880?s=19

Here is one more Nua nua song by Nandita Ghosh. Ago Chandramallika is by Akshaya Mohanty. https://t.co/9lhyUaqPC6

https://twitter.com/NathTusar/status/1241436225619148801?s=19

Odisha State tribal museum finds a mention here. Fully endorse it. I've never seen my son more excited in a museum or any such other place. The AV kiosks are a great way to connect with the young. He developed a long-lasting interest in the area @scstrti

 https://t.co/wNvp9CT53G

https://twitter.com/OdiaCulture/status/1235784353847836674?s=19

Dam damani Pitha, Cuttack

named after the Goddess Dam Damani, situated amidst green forest of Dalijoda and a perennial stream flowing nearby. 

Legend states, that the Pandavas during the exile had remained incognito near the kingdom of Birat.

@BBSRBuzz @odisha_tourism  #odishaah https://t.co/GDKWVdV92f

https://twitter.com/rajpurohit2005/status/1237013331673665539?s=19

Biraja Devi Shaktipeeth At Jajpur In Odisha https://t.co/1SWVGteROB  one of the 18 mentioned by Adi Shankaracharya

#travel #Shaktipeeth #Odisha @odisha_tourism

https://twitter.com/anuradhagoyal/status/1234369674424381445?s=19

ପଞ୍ଚୁଲିଙ୍ଗେଶ୍ୱର ଦେଉଳ। ପୁରୁଣା ପାଟଣା

నీలకంఠేశ్వర దేవస్థానం . పాతపతనం , శ్రీకాకుళం

#Thread

The beautiful shrine of neelakantheswar situated near the river bank of holy Mahendratanaya.

#Pathapatnam just in the boarder line of Andhrapradesh and Odisha 1/n https://t.co/9TUnK6rmPQ

https://twitter.com/VAdkri/status/1195258855728406528?s=19

Temple was built by Mukunda Deva of Estern Ganga dynasty 1619AD after shifting their capital gudarikatak to Purunapatana(Patha patnam). Earlier it was known as Patana kataka, later it changed to puruna patana (old town) when they shifted their capital to Paralakhemundi 2/n https://t.co/hVMF1J98SZ

The premises consists five siva temples called Kedareswara, kashiVishweswara, Lokanatha , Ramalingeswara and Balunkeswara. So it's popularly known as Panchulingeswara 3/n https://t.co/ZzGYG6u7d4

Ganga ruler were greatly influenced by Vaishnava sect during the period of pratapa rudra deva,they believe Hari and hara as same and equal, irrespective of linga puja they started worshipping Avataras.

Here you can find #Govardhanakrishna

#Aghashuraantakarikrishna

#Rasabihari 8/n https://t.co/nET8GEiDZW

When architecture and Nature are side by side..

20/n https://t.co/aCfehPYLN5

#BigNews: After almost a century, sand will be removed from Sun Temple, Konark. @ASIGoI will prepare the protocol after @MinOfCultureGoI direction to this effect. Follow @dianasahu_tnie as she reports from the conference at @NewIndianXpress @XpressOdisha #Odisha #Konark https://t.co/lYNHFtEQIi

https://twitter.com/Siba_TNIE/status/1233689159769833473?s=19

Release of report by INTACH Bhubaneswar chapter (authored by Anil Dhir & team) in the form of a book is something the @odisha_tourism and @Culturedeptt should contemplate. Prachi valley is of immense importance to #Odisha @BBSRBuzz @CMO_Odisha #SavePrachiValley #SavePrachiRiver https://t.co/D0kYJd3UGe

https://twitter.com/devasissarangi/status/1141025849858125824?s=19

#Odisha has been a favourite nesting cove for the endangered Olive Ridley as they congregate in large number for annual arribada. Gahirmatha beach, one of the world's largest rookeries of Olive Ridley is always been a fascinating spectacle for nature lovers.

https://twitter.com/CMO_Odisha/status/1235103298262159365?s=19

1. There is NO Utkal Bhasha! 

2. It is Odia, not Odiya. 

3. Naveen Patnaik doesn't speak Odia, but Amit Shah's BJP CM Candidate Dharmendra Pradhan is an MP from Madhya Pradesh & Modi's BJP CM candidate Aparajita Sarangi is from Bihar.

4. BJD & BJP are NO Odias!

https://twitter.com/ashoswai/status/1092023975872483329?s=19

SC decides to translate its orders in vernac!  Staring with Assamese, Hindi, Kannada, Marathi & Odia.  At the risk of sounding a bong chauvinist but only to understand the mind of this great institution-why is India’s second most popular bhasha in banishment? 🤭😬🤔😢 https://t.co/aRr6UIQw0s

https://twitter.com/advsanjoy/status/1146256397400563712?s=19

Respectful homage to Pandit Nilamani Bidyaratna, one of the leading lights of Odia Bhasha Andolana & the movement for a separate Odisha state. An ideator, organizer & social reformer, he was Odisha's first professional editor who edited most of the leading periodicals of his time https://t.co/f66vGX37n3

https://twitter.com/OdiaCulture/status/941125717282078720?s=19

Respectful homage on the 150th birth anniversary of Kabisekhar Chintamani Mohanty, one of the leaders/strategists of Odia Bhasha Andolana

https://twitter.com/OdiaCulture/status/842281373360574464?s=19

Sanskrit is a coconut, sweet inside but hard to crack. Loka-bhasha is the banana, full of rasa and easy to relish. Krishna indulges in the rustic banter of the Gopis; dearer to him than even the Vedas. Where there is Gobinda, what difference does the medium make? [Odia, 17 c] https://t.co/pfursCl29U

https://twitter.com/pattaprateek/status/1223859279880314880?s=19

A wild bead wrapped in the finest cloth still has no value; a diamond in a rag is still a diamond. Sanskrit presents klesa to relish rasa; it is not comprehensible to everyone. Loka-bhasha is for everyone. Hence, why worry about the language? Listen as I narrate Krishna's deeds.

Sri Bibhuti Patnaik is a popular novelist who has dedicated to the history of Oriya novel. If his total number of novels are to be list out it will be elephantaein in size. 

#KLFCorner

#KalingaLitFest

@odishadiary @odisha_tourism @oxfordbookstore https://t.co/sj8csRkOXy

https://twitter.com/kalingalitfest/status/1178334362921652225?s=19

He is admired by his innumerable readers.He has received Orissa Sahitya Akademi Award in 1985 for his novel ‘ASWAMEDHARA GHODA’. To his credit other award also goes like Sarala, Jhankara and Bisubha Awards.

#KLFCorner #KalingaLitFest

@odishadiary @odisha_tourism @oxfordbookstore https://t.co/vKfDPSRhyx

https://twitter.com/kalingalitfest/status/1178334830339055616?s=19

Literary Living Legend, Padma Shri Manoj Das to grace Mystic Kalinga Festival, 2020 as the Keynote Speaker. Prof. das is an internationally renowned author, columnist, poet, and short-story writer. He has been conferred with Sahitya Akademi Award Fellowship and Saraswati Samman. https://t.co/zQRpt03vn8

https://twitter.com/kalingalitfest/status/1217741544213512193?s=19

#ପଞ୍ଚରତ୍ନ 

ଲେଖିକା: ଜଗନ୍ମୋହିନୀ ଅନ୍ନପୂର୍ଣ୍ଣା

ଭାଷା - ସଂସ୍କୃତ 

ରଚନାକାଳ - ୧୬ ଶତାବ୍ଦୀର ପ୍ରଥମ ଭାଗ

ଓଡ଼ିଆ ଭାଷ୍ୟାନ୍ତର - ଲେଖକ ସ୍ବର୍ଗତ ଚକ୍ରଧର ମହାପାତ୍ର

ସୌଜନ୍ୟ - ଓଡିଆ ଇତିହାସର ଅଜ୍ଞାତ ଅଧ୍ୟାୟ 

@drgynaec @ashishsarangi

@drdeepak81 @akala_kushmanda

@apsubhakanta98 @jpbapu86

https://t.co/f9u4Kokvql

https://twitter.com/PramodpandaVk/status/1141300960142041088?s=19

Later she was abandoned by her husband on the ground of suspicion of being a threat to his life. She lived a life of loner at Kumbham in Kurnool district. She wrote a poem, Tukka Panchakam in which she had confessed the negligent, alienating behavior of Krishnadevaray towards her

https://twitter.com/ashishsarangi/status/1141324456758898690?s=19

This Kambam is now in Prakasam dist and this is situated between Krishna and Godavari, but not between Nagavali and Godavari as written by Late Mahapatra. There are the doubt. 

Even Vijanagar Empire History although mentions her name, poem but naming the other wife as Tirumala.

https://twitter.com/PramodpandaVk/status/1141327182880374785?s=19

Akshaya Mohanty and Parthasarathi Mohapatra

Akshaya Mohanty had a fruitful association with Parthasarathi Mohapatra...author of the famous ballad....''Kanchi Abhijana''....Odisha Sangeet Natak Akademi recorded a bouquet of his 16 songs...sung by Akshaya Mohanty earlier on 78 RPM Shellacs and Radio... https://t.co/EdjQFAm3Ko

https://twitter.com/odiamelody/status/1241404161779855361?s=19

Enjoy the week by watching Odia movies 

by @Anuj_lekhak 

CC: @TaraniTrotter @justlalit @SuryadeoSurya

https://twitter.com/ashishsarangi/status/1241338999492378625?s=19

@SuryadeoSurya @TaraniTrotter and @justlalit are real movie experts. They can suggest more quality movies. You can find some more at https://t.co/dXjZNWkTix managed by @justlalit

https://twitter.com/ashishsarangi/status/1241341722522562560?s=19

Some good Odia films that you can watch during this days. @sabyaactor

https://t.co/Q3NVmGY19b

https://twitter.com/Anuj_lekhak/status/1241265606252347392?s=19

Bhai please suggest more film names , so that our lock down days become more memorable

There's another thread by @ashutosh_odisha where he listed almost all Odia movies available on YouTube. I can't find find the Tweet link. Maybe he can share the thread here.

https://twitter.com/justlalit/status/1241345082072002564?s=19

ଯେଉଁ କିଛି ପୁରୁଣା ଓଡ଼ିଆ ଓଡ଼ିଆ ଫିଲ୍ମ ୟୁଟ୍ୟୁବରେ ଉପଲବ୍ଧ ଗୋଟିଏ ଥ୍ରେଡ୍ ରେ ରଖୁଛୁ..

ପର୍ଯ୍ୟାୟ କ୍ରମେ ଗୋଟେ ପରେ ଗୋଟେ ଯୋଗ କରି ଚାଲିବୁ...

https://twitter.com/odiafilmcritics/status/1091646150598287362?s=19

ପର ଝିଅ ଘର ଭାଙ୍ଗେନା (୧୯୮୧)

ଅଭିନୟ - ଅଜିତ୍ ଦାସ, ତନ୍ଦ୍ରା ରାୟ,ଦେବୁ ବୋଷ

ସଙ୍ଗୀତ- ଦେବୀ ଶକ୍ତି

ନିର୍ଦ୍ଦେଶକ- ରମେଶ ଚନ୍ଦ୍ରା

https://t.co/AkTHY2bpr7 https://t.co/4LOdCPAnSv

ଜୋର୍ ଜାର୍ ମୁଲକ୍ ତାର

ନିର୍ଦ୍ଦେଶକ- ରାଜୁ ମିଶ୍ର

ସଂଗୀତ- ଅକ୍ଷୟ ମହାନ୍ତି

ଅଭିନୟ- ଶ୍ରୀ ରାମ ପଣ୍ଡା, ଅପରାଜିତା , ଉତ୍ତମ ମହାନ୍ତି

https://t.co/MHvW8CtJNh https://t.co/Shz0Rvr6Oa

ମା ମୋତେ ଶକ୍ତି ଦେ

ଅଭିନୟ - ବିଜୟ ମହାନ୍ତି , ତନ୍ଦ୍ରା ରାୟ ,ଦୁଃଖିରାମ 

ନିର୍ଦ୍ଦେଶକ -ସାମସନ୍ ଲିମା

ସଂଗୀତ-ମୁଶିର୍

https://t.co/KAU4OYBaRk https://t.co/6yjfPMhLKs

ପଞ୍ଜୁରୀ ଭିତରେ ଶାରୀ

ଅଭିନୟ - ବିଜୟ ମହାନ୍ତି , ତନ୍ଦ୍ରା ରାୟ, ମିହିର ଦାସ

ନିର୍ଦ୍ଦେଶକ- ଅବତାର ସିଂ

ସଂଗୀତ- ସ୍ବରୂପ ନାୟକ

https://t.co/n83TXfV2SK https://t.co/VpE7LPgKK2

ହିସାବ କରିବ କାଳିଆ

ଅଭିନୟ - ଶ୍ରୀରାମ ପଣ୍ଡା ,ମିହିର ଦାସ ,ଦୁଃଖିରାମ ସ୍ବାଇଁ ,ଦେବୁ ବୋଷ ,ପ୍ରତିଭା

ନିର୍ଦ୍ଦେଶକ - ହରେକୃଷ୍ଣ ଦେ

https://t.co/8FLpqAdMLI https://t.co/QAKulaaREB

ଉଦଣ୍ଡି ସୀତା

ଅଭିନୟ- ଉତ୍ତମ ମହାନ୍ତି , ଅପରାଜିତା ଓ ରାଇମୋହନ ପରିଡା , ଅଶ୍ରୁମୋଚନ

ନିର୍ଦ୍ଦେଶକ - ଉଦଣ୍ଡି ସୀତା

ସଂଗୀତ-ସ୍ବରୂପ ନାୟକ

https://t.co/M3yEq9mY6s https://t.co/e9iBQYtcPH

ଭୂଖା

ନିର୍ଦ୍ଦେଶକ-ସବ୍ୟସାଚୀ ମହାପାତ୍ର

କଳାକାର-ଶରତ ପୂଜାରୀ, ସାଧୁ ମେହେର, ବିଜୟ ପୂଜାରୀ, ସ୍ୱାତୀ ରାୟ

ସଙ୍ଗୀତ-ରମେଶ କୁମାର 

୧୯୯୦ ମସିହା ସ୍ପେନ୍ର ଗିଜୋନ୍ ଆନ୍ତର୍ଜାତୀୟ ଫିଲ୍ମ୍ ମହୋତ୍ସବରେ ଆନ୍ତର୍ଜାତୀୟ ଜୁରି ପୁରସ୍କାର ।

https://t.co/5Zv6ZWH2TD https://t.co/YLS8XNIlov

ରାମ ଲକ୍ଷ୍ମଣ(୧୯୯୭)

ନିର୍ଦ୍ଦେଶକ-ସଂଗ୍ରାମ ବିଶ୍ୱାଳ

କଳାକାର-ବିଜୟ ମହାନ୍ତି, ଶ୍ରୀତମ ଦାସ, ରାଇମୋହନ ପରିଡ଼ା

ସଙ୍ଗୀତ-ଅମରେନ୍ଦ୍ର ମହାନ୍ତି

https://t.co/3kS4kwY0ax https://t.co/VHUXh9rm3y

କଣ୍ଢେଇ ଆଖିରେ ଲୁହ

ନିର୍ଦ୍ଦେଶକ-ରବି କିନ୍ନାଗୀ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ରଚନା ବାନାର୍ଜୀ

ସଙ୍ଗୀତ-ଅମରେନ୍ଦ୍ର ମହାନ୍ତି

https://t.co/FiPPK4BkFT https://t.co/wbmq513pY7

ବୋଉ

ନିର୍ଦ୍ଦେଶକ-ସବ୍ୟସାଚୀ ମହାପାତ୍ର

କଳାକାର-ବିଜୟ ମହାନ୍ତି, ମହାଶ୍ୱେତା ରାୟ, ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ସଙ୍ଗୀତ-ରମେଶ କୁମାର ମହାନନ୍ଦ

https://t.co/mmhhla2j36 https://t.co/kF3ZQquz9i

ସିନ୍ଦୁର ନୁହେଁ ଖେଳଘର

ନିର୍ଦ୍ଦେଶକ-ରବି କିନ୍ନାଗୀ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ରଚନା ବାନାର୍ଜୀ

ସଙ୍ଗୀତ-ସ୍ୱରୂପ ନାୟକ

https://t.co/4oX7XrnND9 https://t.co/Rvl6JXd51E

ରାମାୟଣ

ନିର୍ଦ୍ଦେଶକ-ଗୋବିନ୍ଦ ଚନ୍ଦ୍ର ତେଜ

କଳାକାର-ଉତ୍ତମ ମହାନ୍ତି, ଧୀର ବିଶ୍ଵାଳ, ଗୋବିନ୍ଦ ଚନ୍ଦ୍ର ତେଜ

ସଙ୍ଗୀତ-ପ୍ରଫୁଲ୍ଲ କର

https://t.co/3wBDOdhJ5e https://t.co/Znr75McZcF

ଲକ୍ଷ୍ମଣ ରେଖା

ନିର୍ଦ୍ଦେଶକ- ମହମ୍ମଦ ମହସୀନ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ରଚନା ବାନାର୍ଜୀ

ସଙ୍ଗୀତ-ଅକ୍ଷୟ ମହାନ୍ତି

https://t.co/ypi3Url8Vr https://t.co/PgOKPLUmQn

ଜନନୀ (୧୯୮୪)

ଅଭିନୟ- ଉତ୍ତମ ମହାନ୍ତି , ଅପରାଜିତା , ଅନିତା ଦାସ, ଅଜିତ୍ ଦାସ

ନିର୍ଦ୍ଦେଶକ -ମହମ୍ମଦ ମହସୀନ

ସଂଗୀତ-ଭୁବନେଶ୍ଵରୀ ମିଶ୍ର

https://t.co/nVZsOhHVTU https://t.co/lxOha1Kk9I

ବିଧାତା

ନିର୍ଦ୍ଦେଶକ-ସଂଗ୍ରାମ ବିଶ୍ୱାଳ

କଳାକାରସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର,ମିହିର ଦାସ,ଉତ୍ତମ ମହାନ୍ତି,ଅପରାଜିତା ମହାନ୍ତି

ସଙ୍ଗୀତ-ଦୀପକ କୁମାର

https://t.co/68Sr8oBhbv https://t.co/S4qAaSWlRj

ମାଗୁଣିର ଶଗଡ଼( ୨୦୦୨)

ନିର୍ଦ୍ଦେଶକ-ପ୍ରଫୁଲ ମହାନ୍ତି

କାହାଣୀ- ଗୋଦାବରୀଶ ମହାପାତ୍ର

କଳାକାର- ଅଶ୍ରୁମୋଚନ ,ଜୟା, ମନୋରମା ମହାପାତ୍ର, ନୀଳମଣି ଏବଂ ଧୀରେନ୍ଦ୍ର ବସା

୨୦୦୨ ଅନ୍ତର୍ଜାତୀୟ ଶ୍ରେଷ୍ଠ ଓଡ଼ିଆ ଫିଲ୍ମ୍

https://t.co/UkycFC3sNK https://t.co/s50EKvTXTk

ମଲାଜହ୍ନ (୧୯୬୫)

ନିର୍ଦ୍ଦେଶକ- ନିତାଇ ପାଲିତ

କାହାଣୀ- ଉପେନ୍ଦ୍ର ଦାସ

କଳାକାର- ଅକ୍ଷୟ ମହାନ୍ତି ଓ ଝରଣା ଦାସ

୧୯୬୫ ଅନ୍ତର୍ଜାତୀୟ ଶ୍ରେଷ୍ଠ ଓଡ଼ିଆ ଫିଲ୍ମ୍ 

https://t.co/B0iY0HE3Yb https://t.co/w0dEYr6Krb

ଶଲାବୁଢ଼ା(୨୦୧୨)

ନିର୍ଦ୍ଦେଶକ - ସବ୍ୟସାଚୀ ମହାପାତ୍ର

ସଂଗୀତ- ପଙ୍କଜ ଜାଲ୍

କଳାକାର - ଅଟଳ ବିହାରୀ ପଣ୍ଡା, ପୃଥ୍ୱୀରାଜ

https://t.co/ALaHe3WPPe https://t.co/kHOskaamMw

ଗଙ୍ଗ ଶିଉଳି

ନିର୍ଦ୍ଦେଶକ - ଶ୍ରୀନିବାସ

କଳାକାର- ମୁନ୍ନା ଖାଁ , ମୀନକେତନ,ଦେବୁ ବୋଷ,ନରି , ଅଶ୍ରୁମୋଚନ

https://t.co/vgDqWLX88q https://t.co/l1yMtoMnSb

ଆଦିମ ବିଚାର (୨୦୧୪)

ନିର୍ଦ୍ଦେଶକ - ସବ୍ୟସାଚୀ ମହାପାତ୍ର

ସଂଗୀତ-ପଙ୍କଜ ଜାଲ୍ ଘାସିରାମ ମିଶ୍ର

ଅଭିନୟ - ଅଟଲ ବିହାରୀ ପଣ୍ଡା , ତପସ୍ୱିନୀ ଗୁରୁ

୨୦୧୫ ଅନ୍ତର୍ଜାତୀୟ ଶ୍ରେଷ୍ଠ ଓଡ଼ିଆ ଫିଲ୍ମ୍

https://t.co/4ouVkoJxk3 https://t.co/3a516JngET

ଗୈାରୀ (୧୯୭୮)

ନିର୍ଦ୍ଦେଶକ- ଧୀର ବିଶ୍ଵାଳ

ସଂଗୀତଜ୍ଞ- ପ୍ରଫୁଲ୍ଲ କର

କଳାକାର- ପ୍ରଶାନ୍ତ ନନ୍ଦ , ମହାଶ୍ୱେତା ଓ ଅଜିତ ଦାସ

https://t.co/E9aAZ5A2nx https://t.co/SnzVk3DevM

ତୋ ବିନୁ ଅନ୍ୟ ଗତି ନାହିଁ

ନିର୍ଦ୍ଦେଶକ - ମହମ୍ମଦ ମହସୀନ

ସଂଗୀତ- ଅକ୍ଷୟ ମହାନ୍ତି

କଳାକାର- ଉତ୍ତମ ମହାନ୍ତି,ଶ୍ରୀରାମ ପଣ୍ଡା,ମହାଶ୍ୱେତା

https://t.co/u4kw9LzDj0 https://t.co/glRTvznNF5

ଧର୍ମ ସ‌ହିଲେ ହେଲା

ନିର୍ଦ୍ଦେଶକ-ମହମ୍ମଦ ମହସୀନ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ରଚନା ବାନାର୍ଜୀ, ଜ୍ୟୋତି ମିଶ୍ର, ଉତ୍ତମ ମହାନ୍ତି, ଅପରାଜିତା ମହାନ୍ତି

ସଙ୍ଗୀତ-ମନ୍ମଥ ମିଶ୍ର

https://t.co/PscfAhJPW7 https://t.co/kTxZeuB4M0

ଶାଶୁ ହାତକଡି ଭାଉଜ ବେଡି

ନିର୍ଦ୍ଦେଶକ- ବିଜୟ ଭାସ୍କର

କଳାକାର- ବିଜୟ ମହାନ୍ତି ମିହିର ଦାସ ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ସଙ୍ଗୀତ- ଅକ୍ଷୟ ମହାନ୍ତି

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ଲାଲପାନ୍ ବିବି (୧୯୮୮)

ନିର୍ଦ୍ଦେଶକ - ପ୍ରଶାନ୍ତ ନନ୍ଦ

ସଂଗୀତ- ସ୍ବରୂପ ନାୟକ

କଳାକାର- ମହାଶ୍ୱେତା ରାୟ , ବିଜୟ ମହାନ୍ତି ,ଅକ୍ଷୟ ମହାନ୍ତି,ଦୁଃଖିରାମ ସ୍ବାଇଁ, ଝରଣା ଦାସ, ସ୍ନିଗ୍ଧା ମହାନ୍ତି

https://t.co/Rwt3SlvgeY https://t.co/9K3bFooTIf

ଜଗା ବଳିଆ (୧୯୮୪)

ନିର୍ଦ୍ଦେଶକ -ପ୍ରଶାନ୍ତ ନନ୍ଦ

ସଂଗୀତ-ଫ୍ରଫୁଲ୍ଲ କର

ଅଭିନୟ- ପ୍ରଶାନ୍ତ ନନ୍ଦ , ଶ୍ରୀ ରାମ ପଣ୍ଡା , ମହାଶ୍ୱେତା 

https://t.co/5f64zE6EJK https://t.co/sHQtLR2Dxt

ଦଣ୍ଡା ବାଳୁଙ୍ଗା (୧୯୮୪)

ସଂଗୀତ- ଅକ୍ଷୟ ମହାନ୍ତି

ନିର୍ଦ୍ଦେଶକ - ମହମ୍ମଦ ମହସୀନ

ଗୀତିକାର- ଶୀର୍ଷାନନ୍ଦ କାନୁନଗୋ

ଅଭିନୟ- ବୈଶାଳୀ, ଅପରାଜିତା, ଉତ୍ତମ ମହାନ୍ତି, ହେମନ୍ତ ଦାସ , ସୁଜାତା ଆନନ୍ଦ

https://t.co/kzmli3eNtN https://t.co/88EilRFGP2

ତାରା (୧୯୯୨)

ଅନ୍ତର୍ଜାତୀୟ ପୁରସ୍କାର ପ୍ରାପ୍ତ ଫିଲ୍ମ

ନିର୍ଦ୍ଦେଶକ - ବିଜୟା ଜେନା

ଅଭିନୟ- ବିଜୟା ଜେନା , ଅଶ୍ରୁମୋଚନ,ଅଜିତ ଦାସ

https://t.co/0IvwD9pBDH https://t.co/6wQTwymf2k

ମାଣିକ (୧୯୯୨)

ନିର୍ଦ୍ଦେଶକ-ଅସରାର ଅବିଦ୍

ସଂଗୀତ- ଉପେନ୍ଦ୍ର କୁମାର

ଅଭିନୟ- ତନ୍ଦ୍ରା ରାୟ, ବିଜୟ ମହାନ୍ତି , ଗୀତା ଦତ୍ତ

https://t.co/nYjkmo9DkO https://t.co/wEicB6x7P9

ବସ୍ତ୍ରହରଣ (୧୯୯୦)

ଅଭିନୟ- ଉତ୍ତମ ମହାନ୍ତି, ବିଜୟ ମହାନ୍ତି

ନିର୍ଦ୍ଦେଶକ -ଶିଶିର ମିଶ୍ର

https://t.co/PXXILAfqVq https://t.co/XOJlYr6KYJ

ଧର୍ମ ନିକିତି(୧୯୯୮)

ନିର୍ଦ୍ଦେଶକ- ସଂଗ୍ରାମ ବିଶ୍ୱାଳ

କଳାକାର- ଅପରାଜିତା ମିହିର ଦାସ ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ସଙ୍ଗୀତ- ଦୀପକ କୁମାର

https://t.co/MwGDPjXejg https://t.co/hxnCMWTUEe

ଲକ୍ଷ୍ମୀ ପ୍ରତିମା

ନିର୍ଦ୍ଦେଶକ-ମହମ୍ମଦ ମହସିନ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ରଚନା ବାନାର୍ଜୀ, ଦେବୁ ବୋଷ

ସଙ୍ଗୀତ- ସରୋଜ ନନ୍ଦ

https://t.co/oq2n06oNUB https://t.co/FneLC20kw4

ଭାଇ ହେଲା ଭଗାରି(୧୯୯୪)

ନିର୍ଦ୍ଦେଶକ-ରବି କିନ୍ନାଗି

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ମିହିର ଦାସ, ବିଜୟ ମହାନ୍ତି

https://t.co/Cc57vGPha3 https://t.co/QtXSvn6E2b

ପଥର ଖସୁଚି ବଡ଼ ଦେଉଳୁ(୧୯୯୩)

ନିର୍ଦ୍ଦେଶକ-ରାଜୁ ମିଶ୍ର

କଳାକାର-ବିଜୟ ମହାନ୍ତି,ତନ୍ଦ୍ରା ରାୟ,ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ସଙ୍ଗୀତ-ଶାନ୍ତନୁ ମହାପାତ୍ର

https://t.co/D4cKG9PAnh https://t.co/SWhNMbfYQ2

ଠାକୁର ଅଛନ୍ତି ଚଉ ବାହାକୁ(୧୯୯୦)

ନିର୍ଦ୍ଦେଶକ-ବିଜୟ ଭାସ୍କର

କଳାକାର-ଉତ୍ତମ ମହାନ୍ତି,ଅନୀତା ଦାସ,ବିଜୟ ମହାନ୍ତି

ସଙ୍ଗୀତ-ଅକ୍ଷୟ ମହାନ୍ତି

https://t.co/iaBLU1dQsD https://t.co/TzfGbVbVMU

ସେଇ ଝିଅଟି

ନିର୍ଦ୍ଦେଶକ-ସଞ୍ଜୟ ପାଠକ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ରଚନା ବାନାର୍ଜୀ, ଉତ୍ତମ ମହାନ୍ତି

https://t.co/OghITaL3XP https://t.co/vR8GSoJ9ma

କୋଟିଏ ମଣିଷ ଗୋଟିଏ ଜଗା(୧୯୯୧)

ନିର୍ଦ୍ଦେଶକ-ବିଜୟ ଭାସ୍କର

କଳାକାର-ବିଜୟ ମହାନ୍ତି, ତନ୍ଦ୍ରା ରାୟ

ସଙ୍ଗୀତ- ଅକ୍ଷୟ ମହାନ୍ତି

https://t.co/0Ji0IZYzZt https://t.co/5uxhJwMFKi

ରଖିଲେ ଶିବ ମାରିବ କିଏ(୧୯୯୪)

ନିର୍ଦ୍ଦେଶକ-ସଂଗ୍ରାମ ବିଶ୍ୱାଳ

କଳାକାର-ଉତ୍ତମ ମହାନ୍ତି,ଅପରାଜିତା ମହାନ୍ତି,ରାଇମୋହନ ପରିଡ଼ା,ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର

ସଙ୍ଗୀତ-ଅକ୍ଷୟ ମହାନ୍ତି

https://t.co/k6KhPc4hX9 https://t.co/DRlx0fPHBH

ସରପଞ୍ଚ ବାବୁ(୧୯୯୯)

ନିର୍ଦ୍ଦେଶକ-ଚକ୍ର ପାଣି

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ଅଜିତ ଦାସ, ଅନୁରାଧା, ଚନ୍ଦ୍ରଶ୍ରୀ, ସାତ୍ୱକି ମିଶ୍ର, ରାଇମୋହନ ପରିଡ଼ା

ସଙ୍ଗୀତ-ଅମରେନ୍ଦ୍ର ମହାନ୍ତି

https://t.co/vxS5XgqDMj https://t.co/Sg61Go3AWI

ସକଳ ତୀର୍ଥ ତୋ ଚରଣେ(୧୯୯୫)

ନିର୍ଦ୍ଦେଶକ-ସଂଗ୍ରାମ ବିଶ୍ୱାଳ

କଳାକାର-ଉତ୍ତମ ମହାନ୍ତି, ରଚନା ବାନାର୍ଜୀ, ଅପରାଜିତା ମହାନ୍ତି, ମିହିର ଦାସ

ସଙ୍ଗୀତ-ଏ. ଶ୍ରୀକର ପ୍ରସାଦ

https://t.co/EbBquwnXFe https://t.co/iSFMqW2GlA

କାହ୍ନା(୧୯୯୭)

ନିର୍ଦ୍ଦେଶକ-ଏନ୍. ରାମ ବାବୁ

କଳାକାର-ଉତ୍ତମ ମହାନ୍ତି,ଅପରାଜିତା ମହାନ୍ତି, ମୁନ୍ନା ଖାଁ

ସଙ୍ଗୀତ-ବାସୁଦେବ ରଥ

https://t.co/ylL1oIzsMb https://t.co/OFRBLMMxnX

ମା(୧୯୯୨)

ନିର୍ଦ୍ଦେଶକ-ପ୍ରଶାନ୍ତ ନନ୍ଦ

କଳାକାର-ଉତ୍ତମ ମହାନ୍ତି, ଅଜିତ୍ ଦାସ,ରାକ୍ଷୀ ଗୁଲଜାର

ସଙ୍ଗୀତ-ରାହୁଲ ଦେବ୍ ବର୍ମନ୍

https://t.co/Zh6X2o0FlS https://t.co/Rgg2eqBdJP

ମନ ରହିଗଲା ତୁମରି ଠାରେ(୧୯୯୯)

ନିର୍ଦ୍ଦେଶକ-ମହମ୍ମଦ ମହସୀନ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ବିଜୟ ମହାନ୍ତି, ଅନୁ ଚୌଧୁରୀ, ଜ୍ୟୋତି ମିଶ୍ର

ସଙ୍ଗୀତ-ସ୍ୱରୂପ ନାୟକ

https://t.co/yJfPqQ5AEi https://t.co/sYQ3IBT9zm

ରଣଭୂମି(୧୯୯୫)

ନିର୍ଦ୍ଦେଶକ-ବସନ୍ତ ନାୟକ, ପ୍ରଣବ ଦାସ

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ପୁଷ୍ପା ପଣ୍ଡା, ରାଇମୋହନ

ସଙ୍ଗୀତ-ଶାନ୍ତନୁ ମହାପାତ୍ର

https://t.co/6Tag8OHzsl https://t.co/ij7N44KCUu

ଆସୁଛି ମୋ କାଳିଆସୁନା (୧୯୮୯)

ନିର୍ଦ୍ଦେଶକ-ରାଜୁ ମିଶ୍ର

କଳାକାର-ସୁଜାତା ଆନନ୍ଦ, ବିଜୟ ମହାନ୍ତି

ସଙ୍ଗୀତ-ଅକ୍ଷୟ ମହାନ୍ତି

https://t.co/UAkaS6FrQ6 https://t.co/IIo5SPOEUy

ସୁନା ପଞ୍ଜୁରୀ(୧୯୯୫)

ନିର୍ଦ୍ଦେଶକ-ରବି କିନ୍ନାଗି

କଳାକାର-ସିଦ୍ଧାନ୍ତ ମହାପାତ୍ର, ଇନ୍ଦିରା କ୍ରିଷ୍ନନ୍, ବିଜୟ ମହାନ୍ତି,ଜୟୀରାମ ସାମଲ

ସଙ୍ଗୀତ-ଅମରେନ୍ଦ୍ର ମହାନ୍ତି

https://t.co/rcSkqfj9IF https://t.co/jmr3iIxsuO

ସ୍ତ୍ରୀ (୧୯୯୮)

ନିର୍ଦ୍ଦେଶକ-ରବି କିନ୍ନାଗୀ

କଳାକାର-ମିହିର ଦାସ,ଅର୍ଚ୍ଚନା ଯୋଗଲେକର,ଉତ୍ତମ ମହାନ୍ତି,ରାଇମୋହନ ପରିଡ଼ା

ସଙ୍ଗୀତ-ଅମରେନ୍ଦ୍ର ମହାନ୍ତି

https://t.co/a8uMRXwU0e https://t.co/Q2dgBRAAwm

Paradesi Chadhei https://t.co/rKkjYMyaG8

https://twitter.com/subhrarabind/status/1104805783038902272?s=19

@odiafilmcritics ସାଧୁବାଦ ଜଣାଉଅଛି। ଶାସ୍ତି, ଛ ମାଣ ଆଠ ଗୁଣ୍ଠ, କବି ଜୟଦେବ, ପରଦେଶୀ ଚଢେଇ ଆଉ ସୁନା ଚଢେଇ ପାଇଁ ଅନୁଗ୍ରହ କରୁଅଛି 

https://twitter.com/subhrarabind/status/1093527370185596928?s=19

ଭୀଷ୍ମ ପ୍ରତିଜ୍ଞା ଚଳଚିତ୍ର ର link ମିଳିପାରିବ କି?

https://twitter.com/iamsks_surya/status/1163730205875163138?s=19

While your assessment is not unfounded, philosophical observations tend to be difficult because of their abstract nature. Idea, when germinates, has its own validity and force irrespective of gestation of reaching common folk. That's the general assumption https://t.co/JHSjh01rRR

https://twitter.com/SavitriEraParty/status/1241411305442963457?s=19

Well, I admire your patience to wait till eternity for the Germinating seed to become a Tree. 

Till then keep swimming against the flow, ALONE !

https://twitter.com/Dr_Maj_UCP/status/1241412668050640896?s=19

Sparrow, Parakeet, and Squirrel

କୋରୋନା ଭାଇରସ ମହାମାରୀ କୁ ଦୃଷ୍ଟି ରେ ରଖି ଶ୍ରୀକ୍ଷେତ୍ର ଧାମ ପୁରୀ ସହର ର ସମସ୍ତ ଜାଗା ଆଖଡା ର ସମସ୍ତ ସଭାପତି ଓ ସମ୍ପାଦକ ମାନେ ନିଷ୍ପତ୍ତି ନେଇଛନ୍ତି  ଯେ ଆସନ୍ତା ରାମନବମୀ ଠାରୁ ଆରମ୍ଭ ହେବାକୁ ଥିବା ସାହିଯାତ,  କେବଳ ମହାପ୍ରଭୁ ଜଗନ୍ନାଥ ଙ୍କ ନୀତିସହିତ ସଂଶ୍ଲିଷ୍ଟ ଥିବା ଆବଶ୍ୟକୀୟ ରାମ ଜନ୍ମ ଠାରୁ ପର୍ଶୁରାମ ଲୀଳା ରାବଣ ବଧ .. https://t.co/P06sALFWMA

https://twitter.com/PURIWAVES/status/1239701428240699392?s=19

ଅଭିଷେକ ପର୍ଯ୍ୟନ୍ତ  ବାହାର କରାଯିବ ଆଉକୌଣସି ପ୍ରକାର ଭୂଆସିକ ମାନେ ନାଗା,ମେଢ଼, ଦଶଅବତାର,ନବସିରା,ସପ୍ତଶିରା ଇତ୍ୟାଦି ବାହାରିବ ନାହିଁ। ସେଥିପାଇଁ ସିଂହ ଦ୍ୱାର ନିକଟରେ ବିଶ୍ୱ କୁ ମହାମାରି ରୁ ମୁକ୍ତ କରିବା ପାଇଁ ପ୍ରାର୍ଥନା କରି ମହାଯଜ୍ଞ କରାଯିବା ପାଇଁ ନିଷ୍ପତ୍ତି ନିଆଗଲା ।

କରୋନା ରୋଗୀ 🗣️ମାନଙ୍କ ପାଇଁ 14 ଦିନିଆ କ୍ୱାରାଣ୍ଟଇନ !!!

କେଉଁ କାଳରୁ ପ୍ରଭୁ ଜଗନ୍ନାଥ ମହାପ୍ରଭୁ ଙ୍କ 14 ଦିନିଆ ଅଣସର ନୀତି !!!

ଏହା ଏକ ସଂଯୋଗ ନୁହେଁ ଏହା ଆମ ଅଧ୍ୟାତ୍ମ ବିଜ୍ଞାନ !!!

ଜଗତର ନାଥ ପ୍ରଭୁ ଜଗନ୍ନାଥ !!

https://twitter.com/SWADESHRMOHANTY/status/1241304067831259136?s=19

କରୋନା ଭୟ ଭିତରେ 

ମାଲକାନଗିରିରେ ଭୂମିକମ୍ପ

ରାଜଧାନୀରେ ବର୍ଷା

କଣ ଚାଲିଛି ଏସବୁ ହେ ମହାପ୍ରଭୁ https://t.co/AjOF0x5IAK

https://twitter.com/Bhabanikanak/status/1241264712152518656?s=19

କରୋନା ଭୂତାଣୁ ବିଶ୍ୱରେ ବିରାଟ ସ୍ୱାସ୍ଥ୍ୟ ସଙ୍କଟ ସୃଷ୍ଟି କରିଛି। ଓଡ଼ିଶାରେ ଏହାର ସଂକ୍ରମଣକୁ ରୋକିବାକୁ ପ୍ରାରମ୍ଭିକ ଭାବେ ଆସନ୍ତାକାଲିରୁ ମାର୍ଚ୍ଚ ୨୯ ଯାଏ ୫ଟି ଜିଲ୍ଲା ଓ କିଛି ସହରରେ ଜରୁରୀକାଳୀନ ସେବାକୁ ଛାଡି ପ୍ରାୟ ସମ୍ପୂର୍ଣ ବନ୍ଦ ଘୋଷଣା ହେଉଛି। ଦୃଢତାର ସହ କରୋନା ମୁକାବିଲା ପାଇଁ ସରକାରଙ୍କୁ ସହଯୋଗ କରନ୍ତୁ। #COVID19 https://t.co/y3m9MZaQM8

https://twitter.com/Naveen_Odisha/status/1241299326619377665?s=19

A leader should act like @Naveen_Odisha - Take tough measures, which are supported by science. Not doing politics out of a pandemic and organizing 14-hrs 'Janta Curfew' drama & 'beating utensils' like Modi! #COVIDー19

https://twitter.com/ashoswai/status/1241308334856290308?s=19

Odisha opts for a weeklong lockdown from Sunday.

As I have said before, the govt of @Naveen_Odisha has been quite proactive in responding to #Covid_19.

From relief for those facing income loss bcoz of social distancing to tracing foreign returnees, they seem to b doing a good job

https://twitter.com/rajeshmahapatra/status/1241341309039702016?s=19

Public service announcement by the CM. This isn't a complete lockdown across the state.  

In light of 3000 Odias returning from abroad, 5 selected districts and 7 towns are going under near complete lockdown. Essential services will still be available. https://t.co/9tNoeb8BpN

https://twitter.com/pratyasharath/status/1241306399625232385?s=19

Hope there is no panic buying and hoarding. All essential commodities including medicines, vegetables, milk, meat, bread etc will continue being available for sale. Public transport will also be on.

Let's stay at home and stay safe. Deep respect for those who have to work outside due to exigencies. Please take care. Rose-ringed Parakeet (Psittacula krameri) female looking out of its nest in #ekamrakanana #Bhubaneswar. #SocialDistanacing https://t.co/0HMOdNoEMX

https://twitter.com/dkpattanayak/status/1241212665017405440?s=19

Relaxed isolation in the time of #Corona. Indian Palm Squirrel (Funambulus palmarum). #Bhubaneswar #Odisha https://t.co/tVmHdZohxk

me and me dad are sharing the dining room table working from home today. He's an aerospace engineer on a conference call ordering fuselage prototypes and I'm drawing a duck

https://twitter.com/lydiakahill/status/1240655295728300032?s=19

On #WorldSparrowDay, let's raise awareness about the House Sparrow and other common birds to urban environments and of the threats to their populations. https://t.co/YofkP2mkEM

https://twitter.com/NaveenismOdisha/status/1240926086386479104?s=19

Which are the must-watch Odia movies released after 1990? Please indicate it is available to watch online, either free or for a price?

https://twitter.com/OdiaCulture/status/1241240395066920960?s=19

ଧଉଳି ଏକ୍ସପ୍ରେସ

Watched just now. Probably the first movie (in any language) that I watched end-to-end on my laptop. 

Loved it. Thanks for the suggestion.

ସୁଭଦ୍ରା

ମା' ପରି କିଏ ହେବ

ଭାଇ ହେଲା ଭଗାରି

I think 'Kalki' of Arindam is a good movie

mo kala to jhulana

Kala Manika.

Biju Babu - The Film & Nimki.

Some good Odia films that you can watch during this days. @sabyaactor

https://t.co/Q3NVmGY19b

https://twitter.com/Anuj_lekhak/status/1241265606252347392?s=19

Thank you Ashish Bhai. 

Here's a thread on award winning Odia short films by @odiafilmcritics, managed by @ashutosh_odisha https://t.co/BRTSdJMXim

https://twitter.com/justlalit/status/1241343622533902336?s=19

ଓଡ଼ିଆ ଫିଲ୍ମ କପି ହେଉଛି ସତ କିନ୍ତୁ

କିଛି ଯୁବ ନିର୍ଦ୍ଦେଶକ ଓ କିଛି ୟୁଟ୍ୟୁବ୍ ଚ୍ୟାନେଲଙ୍କ ମିଳିତ ଉଦ୍ୟମରେ କିଛି ଓଡ଼ିଆ କ୍ଷୁଦ୍ର ଫିଲ୍ମ ଜାତୀୟ ଓ ଅର୍ନ୍ତଜାତୀୟ ସ୍ତରରେ ପୁରସ୍କୃତ ହୋଇଛି..

ଏହି ଥ୍ରେଡ ରେ କ୍ଷୁଦ୍ର ଫିଲ୍ମ ଗୁଡିକର ର ଲିଙ୍କ ଦେଉଛୁ

ଦେଖନ୍ତୁ , ଆପଣଙ୍କ ହୃଦୟ କୁ ନିହାତି ଛୁଇଁବ ବୋଲି 

ଆମର ଆଶା 

https://twitter.com/odiafilmcritics/status/1163306240769839104?s=19

Akshaya Mohanty in his concerts abroad has sung quite a few songs... many impromptu... were never published... like the Baha Bahare America... if the Odia Association there can digitise all these VHS...

https://twitter.com/odiamelody/status/1241192800378441728?s=19

ହଁ ମୁଁ ଦିନେ ଓଡିଶା ରେ ଥିଲି। ଆଜି ବିଚ୍ଛିନ୍ନାଞ୍ଚଳ ବୋଲି ଏ ଅବସ୍ଥା। କିନ୍ତୁ ଆଜି ବି ମୁଁ ଉତ୍କଳୀୟ ସଂସ୍କୃତି ର ଗାଥା ଗାଉଛି ଆଉ ଗାଉଥିବି।

#ମୁଁବିଚ୍ଛିନ୍ନାଞ୍ଚଳରଐତିହକହୁଛି 

ସାରିଆପଲ୍ଲୀ, ଶ୍ରୀକାକୁଲି https://t.co/u5FVUqPAc8

https://twitter.com/BishnuMohanAdh1/status/1241331386096771075?s=19

Poetry is the mainstay of oral tradition and over centuries, can communicate the innermost values of diverse cultures.

On this #WorldPoetryDay, let's appreciate and support poets and poetry from around the world. https://t.co/mKyDkdJ4rq

https://twitter.com/NaveenismOdisha/status/1241271625300860930?s=19

Why there's a question mark over NPR exercise after Odisha says put it off https://t.co/9g2jwFYgnW

.https://twitter.com/mpostdigital/status/1241331014183440384?s=19

Clear Explanation Of Odd-Even Number Formula For Running Of Vehicles In Odisha #OdishaFightsCorona #Odisha #State

https://t.co/KzLfPt4iMu

https://twitter.com/Kalingatv/status/1241327139258953734?s=19

Fresh from ODISHA VILLAGE series (Angul) #watercolour #Odisha #village #painting #aquarelle #art #angul , like our temple architecture the village odisha has its own aesthetics unique ,, celebration of natural habitat at its best https://t.co/xaNRgwn381

https://twitter.com/BijayBiswaal/status/1240653461252755458?s=19

Mantra from Savitri 

by Sri Aurobindo:

Hers is the mystery the Night conceals;

The spirit’s alchemist energy is hers;

She is the golden bridge, the wonderful fire. ||81.22||

https://t.co/PZna3jkfdj

Let the whole world submit to its power and light to face this worldwide crisis.

https://twitter.com/SavitriEraParty/status/1241156299653435393?s=19

Was reminded of the poem Thought the Paraclete by Sri Aurobindo https://t.co/sDyHZclVsy

https://twitter.com/NathTusar/status/1241323418726752256?s=19

I have been active on the web under the banner of Savitri Era since 2005 but couldn't secure the support of anyone. Those who read Sri Aurobindo feel so knowledgeable that any collective endeavour becomes difficult. Yet, there's scope for unanimity like on forming smaller nations

https://twitter.com/SavitriEraParty/status/1241339073861545984?s=19

Dinabandhu Das, Radha Panda, and Anita Das

Apart from Bhubaneswar Mishra, is there any other Odissi musician, who is primarily a violinist?

@pattaprateek

https://twitter.com/OdiaCulture/status/1239949124314615808?s=19

The behela or violin entered Odissi music only about 120 years ago, owing to the rather conservative approach, mostly an attempt to preserve traditional things as they were. Pt. Bhubaneswar Mishra is the reason for its frequent usage these days.

https://twitter.com/pattaprateek/status/1239957671450529793?s=19

I have been fortunate to gather some information about early Odissi musicians from various sources. Gundi Nanda & Lakhmana Nanda of the Khandapada court were famous for Behela, apart from being vocalists. The Sitar was also catching up, but it had a jump start of a few decades.

As for Baleswara and that part, the great Jagabandhu Sahu of Chandrakatabindha was renowned for his prowess on the violin. Many students learned from that Acharya.

Speaking of Ganjam, Nilamani Bebartta of Paralakhemundi was well-known in the 1930s. Half a century before him was Durga Gopi Dasa, who played the violin in the first Prahallada Nataka troupe. Its usage has vanished from Rajanata afterwards.

"These types of original paintings are not even found in the temples of Odisha."—  that's a plain lie. Plenty of temples and mathas across Odisha contain vast murals. The Srikurmam murals are also made in the Pattachitra style. There's a wonderful Jagannatha mural too. :)

https://twitter.com/pattaprateek/status/1240296330397749249?s=19

Gangamata Matha, Bada Odia Matha, Dharakote, Digapahandi, Paralakhemundi, Buguda and many more sites all have fantastic murals— in the very same charateristic Pattachitra style, of course.

ଓଡ଼ିଆ ଭାଷାରେ ନାଟ୍ୟ ସାହିତ୍ୟ କୁ ପ୍ରଚାର ଓ ଅଭିନୟ ଧର୍ମୀ କରିବାରେ ଯେଉଁ ମହାନୁଭବ ମାନେ ଜନ୍ମ ନେଇଥିଲେ ,ସେଥି ମଧ୍ୟରେ ନାଟ୍ୟକାର କୃଷ୍ଣଚନ୍ଦ୍ର ଗନ୍ତାୟତ ଅନ୍ୟତମ(1872-1960) ଗଞ୍ଜାମ ଜିଲ୍ଲାର ପାରଳାରେ ଜନ୍ମ ଗ୍ରହଣ କରିଥିଲେ।ତାଙ୍କ ରଚିତ ସିଂହଳ ବିଜୟ ,ଚନ୍ଦ୍ରଗୁପ୍ତ ନାଟକ,ସୀତାହରଣ ଆଦି ନାଟ୍ୟଧାରା କୁ ବଳିଷ୍ଠ କରିଛି।

#Gajapati https://t.co/sKktnxVPyK

https://twitter.com/VAdkri/status/1240171711603105795?s=19

Odia inscription of PratapaRudra Gajapati at Srikurmam temple , Andhrapradesh. One can read clearly here the Veerudavali : Beerashri Gajapati Goudeswara Nabakoti Karnata Kalabargeswara

#କଳିଙ୍ଗଗାଥା

ଶ୍ରୀ କୂର୍ମ

శ్రీ కూర్మం , శ్రీకాకుళం https://t.co/FmUkKXnDYe

https://twitter.com/VAdkri/status/1240784239576199168?s=19

Old pic in new attire

Jhon Justen Hubback : First Governor of Odisha 

Maharaja Krushna Chandra Gajapati : First PM of Odisha

#PalaceOfGajapati https://t.co/5Zzi57sIUF

https://twitter.com/VAdkri/status/1240197398850347009?s=19

The man spent his entire royal treasure for formation of a new  separate Odisha province. Son of the soil.

To whosoever it concerns:

The account is handled by three persons namely @ashishsarangi @ashishkumar_tw @TheCrazy_Freak 

This account has been created to spread awareness and information.

We have been asked to verify the account again and again by Twitter probably due to reports

https://twitter.com/kalingaheritage/status/1240319048937857024?s=19

Kapilesvara Temple, Ramnath Temple Complex,Boudh

Also known as Dhabalesvara Temple.

Dynasty : Somavamsi rulers 

On the basis of architectural & sculptural embellishments, temple can be assigned to the 10th century A.D.

Presiding deity is a Sivalinga within a star shaped yonipitha https://t.co/ZcO4hAP2Xw

Taresvar Temple, Ganeswarpur,Cuttack

Dynasty: Somavamsi rulers in 10th-11th century AD

A living temple, in ruined condition. The representation of elegant sculptures &motifs speaks architectural marvels at the past.

Presiding deity: PatalphutaSivalinga within a circular yonipitha https://t.co/wDXgtdwtui

Kantaresvara Siva Temple,Kantara,Jagatsinghpur

The  present  temple  is  a  recent construction but the  sculptures are preserved in shed belongs to the Somavamsis period i.e. 10th/11thcentury A.D. 

Presiding deity: Lord Shiva within a circular yonipitha https://t.co/60trU7WJg8

Old Gopinatha Temple, Danda Mukundapur, Puri

Non- living & dilapidated temple. 

The presiding deity was installed in new Gopinatha temple (Jaya Gopalji temple) by the king of ex-princely state of Athgarh(1912 AD)

Built by Suryavamsi Gajapati rule

in  1560-1568AD(Precise Date) https://t.co/Q1o03B7gnm

Starting a thread related to flowers!

You are requested to add yours !

ଫୁଲ ସମ୍ବନ୍ଧୀୟ ଗୋଟେ ଖିଅ ପ୍ରାରମ୍ଭ କରୁଛି! 

ଆପଣଙ୍କୁ ଆପଣଙ୍କ ଯୋଗଦାନ ପାଇଁ ଅନୁରୋଧ!

#ଶୁଆନୁବାଦ 

@mte2o ପାଇଁ

https://twitter.com/pragu04/status/1240127849870307328?s=19

Pictured on Radha Panda n Anita Das, this song from Naga Phasa was once termed as dual meaning song, still it's classic n quite comical #OdiaSongsTrivia

https://twitter.com/TaraniTrotter/status/1240957622167068675?s=19

Chaka pari basitha is another Odia food song by Balakrushna Dash in the same record album, chk 8th song in 21.01 min.. https://t.co/2NBMLF5bot

https://twitter.com/TaraniTrotter/status/1240989944669040642?s=19

ପଣା ସଂକ୍ରାନ୍ତି ଅବସରରେ ମୁକ୍ତିଲାଭ କରିବ ଅମ୍ଲାନ-ଝିଲିକଙ୍କ 'ବାଜିବ ଲୋ ସାହାନାଇ' (ସମାଜ ୧୬ ମାର୍ଚ୍ଚ) https://t.co/rIrHN7tNar

https://twitter.com/OdiaMovieDB/status/1239473164343586817?s=19

ଆକାଶବାଣୀ କଟକ

ନାଟକ ପାଇଁ ସଂଳାପ ଗ୍ରହଣ

ସ୍ମୃତିର ଛବି

ଛବିରେ ସୁରେନ ମହାନ୍ତି, ସାରଦା ପ୍ରସନ୍ନ ନାୟକ, ଦୀନବନ୍ଧୁ ଦାସ, ଝରଣା ଦାସ , ନଦୀୟା ବିହାରୀ ମହାନ୍ତି, ହିମାଂଶୁ ଭୁଷଣ ସାବତ, ଗିରିଶ ନାୟକ

ଓ ଅନ୍ୟମାନେ

ଅନ୍ୟମାନଙ୍କୁ ମୁଁ ଜାଣିପାରୁନାହିଁ

ଯଦି ଆପଣ ଜାଣିଛନ୍ତି କହନ୍ତୁ https://t.co/g7FSqkyDUF

https://twitter.com/SuryadeoSurya/status/1239453916758020098?s=19

ଆସ ଜୀବନ ଧନ ମୋର ପଖାଳ କଂସା

ବୈଦ୍ୟନାଥ ରତ୍ନଶର୍ମା ଓ ଭୀମସେନ ଶତପଥିଙ୍କ ଗାୟନ

କବିଚନ୍ଦ୍ରଙ୍କ ରଚନା

ଏହି ଦାସକାଠିଆ ଗୀତ କମ ଶୁଣିବାକୁ ମିଳେ ଆଜିକାଲି

ପଖାଳ ଦିବସ ଶୁଭେଚ୍ଛା https://t.co/tsTiap7rdi

https://twitter.com/SuryadeoSurya/status/1240894510525079553?s=19

ନବକେଳି ବି ଥିଲା ସେ ଏଲ୍ ପି ରେକର୍ଡ ରେ। ଚମତ୍କାର ଗାୟନ। ପ୍ରଣାମ ସେମାନଙ୍କୁ।

ବାରିପଦା ମାଟିର ବରପୁତ୍ର ସଫଳ ସଙ୍ଗୀତ ନିର୍ଦ୍ଦେଶକ ଶ୍ରୀ ବାଚୁ ମୁଖାର୍ଜୀ ଆମ ଗହଣରେ ଆଉ ନାହାନ୍ତି । ଗୋପରେ ବଢୁଛି କଳା କହ୍ନେଇ , ମତେ ତ ଲଭ ହେଲାରେ ଭଳି ଅନେକ ସିନେମାରେ ସେ ସଙ୍ଗୀତ ନିର୍ଦ୍ଦେଶନା ଦେଇଥିଲେ । ଓଡ଼ିଆ ସିନେମା ପାଇଁ ଆଉ ଏକ ଅପୂରଣୀୟ କ୍ଷତି  https://t.co/xKJT4MqG4q

https://twitter.com/odiafilmcritics/status/1239202090943049729?s=19

Finally, Konark gets added to the list of iconic tourist sites.Thanks to the @MinOfCultureGoI for correcting an earlier blunder 

 https://t.co/IbEbH5nd0n

https://twitter.com/OdiaCulture/status/1239923431950303234?s=19

ପଖାଳ, ନିର୍ଭୟା, ଓ କରୋନା; ଜଳିଗଲା ପତିତପାବନ ବାନା

ମଙ୍ଗଳେ ଅଇଲା ଉଷା    ବିକଚ ରାଜୀବ ଦୃଶା 

       ଜାନକୀ ଦର୍ଶନ ତୃଷା ହୃଦୟେ ବହି,

କରପଲ୍ଲବେ ନୀହାର      ମୁକ୍ତା ଧରି ଉପହାର

  ସତୀଙ୍କ ବାସ ବାହାର ପ୍ରାଙ୍ଗଣେ ରହି 

    କଳକଣ୍ଠ କଣ୍ଠେ କହିଲା 

 ଦରଶନ ଦିଅ ସତୀ, ରାତି ପାହିଲା । @odiajagat @VAdkri @OdiaCulture @OdiaHistory @Odia_Pila @VAdkri @BBSRBuzz @odiakhati https://t.co/0cQzt8lxAi

https://twitter.com/shibashish_shre/status/1240457670668083200?s=19

ଅମୃତର ସେଇ ବିନ୍ଦୁ ଆଜି ଲୀନ ଅମୃତର ସେଇ ପରମ ସାଗରରେ । ଆଜିବି ଯେତେବେଳେ ସୂର୍ଯ୍ୟ ଉଏଁ ଅବା ସନ୍ଧ୍ୟା ଆସେ ଚଳଚଞ୍ଚଳ ହୁଏ ନଦୀର ଜଳ ଅବା ଯେତେବେଳେ ଶିହରିତ କରେ ପବନର ସ୍ପର୍ଶ ମନେ ପଡ଼ିଯାଏ ତାଙ୍କ ଆମର ପଦାବଳୀ ଆଉ ଏଇ ସବୁ କବିତାର ଆଇନାରେ ପ୍ରତିଫଳିତ ହୁଏ ଗୋଟିଏ ଚେହେରା , ସେହି ଚେହେରା ସ୍ବଭାବ କବି ଗଙ୍ଗାଧର ମେହେରଙ୍କର ।

ବରଗଡ଼ ଜିଲ୍ଲା ବରପାଲି ସହ ସୁବର୍ଣ୍ଣପୁର ଜିଲ୍ଲା ବିନିକା ଚଢ଼େଇପଙ୍କ ଗ୍ରାମର ରହିଛି ଏକ ଅଲଗା ସଂପର୍କ ।ସ୍ବଭାବ କବି ଗଙ୍ଗାଧର ମେହେରଙ୍କ ପ୍ରଥମ ପତ୍ନୀ ଶାନ୍ତା ଦେବୀଙ୍କ ମୃତ୍ୟୁ ପରେ ସେ କରିଥିଲେ ଦ୍ବିତୀୟ ବିବାହ ଏହି ଗ୍ରାମର ଚମ୍ପା ନାମ୍ନୀ ଜଣେ ବିଧବା ମହିଳାଙ୍କୁ ‌।@odiajagat @OdiaCulture @OdiaHistory @VAdkri @BBSRBuzz https://t.co/vQAHpnFAG8

https://twitter.com/shibashish_shre/status/1239926734029336576?s=19

ସୁବର୍ଣ୍ଣପୁର ଗଡ଼ଜାତ ରାଜ୍ୟର ରାଜକୀୟ ମୋହର । ଏହି ମୋହରରେ ୧୯୨୭ ମସିହା ବୋଲି ଲେଖାଯାଇଛି । ଏହି ସମୟରେ ସୁବର୍ଣ୍ଣପୁର ଗଡ଼ଜାତର ରାଜା ଥିଲେ ସାର୍ ଶ୍ରୀ ବୀର ମିତ୍ରୋଦୟ ସିଂହଦେଓ । @odiajagat @VAdkri @OdiaCulture @OdiaHistory @IndiaHistorypic @Odia_Pila @Subarnapur @SubarnapurC @BBSRBuzz @discoverbbsr https://t.co/aKZ1xzqnUw

ଓଡ଼ିଆ ଖାଦ୍ୟର ବିବିଧତା ମଧ୍ୟରେ ଏକ ନିଆରା ଖାଦ୍ୟ ହେଉଛି ଆମ ସମସ୍ତଙ୍କ ଅତିପ୍ରିୟ ପଖାଳ ।    

ସମସ୍ତେ ନିଜ ନିଜ ଘରେ ରହି ପଖାଳ ଦିବସରେ ପଖାଳର ଆନନ୍ଦ ନିଅନ୍ତୁ, ଅତି ଆବଶ୍ୟକ ନହେଲେ ଘରୁ ବାହାରନ୍ତୁନି ।

#PakhalaDibasa #ପଖାଳଦିବସ #IndiaFightsCorona https://t.co/mkDuEKRaYa

https://twitter.com/SamirMohantyBJP/status/1240883042140352512?s=19

ଆମ ଓଡ଼ିଆ ଜାତି ର ଗର୍ବ ଗୌରବ, ପ୍ରତି ଓଡ଼ିଆବାସୀ ଙ୍କ ପେଟ କୁ ଯିଏ ଚିହ୍ନେ, ଆମର ପାରମ୍ପରିକ ଖାଦ୍ୟ ପଖାଳ. ଆସନ୍ତୁ ଆଜି ପଖାଳ ଦିବସ ଉପଲକ୍ଷେ ଆମେ ସମସ୍ତେ ନିଜ ଘରେ ପଖାଳ ଦିବସ ପାଳନ କରିବା  #PakhalaDibasa https://t.co/j0zDBhNvV0

https://twitter.com/Gyana_Ranjan07_/status/1240884334095024129?s=19

ଦେ ମୋତେ ବାଇଆ କରି 

ଆରେ ମୋର ବାଇଆ ରଜା 

ଶୋଇବି ମୁଁ ପଖାଳ ଖାଇ 

ତୁ ତୋର ଖାଇବୁ ଖଜା 

ଦେ ମୋତେ ବାଇଆ କରି....

କାନ୍ତକବିଙ୍କ ଏଇ ଅମର ରଚନାର Original ଶୁଣନ୍ତୁ ଗୋକୁଳ ମହାନ୍ତିଙ୍କ କଣ୍ଠରେ

https://t.co/leT4n2An8j

#PakhalaDibasa

https://twitter.com/OdiaCulture/status/1240877321302597633?s=19

ମଙ୍ଗଳେ ଅଇଲା ଉଷା

ସ୍ଵାଦିଷ୍ଟ ପଖାଳ କଂସା, 

ଆଉ ବି ଅନେକ ଆଶା, 

ସାଥିରେ ନେଇ 

ମାର୍ଚ୍ଚ କୋଡିଏ ସକାଳ

ଚାଲ ଖାଇବା ପଖାଳ 

ଗଡି ଯାଉଅଛି ବେଳ  

ଭୋଜନ ପାଇଁ    

ପଖାଳ ଦିବସ ପାଳିବା 

ବିଶ୍ଵେ ପଖାଳର କୀର୍ତ୍ତି ପ୍ରସାରି ଦେବା 

#PakhalaDibasa

https://twitter.com/OdiaCulture/status/1240870568137654272?s=19

ଉଷା ମଙ୍ଗଳେ ଯୋଷା ରସି ରସ ପଖାଳ,

କାଞ୍ଜି ସାଥେ ଦିଏ ବଡ଼ି-ସନ୍ତୁଳା ରସାଳ ।

ଖଡ଼ା ଗୋଟାମୁଗ ବେସର ସାଥେ ଆମ୍ୱୁଲ,

ମଞ୍ଜିବଡ଼ି ବାଢ଼େ ଲାଜ୍ଜ ଚିବୁକେ ଢାଳି ଜଳ ।

ଆଳୁ ପୋଡ଼ି ଯୋଡ଼େ ରସ ସାଗର ସୁଧା,

ତୋରାଣି ଅମୀୟ ପାନେ ବିଚରଣ ବସୁଧା ।

#ପଖାଳଦିବସ #ପଲ୍ଲୀ_କବିତା

#ଭିନ୍ନ_ଏକ_ପରିଭାଷା 😊

 ।। ଜୟ ଜଗନ୍ନାଥ ।। 

https://twitter.com/JAY_JAGANNATH12/status/1240873126457565184?s=19

''Asa Jeevana Dhana...Mora Pakhala Kansaa'' by Kavichandra Kalicharan Patnaik summarizes the ethos and world view of this sould food of Odisha...so well sung by Balakrishna Das (1978)...also sung by Shyamamani Devi.... #PakhalaDibasa https://t.co/u4H28R7W1E

https://twitter.com/odiamelody/status/1240834559748362240?s=19

Perhaps this refers to this 1979 recording of the duo... https://t.co/duZZNOl0gH

They have a number of recordings with HMV... and other artistes are also there in the 78 RPM era...

The crux of the problem is that... these brittle records... were not preserved by many... and we have no idea how many odia shellacs were published for around seven decades ... but have come across a couple of daskathia ...

ଆସ ଜୀବନ ଧନ ମୋର ପଖାଳ କଂସା

ବୈଦ୍ୟନାଥ ରତ୍ନଶର୍ମା ଓ ଭୀମସେନ ଶତପଥିଙ୍କ ଗାୟନ

କବିଚନ୍ଦ୍ରଙ୍କ ରଚନା

ଏହି ଦାସକାଠିଆ ଗୀତ କମ ଶୁଣିବାକୁ ମିଳେ ଆଜିକାଲି

ପଖାଳ ଦିବସ ଶୁଭେଚ୍ଛା https://t.co/tsTiap7rdi

https://twitter.com/SuryadeoSurya/status/1240894510525079553?s=19

ନବକେଳି ବି ଥିଲା ସେ ଏଲ୍ ପି ରେକର୍ଡ ରେ। ଚମତ୍କାର ଗାୟନ। ପ୍ରଣାମ ସେମାନଙ୍କୁ।

Wow! Didn't know Dasakathia records were also made this way. ଭୋଜି ଖାଇଲି ବଡ଼ ମଜାରେ is Baidyanatha Ratnasarmma's own writing, set to a popular Odissi tune in Rāga Sankarābharana. (comparable to Brajaraja Tanaya of Apanna, although not exact. Apanna's differs by a few notes)

https://twitter.com/pattaprateek/status/1240946083938709504?s=19

କମଳା ପସରା ବାଳୀକି is Bhanja's poem ବଜାରବୋଲି describing a village market scene. It is a poem dense with innuendoes— କମଳା here has two connotations.

Fascinating. So earlier recordings of Odisha's indigenous performing arts do exist? Do we have any idea about the earliest recorded artists of various forms - Pala, Dasakathia, Prahallada Nataka and more.

ପିଉସୀକୁ ଠେଙ୍ଗାରେ ପିଟିପିଟି ହତ୍ୟା କଲା ପୁତୁରା, ଗୁଣି ଗାରେଡି ସନ୍ଦେହ https://t.co/IhxKMpYImv

ଭଉଣୀକୁ ଲୁହାଛଡ଼ରେ ପ୍ରାଣାନ୍ତକ ଆକ୍ରମଣ ଅଭିଯୋଗରେ ଭାଇ ଗିରଫ https://t.co/zitpsjFURY

ବଦଳି ନ କରିବାରୁ ଅଫିସରଙ୍କ ଘରେ ନିଆଁ ଲଗାଇ ପିଅନ ଗିରଫ https://t.co/djlojZDuDJ

ମଦ ଦୋକାନ ଓ ବାର୍‌ରେ ସାନିଟାଇଜର୍‌ ଆଡ୍‌ଭାଇଜରି: ଧାଡ଼ି ବାନ୍ଧିଲେ ମଦ କିଣିପାରିବେ ଗ୍ରାହକ https://t.co/FM7GLssoKq

ପ୍ରଥମ ଦିନରେ ୫ ପ୍ରତିଶତ ମାଟ୍ରିକ ଖାତା ମୂଲ୍ୟାୟନ କଲେ ପରୀକ୍ଷକ https://t.co/4MAbx0A0Q9

କରୋନା ପାଇଁ ପୂର୍ବତଟ ରେଳପଥର ୧୨ ଟ୍ରେନ୍‌ ବାତିଲ https://t.co/EHNTzb5t3W

ସୁପ୍ରିମକୋର୍ଟଙ୍କ ନିର୍ଦ୍ଦେଶ ପରେ ଆଜି ହେବ ଫ୍ଲୋର ଟେଷ୍ଟ, ଆସ୍ଥା ପୂର୍ବରୁ ଇସ୍ତଫା ଦେବେ ମୁଖ୍ୟମନ୍ତ୍ରୀ ! https://t.co/c0R8etaXTD

ଏପ୍ରିଲ ୧୫ ପର୍ଯ୍ୟନ୍ତ ସମସ୍ତ କ୍ରୀଡ଼ା କାର୍ଯ୍ୟକ୍ରମ ସ୍ଥଗିତ ରହିବ https://t.co/nkjk0Z6Ta8

ରାଜଧାନୀରେ କରୋନା ଭୟ: ଖାଁ ଖାଁ ଷ୍ଟେସନ, ଆହାର କେନ୍ଦ୍ର, ରାସ୍ତାଘାଟ https://t.co/MXmHK0y4eA

ମହିଳା ଓକିଲଙ୍କ କାହାଣୀ :  ଯିଏ ନିର୍ଭୟା ଦୋଷୀଙ୍କୁ ଦେଇଛନ୍ତି ଫାଶୀ, ପ୍ରଥମ ମାମଲାରେ ହିଁ ଜିତିଥିଲେ ହୃଦୟ… https://t.co/DQOK5KSDya

ଆଚାର୍ଯ୍ୟବିହାର ଓଭରବ୍ରିଜ୍‌ରେ ଦୃତଗାମୀ ଟ୍ରକର   ସିରିଜ୍‌ ଦୁର୍ଘଟଣା: ଓଲଟିଲା କାର୍‌ ଓ ଟାଟାଏସି, ୩ ଗୁରୁତର https://t.co/ejvui0H10h

ଧାମରାରେ ଲାଗିଲା ପାଇପ୍‌ ବୋଝେଇ ୩ ଚୀନ୍‌ ଜାହାଜ, ସ୍ଥାନୀୟବାସିନ୍ଦାଙ୍କ ମଧ୍ୟରେ କରୋନାର କୋକୂଆ ଭୟ https://t.co/hVFy4pW0Mn

ରାଜ୍ୟର ବିଭିନ୍ନ ସ୍ଥାନରେ ବଜ୍ରପାତ ନେଲା ୧୩ ଜୀବନ https://t.co/vZwc0mwOGZ

ରାଜଧାନୀରେ ଲଞ୍ଚ ହେଲା ବଜାଜ୍‌ର ବିଏସ୍‌-୬ ଅଟୋ: ଡିଜେଲ, ପେଟ୍ରୋଲ ଓ ସିଏନ୍‌ଜି ସଂସ୍କରଣରେ ହେବ ଉପଲବ୍ଧ https://t.co/wT6KTkS8Sa

କରୋନା ଭୟରେ ବିଦେଶୀ ନାଗରିକଙ୍କୁ ହୋଟେଲରେ ମିଳିଲାନି ରୁମ୍‌, ଆଇଜି ପାର୍କ ନିକଟରୁ ଉଦ୍ଧାର କରି ଘରକୁ ପଠାଇଲା ପ୍ରଶାସନ https://t.co/JMXMpjy5jO

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କାମସୂତ୍ର ଫିଲ୍ମ ଅଭିନେତ୍ରୀ ଇନ୍ଦିରା ବର୍ମା କରୋନାରେ ଆକ୍ରାନ୍ତ https://t.co/aUO5ziKhKz

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୩ କୋଟିର ବ୍ରାଉନସୁଗର ଜବତ: ୨ଗିରଫ, ଜଣେ ଫେରାର https://t.co/LMYs7fFmkq

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ଫିଲ୍ମର ନାଁ ‘କରୋନା ପ୍ୟାର  ହୈ’ …କଡ଼ା ସମାଲୋଚନା କଲେ ରାକେଶ ରୋଶନ , କହିଲେ ଏ ପରିସ୍ଥିରେ ଏହା ପରିହାସ https://t.co/1z19tlKz0F

Odia script in a nutshell

The Origin and Development of Odia Script
Bijayalaxmi Dash
Assistant Professor, School of Languages, Ravenshaw University, Cuttack, India

Abstract: The topic paleography of Odisha is more valuable,
apprehended in the widespread framework of Indian
paleography. Obliviously for the sake of ambidextrous culture
atmosphere of Indian civility. But variety of scripts in India is one
and only a posterior advancement. Though entire territorial
scripts used present day, as has been generally accepted, are
developed out of an initially similar script, i.e. the brahmi script.
The script was approximately used in a larger part of India under
the mauryas rule (3rd century B.C) and is presently endorsed as
the originator of all the provincial scripts of India. The calligraphy
transmutation comes to a destination in various rotating periods
through the era. In this paper I have discussed the origin and
development of odia script.
Keywords: Paleography, Ambidextrous culture, Territorial
script.

1. Introduction
Odisha was never a consistent section perpetually of her by
gone history. It was colonized by the peoples of kalinga, odra,
Tosali, Kongoda, Kosala, Trikalinga, Utkala etc… 
Even though the political barriers of these kingdoms and
territories vacillated from time to time. According to the
competence of the ruling empires, the terrain of their centre’s
and their partial allocations abided particularly unaltered from
the 4th-5th to 11th-12th Centuries.

2. Conclusion
This paper presented on overview on the origin and
development of Odia script.

References
[1] Asiatic Researches. 15.313 FF.
[2] “Notes on the inscriptions at udayagiri and khandagiri in Cuttack in Lat
characters” JASB-Journal of the Asiatic society of Bengal), 6(1837),
1072-91, PL-58.
[3] A.C Burnell, Elements of south India paleography from the 4th to the 14th
century AD, 2nd edn, London, 1878, Indian edition, Delhi, 1968, 11.
[4] A.C Burnell - - -, 23.
[5] ibid, 53.
[6] A. Cunningham, corpus, inscriptionum Indicaruma(CII), I, inscriptions of
Ashoka, London, 1877; Indian edn, Vanarasi,1961, 15-20, 65-81, 88-93,
pls.VIII-XIII(for Dhauli and Taugada edicts.
[7] Ibid, 49-63.
[8] R.L Mitra, the Antiquities of Orissa, II, Calcutta, 1880.120.
[9] IbId, 42-44.
[10] Ibid, 43.
[11] Ibid, 44.
[12] J.G. Buhler, on the origin of Indian Brahmi Alphabet, 3rd edn, Vanarasi,
1963, 4.
[13] Buhler, Indian paleography (IP). Calcutta 1959-60.
[14] Buhler, Indian paleography (IP), Calcutta, 1959, 68.
[15] Ibid, 74-77.
[16] Ibid, 98.
[17] S. L. Gokhale, India Numerals, Poona, 1966.
[18] B.M. Burua, old Brahmi Inscriptions in the Udayagiri and Khandagiri
caves culcutta, 1929, 145-53.
[19] B. Mishra, Dynasties of Medieval Orissa, Calcutta, 1933.
[20] “Orissa under the Bhauma kings (OUBK), Calcutta, 1934.
[21] E L, 6, 144, ibid, 7, 102.
[22] 1955-60, K. B. Tripathy, “The Palaeography of the Early Oriya
inscriptions,” OHRJ, 4(1-2), 11-27, 5(3-4), 144-55, 8(3-4), 187-93.
[23] “The Evolution of Oriya language and script (EOLS) (EOLS, CTC, 1962,
Ch-9A-4D, 36-81.
[24] S. N. Rajguru, Inscriptions of Orissa, 1(2)-5, Berhampur and
Bhubaneswar, 1958-76.
[25] S. Tripathy, Inscriptions of Orissa, 6, BBSR,1974.
[26] Ibid, 35.
[27] A.H. Dani, Indian paleography (IP), 2nd edn. Delhi, 1986,57-59.
[28] Ibid, 176-91.
[29] T. P. Verma, paleography of Brahmi script in north India, Varanasi, 1971,90
[30] D. C. Sircar, “Introduction to Indian Epigraphy and paleography,” JAIH,
4(1-2), 1970-71,120.
[31] Ibid, 122.
[32] V. Dehejia, Early stone Temples of Orissa, Delhi, 1979, 154-72.
[33] N. K. Sahu, Kharavela, BBSR, 1984, 262-79.
International Journal of Research in Engineering, Science and Management
Volume-3, Issue-1, January-2020
www.ijresm.com | ISSN (Online): 2581-5792

ଭାନୁମତୀ, ମଣିମାଳା, ଓ ଲୀଳା ଦୁଲାଳୀ

ଭାନୁମତୀ, ମଣିମାଳା, ଓ ଲୀଳା ଦୁଲାଳୀ

• ଲୀଳା ଦୁଲାଳୀ

୧୯୫୬ ମସିହାରେ ଭାଇ ଭାଇ କଥାଚିତ୍ରରୁ ଅଭିନେତ୍ରୀ ଜୀବନ ଆରମ୍ଭ କରିଥିବା ଲୀଳା, ୧୦ଟି ଓଡ଼ିଆ କଥାଚିତ୍ରରେ ଅଭିନୟ କରିଛନ୍ତି ।^[୧]

ଅଭିନୀତ ଓଡ଼ିଆ କଥାଚିତ୍ର 

କଥାଚିତ୍ର	ମୁକ୍ତିଲାଭ ବର୍ଷ	ନିର୍ଦ୍ଦେଶକ
କାବେରୀ	୧୯୮୩	ରବି କିନ୍ନାଗୀ
ଗୌରୀ	୧୯୭୯	ପ୍ରଶାନ୍ତ ନନ୍ଦ
ବନ୍ଧୁ ମହାନ୍ତି	୧୯୭୭	ନିତାଇ ପାଲିତ
ବନ୍ଧନ	୧୯୬୯	ନିତାଇ ପାଲିତ
କିଏ କାହାର	୧୯୬୮	ନିତାଇ ପାଲିତ
ସାଧନା	୧୯୬୪	ପ୍ରଭାତ ମୂଖାର୍ଜୀ
ଭାଇ ଭାଇ	୧୯୫୬	ନିତାଇ ପାଲିତ

ମଣିମାଳା

ଅଭିନୀତ କଥାଚିତ୍ର 

• ଅନ୍ଧ ଦିଗନ୍ତ, ୧୯୯୦
• କିଛି ସ୍ମୃତି କିଛି ଅନୁଭୂତି, ୧୯୮୯
• ନିଷିଦ୍ଧ ସ୍ୱପ୍ନ, ୧୯୮୮
• କ୍ଳାନ୍ତ ଅପରାହ୍ଣ, ୧୯୮୫
• ମାୟା ମିରିଗ, ୧୯୮୪
• ନୀରବ ଝଡ଼, ୧୯୮୪
• କିଏ କାହାର, ୧୯୬୭
• ଭାଇ ଭାଉଜ, ୧୯୬୭
• କା, ୧୯୬୬
• ମଲାଜହ୍ନ, ୧୯୬୫
• ଅଭିନେତ୍ରୀ, ୧୯୬୫
• ଜୀବନସାଥୀ, ୧୯୬୩
• ସୂର୍ଯ୍ୟମୁଖୀ, ୧୯୬୩
• ଲକ୍ଷ୍ମୀ, ୧୯୬୨^[୮]
• ଶ୍ରୀ ଲୋକନାଥ, ୧୯୬୦

ଭାନୁମତୀ

ଅଭିନୀତ ଓଡ଼ିଆ କଥାଚିତ୍ର 

କଥାଚିତ୍ର	ମୁକ୍ତିଲାଭ ବର୍ଷ	ନିର୍ଦ୍ଦେଶକ
ଜୟଦେବ	୧୯୮୭	ଶ୍ୟାମଳ ମୁଖାର୍ଜୀ
ମୁକ୍ତି	୧୯୭୭	ବ୍ୟୋକମେଶ ତ୍ରିପାଠୀ
ମମତା	୧୯୭୫	ବ୍ୟୋମକେଶ ତ୍ରିପାଠୀ
ମନ ଆକାଶ	୧୯୭୪	ନିତାଇ ପାଲିତ
ଧରିତ୍ରୀ	୧୯୭୩	ନିତାଇ ପାଲିତ
ଅଦିନ ମେଘ	୧୯୭୦	ଅମିତ ମୈତ୍ର
ମାଟିର ମଣିଷ	୧୯୬୬	ମୃଣାଳ ସେନ
ଆମରି ଗାଁ ଝିଅ	୧୯୫୩	ବିନୟ ବାନାର୍ଜୀ