Barida re (Lakshmi - 1962) was a miraculous trophy for Md. Sikandar Alam as Surya babu informs in his book. This, I think, is his best just like Chhaya pachhe (Parinama - 1960) is Akshaya Mohanty's or Antare kande (Suryamukhi - 1962) is Pranab Pattnaik's.
https://t.co/dHKUB5YnCZ
After ABC, we may zero in on DEF and an additional M
1. Dele dhara - Arati Mukhopadhyay and SA (Amada Bata - 1964)
2. Eka eka mane mane - Nirmala Mishra (Ghara Bahuda - 1973)
3. Fula rasia re - Sandhya Mukhopadhyay (Sri Lokanath - 1960)
4. Mana manena - Sipra Basu (Nuabou - 1962)
G to N:
1. Gadi chale pachhei - Trupti Das and AM
2. Hay madabhari akhi - Shyamal Mitra
3. Itikili mitikili - Bhubaneswari Misra
4. Jamuna ja na - Manna Dey
5. Kete maja e dunia - Hemanta Mukhopadhyay
6. Luchichhi mun luchichhi - Vani Jairam
7. Na ja Radhika - Raghunath Panigrahi
O to Y:
1. O bandhu re - Pranab Pattnaik
2. Prabhu pada tale - Bhikari Bala and Nirmala Mishra
3. Re priya mora - Mukesh
4. Sei chuna chuna - Lata Mangeshkar
5. Tumaku paruni ta bhuli - Md. Rafi
6. Uporopoda premo - J. Adeni and Kumudini Misra
7. Ya kundendu - Raghunath Panigrahi
https://twitter.com/NathTusar/status/1261915734189449216?s=19
Tarun Bandyopadhyay lost one song to Md. Sikandar Alam but his Mane bhari abhimana is a timeless classic which reminds immediately of Dhire dhire chale Rai of Akshaya Mohanty. A matching Kahin gale Shyamaghana by Chitta Jena came in the next decade. Video: https://t.co/8cmVdPfUF7
Chanda lagi kumuda jhurana by Sandhya Mukhopadhyay (Lakshmi - 1962) and Mo mana binara tare by Nirmala Mishra (Manika Jodi - 1963) form a classic pair. After waiting for two decades came a matching Jibanara sabu dei by Indrani Mukhopadhyay (Kaberi - 1984). https://t.co/NIQ14QwYoQ
Sei Nilapari deshe by Md. Sikandar Alam & Nirmala Mishra (Suryamukhi) can easily be compared to Tume janana janana by Pranab Pattnaik & Nirmala Mishra (Kaa). Ja ja re bhasi ja by Nirmala Mishra (Chilika Tire) is relevant here for Rupa-Suna-Hira connection. https://t.co/h4bB8lZJiz
Nayane sunayana re by Pranab Pattnaik and Sipra Basu (Sadhana - 1964) and Mayabini bana jochhana by Md. Sikandar Alam and Nirmala Mishra (Ghara Bahuda - 1973) are two eminences to which can be added Hay se harini akhi by Pranab Pattnaik (Jajabara - 1975). https://t.co/QMd55QlB3Q
Sapanara pathe pathe by Md. Sikandar Alam (Dharitri - 1974) and Nadi fere sagaraku by Akshaya Mohanty and Geeta Patnaik (Nagafasa - 1977) are a good pair. Going back to Chahen na chahen by Nirmala Mishra and Pranab Pattnaik (Sri Lokanath - 1960) seems apt. https://t.co/G54Op9xPxD
Aji akashe ki ranga lagila (Sri Lokanath - 1960) and E ranga e nisha (Jiban Sathi - 1964) by Nirmala Mishra are a natural pair. Though different on many counts, Sathi re ja kahi mun je (Gapa helebi sata - 1976) by Suman Kalyanpur fits in thematically well. https://t.co/cXIaTqt3HG
Mohammed Rafi and Lata Mangeshkar have sung only two Odia solo numbers each and they are all gems. Mayuri go tuma akashe & Tumaku parunita bhuli by Rafi and Sei chuna chuna tara & Aji mun shrabani by Lata. #OldOdiaMovies #GoldenEraOdiaMusic #IndianCinema https://t.co/uoC4jFnIAf
While videos of many songs of Arundhati is available in YouTube, Suryamukhi has none. It has many firsts in the history of Odia Cinema but present generation is callous about them. Bhim Singh's book tells the story of hardships the pioneers underwent for producing these movies.
https://twitter.com/NathTusar/status/1259168380679905280?s=19
Around forty Black & White Odia movie song videos are available in YouTube at present. Another two hundred songs are yet to be uploaded. All should demand for this so that a solution to this problem of preservation of precious Odia music can be arrived at. https://t.co/4hWLSoeNAs
https://twitter.com/NathTusar/status/1257218925932273669?s=19
The best song representing an Evolutionary attitude in line with Sri Aurobindo's vision of seeking Harmony:
Ama karmare ama shramare
Satya thiba swapna thiba kabyare
Nirmalata antare bahare
Chhande chhande biti jiba lagana
#OdiaSong by Narayan Prasad Singh https://t.co/tVK8Hm3IQx
Many thanks for preserving this sneak peek. Along with Janma mati palli dake (Bhai Bhauja) and Ei amari gaan (Adina Megha) the three are absolutely melodious and highly inspiring. Let's hope the full video version is available on YouTube some day #OdiaSong https://t.co/zJh1EdTacL
https://twitter.com/NathTusar/status/1258143235467292678?s=19
He bhai he bhai... Bhanga song can be said to be a defining moment introducing energy and authenticity like Khaike paan Banaras wala (Don 1978)
Prafulla Kar https://t.co/QxW4Qo2qth
Mun ta manisha marini was ahead of Angrezi mein kahte hain (Khuddaar 1982).
https://t.co/9tVjpqJCRW
https://twitter.com/SavitriEraParty/status/1258179414476513280?s=19
The initial Bharatnatyam portion of this seems to form an interlude in the Abhimanini Mana teji aji saja song of Arundhati. #OdiaSong https://t.co/q7BabVVuhs
A similar Southern diversion in the middle within an oyster #OdiaSong https://t.co/MQaZhO8tZR
I haven't explored much the music of the nineties and thereafter. Just heard a nice song by Trupti Das. E ratira e kuhudi e andhara from the album R D Burman - Anupama - Oriya Film Hits https://t.co/XJLkDLMQ4z
Nothing very special but Thila sina Anupama is superb. Who is the lyricist; he has done a fantastic job. #OdiaSong https://t.co/wvZeX7aRbk
